Bitches be like "I have my whole life ahead of me". No you don't, the beast in the jungle is coming 😂

Fragrant darkness in ETOILE (1989) dir. Peter Del Monte.

13. Loving spicy food and making sure everyone knows you like spicy food and commenting on how food is never spicy enough for you is not a substitute for a personality

THE HOT NIGHTS OF LINDA (1975) dir. Jess Franco

Ah to be a melancholic sexual vampire in a crumbling Mediterranean castle

People usually see me as the 70s Eurohorror porn guy (and I usually pitch myself as such) but truthfully, I actually prefer the censored clothed versions of said films. 🫣

RA: THE PATH OF THE SUN GOD (1990) This segment of the Night chapter illustrates divisions from the Book of Gates, where Ra and his Sun Boat passes through various gates and obstacles in the Underworld. The red figures represent Ra's enemies.

My romantic life in a nutshell. 💙❄️🧊

Bluesky's overly rigorous filters + newly legislated age verification requirements are extremely unfun.

More movies need to do FROM HERE TO ETERNITY-style love scenes.

Me: *briefly mentions a horror movie in passing* People who don't like horror movies: I dOn'T LiKe hOrRoR mOvIeS!!!

Me showing my friends some obscure Italian horror movie no one gives a shit about.

domestication is such a joke like what do you mean this pathetic mold spore is a rabbit

The honest reason I don't have microtransactions/season pass/ads/100 DLCs/etc in Balatro isn't just about the ethics of those practices but because when I play other games that have those things it makes me want to put my computer in the dishwasher and set it to pots & pans

Why do I watch random anime? Because sometimes, if you're REALLY lucky, you hit something that looks like this.

Sorry I can't come into work I'm evil

RIP, Udo www.slantmagazine.com/film/udo-kie...

R.I.P.

ESPELHO DE CARNE (1985) dir. Antonio Carlos da Fontoura An executive and his wife acquire an obscene mirror that causes anyone in its presence to exhibit intense hedonistic desires. After a series of parties and invites, the mirror's power grows stronger.

SUCE-MOI VAMPIRE (1976) dir. Jean Rollin

PORTRAIT IN CRYSTAL (1983) dir. Hua Shan After exposure to a drop of blood, a crystal statue comes to life and becomes a deadly assassin ordered to kill rival clan leaders. The artist goes on a journey through a series of underworlds and fairylands to put a stop to the killings.

PORTRAIT IN CRYSTAL (1983) dir. Hua Shan After exposure to a drop of blood, a crystal statue comes to life and becomes a deadly assassin ordered to kill rival clan leaders. The artist goes on a journey through a series of underworlds and fairylands to put a stop to the killings.

In Yoshi's Island, a cave background sparkles, but only when Yoshi moves. This is achieved in an inventive way by making many 1-pixel "pinholes" in the background through which a field of stars is visible. The parallax motion shows the stars intermittently, creating sparkles.

Warlord of Mars art by Joe Jusko #scifiart

THROUGH THE LOOKING GLASS (1976) dir. Jonas Middleton LE MIROIR OBSCÈNE (1974) dir. Jess Franco PANDORA'S MIRROR (1981) dir. Shaun Costello ESPELHO DE CARNE (1985) dir. Antonio Carlos da Fontoura

Midnight insomnia in Jess Franco films.

THE OBSCENE MIRROR (1973) dir. Jess Franco

Secret dungeons and bizarro castles in LES CROQUEUSES (1974) dir. Jess Franco

Baths used to be more fun.

theatre 🎭 (been watching the muppets show recently)

Inferno (Dario Argento, 1980)

Stigmata the Hedgehog

LA COMTESSE NOIRE (1973) dir. Jess Franco

LE ALTRE (1969) dir. Alessandro Fallay Sandy and Flavia are a domestic lesbian couple who want a child. An advertising company and a tabloid paper catch wind of this and attempt to capitalise from the potential scandal.

Nesta sexta, 22/08, às 23h59, tem "Satyricon", de Federico Fellini, no Estação NET Botafogo.

Someone was trying to take a portrait of their two fave Chickens, and this happened.

A BLACK RIBBON FOR DEBORAH (1974) dir. Marcello Andrei

Whatever its merits for other uses, I hope archivists can agree that generative AI is a really bad idea for archival description. If you're trying to explain the context for rare materials, you are never, in a trillion years, going to get that by pointing an algorithm at them

Levana, the forgotten Third Mother in Luigi Cozzi's THE BLACK CAT (1989). Her appearance actually brings to mind Mater Tenebrarum, Our Lady of Darkness from Thomas De Quincey's SUSPIRIA DE PROFUNDIS.

Frame of the Day

August 31st / September 1st

suspiria (1977) dir. dario argento nutcracker fantasy (1979) dir. takeo nakamura

GREYING OUT by Gamevial

An excerpt from Guy Maddin's SEANCES.

CONFESSIONS OF AN OPIUM EATER (1962) dir. Albert Zugsmith INFERNO (1980) dir. Dario Argento