WFHI is pleased to announce the inaugural Women and Film History International Student Project Award. Sponsored by @sffilmpreserve.bsky.social. Visit our website for more info: www.wfhi.org/student-proj... Apply by September 15, 2026

New online resource: "Searching for Lotte Reiniger" From our partners at @davif.fedihum.org.ap.brid.gy comes a visual analysis of film historical metadata by Sarah-Mai Dang (@sarahmaidang.bsky.social) & Christian Laesser. lotte-reiniger.oabooks.de

Women built early Hollywood from the ground up. The story of how they were written out of it is just as important as the story of what they created. Who were Hattie Tabourne, Elizabeth McGaffey, Julia Heron, and Viola Lawrence? 1/4

Please join us in welcoming the newest members of the WFHI Steering Committee: Rose Albayat, Elyse Singer, and Juju Pratiwi 🤍 Meet the entire Steering Committee on our website: www.wfhi.org/steering-com...

THE CINEMA OF ALICE GUY BLACHE, co-edited by Clara Auclair @clarasilentfilms.bsky.social and me, is now officially under contract with University of Illinois Press! 🥳 Thank you to our amazing contributors! #aliceguyblache #aliceguy #womensfilmhistory #feministfilmhistoriography #wfpp

Save the date for the next edition of our Women and the Silent Screen conference!

Brilliant & provocative roundtable on Reframing Feminist Film Theory!!! ❤️🏳️‍🌈🎞️📺🔥 #scms2026

This piece on Feminist Film Curating Collectives has been in the works for a while!! 🎞️🏳️‍🌈 It was *such a joy* to speak to the organizers/curators of these crucial collectives! lareviewofbooks.org/article/femi... Long live the queer feminist film archive!!! ❤️🎞️📽️‼️

Join Karen McNally for their virtual book launch which will focus on examining and revising film history in the aftermath of women's stories, past and present, that have come to light. 🔗 buff.ly/llwWK4F 🗓️ 18 March @illinoispress.bsky.social @profkarenmcnally.bsky.social @londonmetuni.bsky.social

Happy International Women's Day! WFHI is committed to fostering and supporting scholarly, archival, and creative work on women's global film history. 👋 Not yet a member of WFHI? Join today: www.wfhi.org/join 🙏 If you became a member since Spring 2025, you're all set. Thank you for your support!

February’s riveting edition of ONLINE WITH SFFP is now streaming! 1/3

Meet Elaine Basil (pictured here with better-known documentarian Leo Seltzer)! Directed/co-directed at least three nonfiction films in late 1930s and ‘40s, including FROM HAND TO MOUTH for WPA. Naturally, I want to drop everything else I’m doing and learn more about her. archive.org/details/amer...

Delighted to be hosting a book launch for the new edited collection WOMEN IN HOLLYWOOD’S DREAM FACTORY: TALES OF INEQUALITY, ABUSE & RESISTANCE. Join us March 18. 📚 www.eventbrite.co.uk/e/book-launc...

Congrats to @hahumiaomiao.bsky.social!! Her book To Be an Actress: Labor & Performance in Anna May Wong's Cross-Media World won Honorable Mention in the Media, Performance & Visual Studies category of the 2026 Assoc for Asian American Studies Book Awards!! www.ucpress.edu/books/to-be-...

In “Doing More with Less: Informed Speculation as Method,” Allyson Nadia Field embraces the forms of imaginative, creative, and experimental writing of film/media history while at the same time urging rigorous and responsible scholarship Download for free and hold it close— doi.org/10.1525/fmh....

Hey NYC nasty women!!! We're overjoyed to announce that Karen Pearlman's brilliant archival doc BREAKING PLATES will screen in NYC at Cinema Village on March 15 in the 2026 Socially Relevant Film Festival. 🍽️🌪️📽️ *Please spread the word and don't miss the film! ❤️* www.ratedsrfilms.org/the-schedule...

