“The new Film Quarterly features a freely accessible interview with Errol Morris as well as articles on Pauline Kael and the ‘rebranding’ of Pamela Anderson,” writes David Hudson at Criterion Current!

Chantal Ackerman @filmcomment.com.web.brid.gy + MUBI + 4Columns, new Serge Daney translations @laurentktz.bsky.social, new @filmquarterly.bsky.social, villains @thebaffler.com, MEGADOC @theguardian.com + @newyorker.com, Mira Nair @ Club Ciné … Did You See This? www.criterion.com/current/post...

At the UC Press Blog, FQ editor J. M. Tyree introduces Adrian Schober’s retrospective on Pauline Kael in FQ’s latest issue! UC Press unlocked Kael’s greatest hits for FQ, including her takedown of auteur theory. Read “Reverse Weather Vane”: www.ucpress.edu/blog-posts/p... @ucpress.bsky.social

FQ‘s new issue features free articles (link below)! 🍿 Laurie Ouellette on Pamela Anderson’s Deobjectification Adrian Schober on Pauline Kael’s Romantic Criticism Matthew Sorrento interviews Errol Morris Editor J. M. Tyree on the films of the quarter online.ucpress.edu/fq/issue/79/1

The digital issue of Film Quarterly 79.1 (Fall 2025) @filmquarterly.bsky.social is now live, with my interview with Errol Morris @errolmorris.bsky.social , and other articles, currently free to read: online.ucpress.edu/fq/issue/79/1 #chaosmansonmurders #separated #documentary

It's here!!! *Very excited* to receive my copy of the new @filmquarterly.bsky.social -- which includes our *collectively edited* dossier on CINEMA AND PLEASURE. ❤️🎞️ @girishshambu.bsky.social @caetlin.bsky.social filmquarterly.org/2025/09/12/f...

9/16/53: Max Ophüls masterpiece The Earrings of Madame De... w/Danielle Darrieux, Charles Boyer, Vittorio De Sica More PTA: www.criterion.com/current/post... @tomhuddleston.bsky.social: www.timeout.com/movies/madam... Laura Mulvey/ @filmquarterly.bsky.social: filmquarterly.org/2009/06/01/t...

Cover reveal! FQ’s fall issue arrives soon with amazing stuff…

If you’re around Cornell, you’re in for a real treat! Caetlin’s Film Quarterly article about I Saw the TV Glow, the dysphoria horror, (& more!) is a big hit with my students, and I love it too! Free access: online.ucpress.edu/fq/article/7... @caetlin.bsky.social @filmquarterly.bsky.social

Newly published: FQ contributing editor Josslyn Luckett's "Toward a More Perfect Rebellion: Multiracial Media Activism Made in L.A.," available from @ucpress.bsky.social! www.ucpress.edu/books/toward...

In her new book, Becoming Ghost, poet Cathy Linh Che writes about how her parents were used as extras in Apocalypse Now. FQ EIC J. M. Tyree discusses the book with the author at New England Review: nereview.com/cathy-linh-c...

For fans of Wanda and Barbara Loden - Elena Gorfinkel's notes on the film and the filmmaker are free to read in FQ's Summer issue! online.ucpress.edu/fq/article/7...

In FQ's new issue, Eliot Dunn interviews Jenni Olson on the 10th Anniversary of The Royal Road - free to read! online.ucpress.edu/fq/article/7...

Newly published and free to read in FQ's Summer issue, Jim Knipfel explores the art and history of movie novelizations! online.ucpress.edu/fq/article/7...

Let's try this again without the adult content block! Come for the cheeks, stay for the theory!

Delighted to see a review of my @utexaspress.bsky.social book, Imagining the Method, in the latest issue of @filmquarterly.bsky.social! Thank you, Magdalina El-Masry!

Free to read in our new issue, FQ contributing editor Caetlin Benson-Allott reassesses the butt shot in The Substance and Anora! online.ucpress.edu/fq/article/7...

