100% agree

Brother, you better believe that if the good lord gave me enough fingers, I’d have “WALKIN IN MEMPHIS” knuckle tattoos already.

*seeing anything related to the movie TREMORS* we used to make things in this country

I too have decided to cancel my scheduled performance at the Kennedy Center (standing outside with a boombox playing Enya and doing the Bartman for 3 hours)

Should be wearing a Greinke jersey as a show of solidarity between guys who got a 9-figure deal in LA after abandoning the Royals

Voracious @joeposnanski.com reader

Some pics of Concrete Cedars performing a few weeks ago courtesy of Oliver Pepin. @bradleymckellip.bsky.social @chancedibben.bsky.social

Had these on a loop for the whole London trip.

Happy 50th anniversary to Keith having a really shitty day and accidentally making one of the most successful jazz records ever

Concrete Cedars as we did our thing last night. Thanks for a great night! @bradleymckellip.bsky.social @chancedibben.bsky.social concretecedars.bandcamp.com/track/prairi...

This Sunday at Replay Lounge in #LawrenceKS I’ll be performing as part of Concrete Cedars. If you dig experimental instrumental music, come check us out. @bradleymckellip.bsky.social @chancedibben.bsky.social

Can you tell what famous 70s New York band @bradleymckellip.bsky.social and I are referencing in this tune? tilwillis.bandcamp.com/track/prey-o...

Winter! ❄️ “Trade card for The Bufford’s Sons Lith. Co., Boston, Mass., 1887” www.historicnewengland.org/explore/coll...

You know what’s cooler than a Diablo speed run record? Having healthy relationships with your kids.

Gilded Palace of Zyn is this anything

Wow! Balloons just fell from the ceiling and a man in a suit just came in to present me with a plaque for listening to Songs: Ohia's "Farewell Transmission" for the most times that anyone ever has in a 24-hour period. It's a fantastic honor and as it happens I do have some remarks prepared,

Tomorrow, Concrete Cedars, the experimental improvisational trio of @tilwillis.bsky.social @bradleymckellip.bsky.social , and myself gifts America with a poison present for its birthday. concretecedars.bandcamp.com/album/gold-c...

Concrete Cedars, the experimental ambient country punk noise band that I’m in with w/ @chancedibben.bsky.social and @bradleymckellip.bsky.social, have a new album coming out on the 4th of July. If you enjoyed our last offering, or just curious, follow us on Bandcamp: concretecedars.bandcamp.com

Remembered that Kanopy exists yesterday, a video streaming service accessible with a library card. If you have access, absolutely take advantage of it, there are a ton of mainstream TV/movies available and an extremely large collection of indie/world/classic/experimental cinema free up to 72 hours.

More of that sweeeeeet steel sound ...

The ad hoc quartet of Heidi Gluck, Jackson Graham, Bradley McKellip, and Kawehi Wight ended the night with several ensemble songs including this cover of Neil Young’s “Star of Bethlehem.” youtu.be/Zg8FVF3uZNY

1923: The world's richest man is an antisemite. The hot new music on the street is experimental jazz flute. 2023: The world's richest man is an antisemite. The hot new music on the street is experimental jazz flute.

five minutes into The Passenger/Stella Maris and Chill:

Hey it’s Tuesday, don’t forget that tap tempo, in spite of its prevalence on praise and worship pedalboards, is a hubristic grasp at control and an affront to the possibility of a higher power.

Hbd Joni Mitchell you’re a fucking genius but also thank you for being one of the best shit-talkers of all time. Eviscerate everyone.

bradleymckellip.bandcamp.com concretecedars.bandcamp.com theroseline.bandcamp.com

Happy anniversary of Royals 2015 World Series win to those who celebrate

Almost two months out, I'm amazed that "ox" the live improvisational debut of Concrete Cedars (aka @bradleymckellip.bsky.social , Til Willis, and @chancedibben.bsky.social) is still finding people. concretecedars.bandcamp.com/album/ox

Thank god Taylor re-recorded this record by problematic singer-songwriter Ryan Adams.

WHY IS MARSH SO WET?

Really blown away by the early reception for our little improvisational ambient / country / noise project Concrete Cedars and the debut full-length we released about a month and a half ago. @bradleymckellip.bsky.social @tilwillis.bsky.social

Shout out to everyone in the crowd in the NLDS looking visibly uncomfortable during the chop. Especially the dude in the cowboy hat shaking his disappointed dad head.

Fucked around with some George Winston tunes for Bandcamp Friday. bradleymckellip.bandcamp.com/album/rebuqu...

Concrete Cedars, the ambient group I’m in with @chancedibben.bsky.social and @bradleymckellip.bsky.social, got a mention in #Bandcamp’s monthly round up. #ambientmusic daily.bandcamp.com/best-ambient...

Thanks to @toomuchrock.bsky.social for reviewing and shooting our last show. toomuchrock.com/shows/tilwil...

I just hope I live long enough to see the release of the Billy Bob cut of All the Pretty Horses.

Happy North Carolina Day

“there is no such thing as a small prairie any more than there is a little ocean, and the consequence of both is this challenge: try to take yourself seriously out here, you bipedal plodder, you complacent cartoon.”

I AM HERE TO PARTY