Proud of this one!

Proud of this one!

Here I am on MARTY SUPREME for @newrepublic.com newrepublic.com/article/2044...

“Sports fandom seizes upon our religious instincts, and demands a cocktail of faith and devotion.” —from @bealoayza.bsky.social’s Resurrector column on Oliver Stone’s Any Given Sunday www.thebeliever.net/resurrector-...

Here she is… my @filmcomment.com.web.brid.gy EOY list…

My favorite Berlinale film—tried to drum up enthusiasm in my write-up here, but crickets… www.nytimes.com/2025/02/21/m...

New essay by yours truly on one of the film’s of the year… for @thenation.com www.thenation.com/article/cult...

A pleasure to serve on this year’s Gotham Awards nominating committee for Best Director and Best Breakthrough Director, alongside excellent colleagues @bealoayza.bsky.social, @davidehrlich.bsky.social, @bmluse.bsky.social and @ldbahr.bsky.social. Really proud of both these rangy nomination fields.

Tonight!! Talking all things NYFF with a murderer’s row of critics

Wrote about The Smashing Machine (or How the Rock Learned to Lose) for 4Columns 4columns.org/loayza-beatr...

Wrote about The Smashing Machine (or How the Rock Learned to Lose) for 4Columns 4columns.org/loayza-beatr...

Wrote about nunsploitation— the gender politics and history of the wily subgenre— for Criterion ⭐️ www.criterion.com/current/post...

Thanks to @bealoayza.bsky.social and her stellar New York Times review of Rosa la rose - our limited edition of which is shipping now. www.nytimes.com/2025/07/10/m...

Wrote about the new films by Ari Aster, Richard Linklater and Christian Petzold as part of my @filmcomment.com.web.brid.gy Cannes dispatch, which is now available online: www.filmcomment.com/blog/cannes-...

New critic’s pick🤪 www.nytimes.com/2025/05/15/m...

Reviewed nu-Bonjour Tristesse for 4C 4columns.org/loayza-beatr...

Profiled Dea Kulumbegashvili for the NYT www.nytimes.com/2025/04/24/m...

For the past two months, I've been speaking to striking Alamo Drafthouse workers in New York about their grievances with the company and battling for a new contract. This is the result. For Mubi Notebook. Check it out. mubi.com/en/notebook/...

Wrote about Val Kilmer for the Atlantic. Here’s a gift article for your reading pleasure www.theatlantic.com/culture/arch...

Huge delight to have written the liners for the @criterion.bsky.social release of Alan Rudolph's CHOOSE ME. I'm particularly proud of this one, perhaps because the film hits too close to home. Heterosexuality is masochism and we like it! www.criterion.com/current/post...

Miraculously found my way onto French television via France 24’s Perspective program. Spewed some hot Oscar goss😌

Bye Berlin. Saw the movies, did the thing, thought about the German historical memory complex: www.nytimes.com/by/beatrice-...

Feeling privileged to have been given the space and (extra) time to write about David Lynch for 4_columns. Here I am on him and his women... 4columns.org/loayza-beatr...

Thanks to my readers + editors for making this freelance writer thing work another year. It's a tough gig but I'm lucky enough to do it full-time in relative comfort and write about things I genuinely love. Here are some selected longer form pieces of mine, links on my site beatriceloayza.com

Worth noting the B&N Criterion sale (till tomorrow!) applies to big boxsets, like the monumental CC40 collection — within which you’ll find a few new essays including one on NAKED by yours truly⚡️⚡️⚡️

Wrote 3k+ words on Catherine Breillat, her ideas on victimhood, & the accusations lodged against her by Caroline Ducey. CB is my favorite living director so it behooved me to seriously grapple with her vision & practices—what an honor to do it for NYRB www.nybooks.com/online/2024/...