Post a poster you have hanging on your wall

They must REALLY think Seyfreid has a shot at Best Actress because... this otherwise feels like a very weird fit?

just sitting here thinking about how I wish media mail was an international standard www.atlastbooks.com/shop/p/yr-pr...

I'm sorry—WHAT?! The Rialto Cerrito can do 35mm?!

"It's 8:15." is probably the best single line of the year?

All in all, very considerate of my dog to escape through a window on the afternoon of a repeat Naruse film I’ve already caught rather than a one-off, and for my neighbor to text that he’d done so literally as I was about to hand over my card to buy a ticket.

Good news: I was responsible and took a bag of books to sell when I went to Moe’s Bad news: I was irresponsible and immediately spent the credit and then some

Delighted my response to people finding out I’m an “old movies and/in old theaters” guy and asking “Do you know what’s up with the Grand Lake’s 9/11 festival?” can now be “Well, do you know about The ORB?”

pleased as punch to see that Happyend is doing well enough at the Roxie that it's getting bumped from the Little to the Big for at least one screening on 9/25 roxie.com/film/happyend/

Rectify

Italian poster for Jacques Tati's TRAFIC (1971)

Oh thank god The Mastermind is at MVFF

hot damn

S/O to the CBS Sunday Morning producer who pulled the clip of Michael Stipe as Frank-N-Furter for their 50th anniversary package…we were never worthy!!

I just love Judy Holliday so much you guys.

Notes toward a "Lee Kang-sheng acting normal" canon, a thread: Lee Kang-sheng playing the saxophone in SWEET DEGENERATION (1997, Lin Chen-sheng)

Jordan Belson Festival at @grayarea.org last weekend of this month! grayarea.org/event/jordan...

Going to be sending out our (long-delayed) first newsletter in a couple of hours, if anyone would like to still sign up — will contain some catalog updates and teases for what’s coming up next! Subscribe here: muscle-distribution.us10.list-manage.com/subscribe?u=...

Oh hell yeah

Swedish poster for DEATH TAKES A HOLIDAY (1934), directed by Mitchell Leisen and starring Fredric March - BOTD in 1897

Rivette picking Shirley Clarke 🔥

Wow look at this scathing review of Toshio Matsumoto’s Funeral Parade of Roses upon its first screening in San Francisco in 1970. This guy was not ready for what he was watching…

Much to think about.

More people online should read Dennis Cooper’s The Sluts

And we’ve ALREADY gotten “we must preserve democracy by rejecting redistricting//they go low we go high” mailers at my house

and just like that, there’s a playlist commemorating new orleans before and after hurricane katrina 🌀

This was like lancing a boil.

I know he was forced to use it by producers and doesn't like it but I'm convinced Tsai could fund his next movie with a 12" of the full length Theme from Rebels of the Neon God track and a club remix on the B-side.

"The impact of James Dobson on this nation will be felt for a very long time. Few Americas in the late twentieth and early twentieth centuries did more to make the nation a less tolerant, more homophobic, more misogynist, more child abusing nation than James Dobson."

I don't believe in an afterlife, but if I'm wrong, may James Dobson spend eternity hogtied in a stockade excavating crusted shit from Satan's rotting, constipated asshole with a single, loose tooth.

If you’re not from the evangelical world, you probably don’t know who James Dobson was, but he’s a household name for them. Every family I babysat for had copies of his books. And many of them also had dedicated paddles or wooden spoons for hitting their children.

James Dobson is dead, new Mastermind trailer dropped, and Silksong has a release date. What a way to start the day.

🚨 Tap and Ride is LIVE! 🚨 Starting today, you can pay for BART right at the fare gates with a 💳 contactless-enabled debit or credit card or use 🤳 mobile payment, like Apple Pay and Google Pay. There is zero registration or setup process required.

No hints about what's showing. yet, but the Stanford's next calendar is Classic Westerns 🤠👉👉💥💥

cannot get over "and asked if I could publish it"

Me the entire time I was watching Choose Me earlier this week:

So, uh, we should really be talking about Hideko Takamine as one of the greats, huh?

Underrated films of the 1970s: 1970: The Angel Levine/The Landlord (a Bill Gunn double) 1971: Trafic 1972: Un Flic 1973: We Can’t Go Home Again 1974: Film About a Woman Who… 1975: That Most Important Thing: Love 1976: Regrouping 1977: NY, NY 1978: Pennies From Heaven 1979: Saint Jack/Soft Fiction

CATNAP.

yeehaw

i will not get into collecting 16mm prints i will not get into collecting 16mm prints i will not get into collecting 16mm prints i will not get into collecting 16mm prints i will not get into collecting 16mm prints i will not get into collecting 16mm prints i will not get into collecting 16mm prints

A one-minute queer cinematic masterpiece — the hilarious, joyful 1998 @framelinefestival.bsky.social trailer. Must-watch and must-share (with every straight person you know). ❤️‍🔥🏳️‍🌈📽️ www.youtube.com/watch?v=mDmn...

Since it's streaming today, thinking about how apparently Tsangari said at a Q&A that she had a 4 hour cut of Harvest and how I would like to see that...

Thank fucking heavens—they have BEEN needing this for years with all of the rights they squat on.

Everybody go welcome @sfcinematheque.bsky.social to the neighborhood with a follow!

this whole album really is just that fucking good isn't it

Really just starting to lose my mind over Naruse's use of thresholds in his mise en scene—always bridging and isolating, connecting and separating, looking in from without and out from within.