Even though I was late today, was still inspiring to attend @aurspiers.bsky.social’s book talk @wfhinetwork.bsky.social event. Her work and the community of attendees virtually gathered to discuss is much needed during these challenging times!

Coming in April from @criterion.bsky.social! FINALLY! 🎉 @wfhinetwork.bsky.social www.criterion.com/boxsets/8685...

Join us this Friday for a fascinating dive into silent-era style. When films didn’t speak, fashion did. 1/5

Great piece by WFPP contributor @laurah.bsky.social! playgirl.com/entertainmen...

Congrats to the indomitable @aurspiers.bsky.social on official publication of ARCHIVING THE PAST. Go to @ucpress.bsky.social to order your copy! @wfhinetwork.bsky.social is proud to be hosting virtual members-only book talk w/ Aurore later this month. To join WFHI... www.ucpress.edu/books/archiv...

🎬 Wien: Vom 16. Januar bis 04. Februar 2026 zeigen das Filmarchiv Austria und das Filmmuseum Düsseldorf die Retrospektive “First Action Heroes”. Spielort ist das Metro Kinokulturhaus: www.stummfilm-magazin.de/aktuelles/ar... #stummfilmmagazin #filmmuseumdüsseldorf #filmarchivaustria #wien

Time to vote, vote, vote in the annual Silent London Poll of silent film excellence! silentlondon.co.uk/2025/12/21/t...

It's here! Go and pre-order a copy of ARCHIVING THE PAST for yourself and for your library! The book uncovers the story of women in France who, from the 1920s–1970s, played critical roles in the production of global cinema's history, as archivists, witnesses, and activists. @ucpress.bsky.social

FUEL THE ADVOCACY THAT SAFEGUARDS CINEMA’S PAST 🎞️ Advocacy is a core part of San Francisco Film Preserve’s mission. Your support helps elevate the essential work of moving image preservation—here in the Bay Area and across the global film heritage community. #FilmSky 1/6

It was a joy to write this festival report on Il Cinema Ritrovato '25 in Bologna!! (Highlights include contortionist snake ladies 🐍 & smashing the patriarchy! 🔨) FREE to read via @ucpress.bsky.social in the sizzling new issue of @filmquarterly.bsky.social 🎞️🎊 !! online.ucpress.edu/fq/article/7...

Hot off the press!!! "Smashing the Patriarchy in Bologna: A Feminist Dispatch from Il Cinema Ritrovato" by CFNW co-curator @hennefem.bsky.social is now *live* and FREE to read in the new issue of Film Quarterly!! 🎞️😍 @filmquarterly.bsky.social online.ucpress.edu/fq/article/7...

• GRANTS AND PRIZES SFFP sponsors two annual travel grants to enable young professionals to attend the Association of Moving Image Archivists conference. We also support the @wfhinetwork.bsky.social student essay prize. 4/6

Check out former WFHI steering committee member Canan Balan's new book "Torn is the Curtain: Early Film Cultures in Istanbul." www.berghahnbooks.com/title/BalanT...

Found by a student of my colleague Eli Boonin-Vail’s at SUNY Albany: New Rochelle, NY: theater taken over by Thanhouser star Fan Bourke in 1916. She says: “I think that a woman is as well qualified, if not better qualified, to run a neighborhood motion picture theatre, than a man."

🎬Our interview series "Data Practices, Provenance, and Categorizations in Film History" is out now! 👉 doi.org/10.5281/zeno... Our #DAVIF project partners discuss how data practices and institutional and theoretical frameworks shape film-historical #metadata. #digitalfilmhistory #culturalheritage

I find it v difficult to put into words how honored and lucky i feel to have edited this issue on feminist historical methods, to have had so many important pieces of writing and thinking entrusted to me over these last few years. 1/ online.ucpress.edu/fmh/issue/11/4

Our Fall 2025 issue "Notes on Historical Methods" is now live! In her introduction, Katherine Groo reflects on the voices of historical writing, the long history of feminist methods, and the guiding concept and structure of the "note" itself. Open access for a limited time: doi.org/10.1525/fmh....