FQ‘s new issue features free articles (link below)! 🍿 -The Art and History of Movie Novelizations by Jim Knipfel -Interview with Jenni Olson by Eliot Dunn -Reassessing the Butt Shot by Caetlin Benson-Allott -Wanda and Beyond by Elena Gorfinkel -Editor's Notebook by J. M. Tyree

My latest in the Summer issue of @filmquarterly.bsky.social addresses the genre-blending traits and intersectionality of GOOD MANNERS, one my favorite films to teach. Open access link: shorturl.at/yvlg7

FQ's Summer issue is live for subscribers! Look for unlocked articles soon... online.ucpress.edu/fq/issue/78/4

Elena Gorfinkel's introduction to "Wanda and Beyond - the world of Barbara Loden" began a season of Loden screenings at BFI Southbank last evening in London! Gorfinkel's notes on the film and the filmmaker appear in FQ's forthcoming Summer issue...

Cover reveal! Film Quarterly Summer issue coming soon...

So much goodness here!

Final week of my “Race and Ethnicity in U.S. Media” class and teaching two favorites: @kristenwarner.bsky.social’s “In The Time of Plastic Representation” (Film Quarterly) and Joe Tompkins’ “Woke Hollywood, All Hype Black Panther” (Film Criticism). My students’ pre-class responses were 🔥!

The winter issue 2024/25 of @filmquarterly.bsky.social is out now! I’ve got a piece, a centennial reappraisal of Hans Karl Breslauer’s silent, Die Stadt ohne Juden (The City Without Jews), in it alongside contributions Caitlin Benson-Allott, Amy Herzog et al. filmquarterly.org/2024/12/04/w...

Criterion Daily's @dwhdaily.bsky.social: "Jane Schoenbrun’s I Saw the TV Glow earned six Spirit Awards nominations and is the subject of an essay by Caetlin Benson-Allott featured on the cover of FQ’s Winter 2024 issue." www.criterion.com/current/post... @caetlin.bsky.social @ucpress.bsky.social

Nominated for six @filmindependent.org #SpiritAwards, Jane Schoenbrun’s I SAW THE TV GLOW is featured on the cover of the new @filmquarterly.bsky.social — www.criterion.com/current/post...

"Zryd is meticulous in his analysis of the work of the filmmaker without ever succumbing to the 'great man' approach to art history." @filmquarterly.bsky.social reviews HOLLIS FRAMPTON: NAVIGATING THE INFINITE, by Mike Zryd (@zryd.bsky.social). bit.ly/49mXhJg @columbiaup.bsky.social

Great news! My article on Jane Schoenbrun and I Saw the TV Glow is no longer paywalled! Thank you to @filmquarterly.bsky.social and @textplusimage.bsky.social-- here's the new link: online.ucpress.edu/fq/article/7...

I loved writing for @filmquarterly.bsky.social about RIPLEY, one of my favorite series of the past year! filmquarterly.org/2024/12/04/w...

Film Quarterly 78.2 is here from @ucpress.bsky.social online.ucpress.edu/fq/issue/78/2 Caetlin Benson-Allott: I Saw the TV Glow online.ucpress.edu/fq/article/7... Ramzi Fawaz: Inside Out 2 online.ucpress.edu/fq/article/7... Amy Herzog talks to Sandi DuBowski online.ucpress.edu/fq/article/7...

Now free to read in full: online.ucpress.edu/fq/article/7...

"A landmark contribution...By challenging the traditional notions of completeness and embracing the fragmentary, Beeston and Solomon offer a radical rethinking of film history and theory." Amazing new review of #Incomplete in @filmquarterly.bsky.social 😍😍😍 doi.org/10.1525/fq.2...

The confession… *SOUND ON* Film Quarterly: Which directors reign supreme in your pantheon of influences? Aki Kaurismaki: Robert Bresson L’Argent/Crime and Punishment #sidebyside @filmquarterly.bsky.social

I wrote a short piece about the wonderful /Evil Does Not Exist/ for the new issue of @filmquarterly.bsky.social online.ucpress.edu/fq/article/7...

New FQ Webinar on Interactive Cinema posted! Page Views editor Bruno Guaraná joins Marina Hassapopoulou for a conversation about her new book, Interactive Cinema, moderated by Rebecca Prime. filmquarterly.org/2024/07/26/i...