It's finally gone live so please enjoy! movieswetextedabout.com/lali-film-re...

Thoughts after watching the 4K restoration of "In Which Annie Gives it Those Ones"

This one is all about the guilt we carry as disabled people about occupying space in an able-bodied world. How the rhetoric around 'fixing', 'conquering' or 'overcoming' disability does irreparable harm which takes a lifetime to unlearn. Give it a listen 👇🏽

From the team that brought us Queer Palm winner JOYLAND, comes a new moral fable about the interplay between desire, repression and intergenerational trauma. On the Berlinale World Premiere of Sarmad Khoosat's LALI for @thecurbau.bsky.social www.thecurb.com.au/lali-review-...

Damn, even Sesame Street is scoring off me

In their first conversation out of @melbfilmfest.bsky.social, @nadinewhitney.bsky.social and @nehrukigalati.bsky.social speak about two films which are pilgrimages of a sort: Iron Winter and Romería. Listen to their discussion via the Curb here: www.thecurb.com.au/miff-missive...

Tribeny Rai talks with @nehrukigalati.bsky.social about her film Shape of Momo. Read it via the Curb here: www.thecurb.com.au/tribeny-rai-...

When Jennifer Lawrence walks into the pet rescue in No Hard Feelings the kid behind the counter is reading Bear by Marian Engel. I would like to kiss whoever made that choice on the mouth

My only chance in life to open a piece with a Farsi verse by Ghalib ❤️ Delighted to share this wonderful conversation with Matthew Rankin & Ila Firouzabadi about one of my absolute favourite films of the past year. UNIVERSAL LANGUAGE is in Australian cinemas now! roughcutfilm.com/2025/05/23/a...

"There’s no point in making culture if you don’t believe in community building." Virat Nehru (@nehrukigalati.bsky.social) goes long with Matthew Rankin and Ila Firouzabadi about their absurd and moving film UNIVERSAL LANGUAGE, collaboration, fluidity, and much more. tinyurl.com/4nkx7c2x

Twenty-five years on from the premiere of In the Mood for Love, Wong Kar Wai looks back on the complicated genesis of his masterpiece of desire and restraint. www.bfi.org.uk/sight-and-so...

First #Cannes2025 review: Enzo, a beautiful, bittersweet study of a teenage boy finding his way in life. Veteran French director and one-time Palme d’Or-winner Laurent Cantet passed away during production, and the reins were taken over by his friend and colleague Robin Campillo.

Big big hugs and thank you to the incredibly warm and generous Matthew Rankin, easily one of the nicest people you could ever talk to! His film "UNIVERSAL LANGUAGE" will be in cinemas this Thursday. It's one of my absolute favourite films from the past year. Just go and experience it ❤️

Contributors copy of Tarsem’s THE FALL Umbrella 4K is with me. Includes work by @antbit.projectedfigures.com @williambibbiani.bsky.social David Michael Brown, @nehrukigalati.bsky.social and more. Details in alt. I adore it.

I remember exactly how nervous I was when I was asked to contribute to this release. To have new writing published for this 4K release of Alex Proyas' DARK CITY is a great honour. Indebted to @horrornonna.com & @neilsnowdon.bsky.social for their support and guidance ❤️

Big hugs and thanks to @horrornonna.com and @neilsnowdon.bsky.social for including my words on this very special Arrow 4K release of Alex Proyas' DARK CITY 🤗

@joshnelsonfilm.bsky.social, @alexwest.bsky.social, @richardkadrey.bsky.social, @sabinastent.bsky.social, @martynpedler.com, @nehrukigalati.bsky.social as well as Craig Anderson, Bruce Isaacs and Herschel Isaacs of the Film Vs Film podcast. UK/US release. Pre-orders up now #ArrowVideo

Congratulations to Virat Nehru (@nehrukigalati.bsky.social) for winning the award for Best Review of a Non-Australian Film at the @auscritic.bsky.social Awards last night, for his review of Payal Kapadia’s ALL WE IMAGINE AS LIGHT, published w/ Rough Cut last August. Very well deserved!

And congrats to all the amazing winners including @nehrukigalati.bsky.social @tansyg.bsky.social and @sameytram.bsky.social

A roomful of film critics.

A terrific night at the @auscritic.bsky.social awards. Such an enormous reservoir of talent, and so few chances to celebrate it. Thank you Andrew and Nadine and everyone for all the work in making this happen.

Absolutely blown away to win @auscritic.bsky.social for best Australian review and a huge hurrah for @auscritic.bsky.social supporting our work and to Charles Williams and everyone behind the beautiful Inside.

ICYMI: I spoke to Payal Kapadia about centering her film around friendship, why the men in AWIAL feel like a breath of fresh air, and the choice of music in the film. All We Imagine as Light screens at Perth Festival until Sunday. Don't miss it ❤️ www.thecurb.com.au/all-we-imagi...