Exciting new documentary entering circulation! ELVIRA NOTARI: BEYOND SILENCE about Italy’s first woman director + journey to bring her work back to life. Trailer (w/ English subs) here. First learned of Notari via Giuliana Bruno’s classic monograph STREETWALKING ON A RUINED MAP vimeo.com/1125241996

We actively are seeking hosts for future Women and the Silent Screen conferences, including WSS 2027! A helpful potential host info sheet & the application form can be found here: www.wfhi.org/about-wss. If you are interested in hosting WSS 2027, please submit a proposal by 𝐍𝐨𝐯𝐞𝐦𝐛𝐞𝐫 𝟏𝟕, 𝟐𝟎𝟐𝟓.

Great line-up for the Silent Film Festival in Bruges this week!!! Including guest intros by @wfhinetwork.bsky.social Prez @katesac.bsky.social & live music by Maud Nelissen, Hilde Nash, Daan van den Hurk, & Kabir Khan. 😍🎶🎞️ lumiere-brugge.be/stom2025/

Friendly reminder, gentle colleagues. Propose ! Save the dates.

Word is out!!! The curators of Cinema's First Nasty Women -- Elif Kaynakci, @hennefem.bsky.social, @laurah.bsky.social -- will co-deliver the UCLA Copley on Silent Cinema & Costume Design at the Giornate del Cinema Muto this year. 👒☔🌪️ 📍 Thursday 9th October, Teatro Verdi in Pordenone Save the date!

Iris Barry on Radio 4! silentlondon.co.uk/2025/09/18/i...

We've reactivated WFHI's listserv!! You can join here: lists.simplelists.com/WFHINetwork/... We look forward to exchanging feminist film historiographical research (and research questions), relevant scholarly and archival news and events, resources, and more with you all!

Looking for a new beach read? We have you covered silentlondon.co.uk/2025/08/20/s...

🤩 🤩🤩 Our Treasurer @tanyagoldman.bsky.social is talented!

Yuliya Solntseva in THE CIGARETTE GIRL OF MOSSELPROM (1924). She was married to Aleksandr Dovzhenko and co-directed with him, going solo after his death. She won Best Director at Cannes for CHRONICLE OF FLAMING YEARS (1961), the first (and, for decades, only) woman to do so.

On Friday, July 18, Dr. Veronica Johnson will give an online presentation on the history of the Film Company of Ireland, and its co-founder Nell O’Mara Sullivan. Hosted by San Francisco Film Preserve, this event is not to be missed! Register here: filmpreserve.org/event/online...

Sold out screening of THE RED KIMONA (1925) at #IlCinemaRitrovato with brilliant intro by @shelleystamp.bsky.social & sizzling catalog notes by @katesac.bsky.social & live accomplishment by Meg Morley!!! 🎞️🎶🤩 festival.ilcinemaritrovato.it/en/proiezion...

Some great silent screenings at @cineredis.bsky.social this year, chiefly two films starring the wonderful Anna May Wong!

Don't miss the BREAKING PLATES screening on Sunday afternoon at Il Cinema Ritrovato! It's sure to be a smash with @hennefem.bsky.social, @karenpearlman.bsky.social, @richardjamesallen.bsky.social, and Elif Rongen-Kaynakçi on stage 😀 festival.ilcinemaritrovato.it/en/proiezion...

Read about how much fun we just had at the Women and Silent Screen conference in Brussels/Antwerp from the one and only @pamhutch.bsky.social Many thanks to the organizers and @wfhinetwork.bsky.social who created this vital space for feminist scholarship & mayhem! silentlondon.co.uk/2025/06/15/c...

My head is spinning after all the *brilliant* presentations and screenings today at Women & the Silent Screen!!! 🎞️📚❤️ @wfhinetwork.bsky.social @aurspiers.bsky.social @clarasilentfilms.bsky.social @rutuja.bsky.social