Spoke to Payal Kapadia about the many contradictions of Mumbai, exploring friendship as a radical act, and why the softer & gentler men in All We Imagine as Light are a breath of fresh air on screen 😌❤️ www.thecurb.com.au/all-we-imagi...

All We Imagine As Light is one of the finest films of recent years. This discussion between @nehrukigalati.bsky.social and Payal Kapadia is one of the finest we've published. Read it here: www.thecurb.com.au/all-we-imagi...

Multiple AFCA members have contributed to the work of bringing a cinematic master work back to life. Purchase via Umbrella.

The artwork for the home video release for THE FALL by Umbrella is just breathtaking! So fitting for the most beautiful film ever made. Incredibly proud to be part of this release with some amazing people @nadinewhitney.bsky.social @antbit.bsky.social @williambibbiani.bsky.social ❤️

a period of 11 months contains the releases of all these films: Dog Man Wolf Man Better Man Monkey Man Different Man Hit Man Working Man

Christ this is a grim read. (Heed the warning). Couldn’t stop thinking how it’s not only celebrity that enables this kind of abuse. It happens all the time

2024 was the Year of Retrospectives of the masters! Whether it be films by Nancy Savoca and Edward Yang, or John Cassavetes, Akira Kurosawa and the Iranian New Wave: 1962-79, venturing out to the movies for such retrospectives is a pilgrimage I would look back on fondly for the rest of my life.

All We Imagine as Light and the radicalism of a quiet film in India's (currently unbearable) loud cinematic landscape. Out now in Australian cinemas via Rialto Distribution AU. roughcutfilm.com/2024/08/21/r...

A starter pack for Australian film festivals, distribution companies & media websites. If you see any extras pop up, please let me know and I'll add them in. Would love to see more film festivals and distribution companies active on here. go.bsky.app/4vyt1sM

New Almodovar thanks to @sydfilmfest.bsky.social

We are back here for the last Kurosawa and Mifune collaboration

@priyaspotpourri.bsky.social great to connect here 😊

If this glorious new restoration doesn't woo you, new extras from @priscillapage.bsky.social @clembastow.bsky.social @joshnelsonfilm.bsky.social @martynpedler.com + @williambibbiani.bsky.social should. All hail producer/superstar @neilsnowdon.bsky.social - another @arrowvideo.bsky.social treasure!

Recently I saw The Misfits on the big screen for the first time and I cannot get over this comeback by Clark Gable after getting rejected by Marilyn Monroe! I guffawed out loud in the theatre

I've only made an effort to see 3 Hindi films in theatres (outside of film festivals) this entire year. Shoojit's latest film will make it 4. This just shows my faith (or lack of it) in contemporary mainstream Hindi cinema. Most of it is barely cinema, just a smorgasbord of scenes stitched at random

Karan Arjun is a popular movie but to see it getting 105 screens on a single day in Mumbai versus AWIAL, a Grand Prix winner, getting 9 screens... the theatrical scene: distributors, exhibitors have failed us. will wait for a 2045 re-release when AWIAL will get 100 screens

So pleased to see a good outcome for Alana, who underwent spinal surgery for chronic #endometriosis pain.

"I wanted to make a film that gave hope to people who care for, love and want to understand someone who's experiencing chronic pain like this." Spoke with Osher Günsberg about his new documentary on chronic pain that's streaming at SBS now. www.sbs.com.au/whats-on/art...

Not saying critics aren't to blame, but I wonder how much this has to do with the rise of influencers.

Maryam Moghadam and Behtash Sanaeeha’s MY FAVOURITE CAKE is a window into the private life of an Iranian widow It’s an act of hope, desire, and a sumptuous treat. It is also sad, furious, and pushing against a regime that stifles basic humanity. Glorious and heartrending. awfj.org/blog/2024/11...

Still throwing this thing together. HMU if you wanna be on it, jump on it to follow Australia's film scene, or at least the bits of it on Bluesky. go.bsky.app/3Dcd1dV

Please make sure to follow our active members via our starter pack here. More users will be added as they make their way to Bluesky. go.bsky.app/8GWb5rm

As a life-long, card carrying member of the not so prestigious 'Chronic Pain Association' (aka the other CPA), it was a privilege to speak to Osher Günsberg about his latest documentary investigating chronic pain for SBS On Demand. My latest interview: www.sbs.com.au/whats-on/art...

Hanging at the Ritz so I can lose a phone number written on a piece of paper like a Kaurismaki protagonist. Movies have been great. 4K restorations of Yojimbo, Sanjuro & Paris Texas. Finally saw The People's Joker in cinemas. Being unburdened from new releases has been liberating to say the least ❤️

Seeing Kurosawa restored on the big screen has been such an amazing experience + an education 😍

New work: Deep dive, longform interviews are rare, so I licked my lips when SBS On Demand allowed me to go long and unpack the many nuances of South Asian representation on screen, in a conversation with showrunner Mithila Gupta about 'Four Years Later'. Read 👇🏾 www.sbs.com.au/whats-on/art...