Horror ppl should watch Hell-Bound Train (James & Eloyce Gist, 1930) on @criterionchannl.bsky.social. The Gists were Black evangelists & amateur filmmakers who used their films in their sermons. This film is a catalogue of sins. Even w/ no budget, it has surprisingly haunting moments throughout.

Our Fall 2025 issue "Notes on Historical Methods" is now live! In her introduction, Katherine Groo reflects on the voices of historical writing, the long history of feminist methods, and the guiding concept and structure of the "note" itself. Open access for a limited time: doi.org/10.1525/fmh....

🎬Our interview series "Data Practices, Provenance, and Categorizations in Film History" is out now! 👉 doi.org/10.5281/zeno... Our #DAVIF project partners discuss how data practices and institutional and theoretical frameworks shape film-historical #metadata. #digitalfilmhistory #culturalheritage

Excited to be in Bruges, and at this festival, this weekend!

We've reactivated WFHI's listserv!! You can join here: lists.simplelists.com/WFHINetwork/... We look forward to exchanging feminist film historiographical research (and research questions), relevant scholarly and archival news and events, resources, and more with you all!

🎥✨ Step into the world of early cinema innovation! Join us Friday, September 19, for the next edition of ONLINE WITH SFFP: Preserving Douglass Crockwell’s Mutoscopes. 1/5

On Friday, July 18, Dr. Veronica Johnson will give an online presentation on the history of the Film Company of Ireland, and its co-founder Nell O’Mara Sullivan. Hosted by San Francisco Film Preserve, this event is not to be missed! Register here: filmpreserve.org/event/online...

Sold out screening of THE RED KIMONA (1925) at #IlCinemaRitrovato with brilliant intro by @shelleystamp.bsky.social & sizzling catalog notes by @katesac.bsky.social & live accomplishment by Meg Morley!!! 🎞️🎶🤩 festival.ilcinemaritrovato.it/en/proiezion...

Come break plates with us today at #IlCinemaRitrovato!!! 4:30pm in DAMSLab 🎊😍🎞️ @karenpearlman.bsky.social @hennefem.bsky.social @richardjamesallen.bsky.social @katesac.bsky.social @physicaltv.bsky.social app.ilcinemaritrovato.it/show?id=82688

@physicaltv.bsky.social @nastysilents.bsky.social's BREAKING PLATES screening at Il Cinema Ritrovato this Sun, June 22, 4.30pm. Tix: www.google.com/url?q=https:... Join @karenpearlman.bsky.social @hennefem.bsky.social Elif Kaynakci, Kate Saccone & @richardjamesallen.bsky.social for the panel/Q&A!

#bornonthisday: actress, director, producer, and screenwriter Helen Holmes!

Don't miss the BREAKING PLATES screening on Sunday afternoon at Il Cinema Ritrovato! It's sure to be a smash with @hennefem.bsky.social, @karenpearlman.bsky.social, @richardjamesallen.bsky.social, and Elif Rongen-Kaynakçi on stage 😀 festival.ilcinemaritrovato.it/en/proiezion...

Notifications regarding Women and the Silent Screen XII submissions will be sent out slightly later than planned. Please expect to hear back around mid-February. The conference committee apologizes for any inconvenience that this delay may cause!

Congrats to @alixbeeston.bsky.social and @stefansolomon.bsky.social whose *phenomenal* collection INCOMPLETE won Best Edited Collection at this year’s @scmstudies.bsky.social Book Awards!! Proud to have it in my Feminist Media Histories series @ucpress.bsky.social www.ucpress.edu/books/incomp...

New in #openaccess! STRETCHING THE ARCHIVES TOWARD A GLOBAL FILM WOMEN’S FILM HERITAGE. Eds. Lizelle Bisschoff, Ana Grgić, Stefanie Van de Peer. Book has particular emphasis on feminist cultural memory and film heritage in the Global South. www.archivebooks.org/stretching-t...

As it stand, we sadly don't have enough votes in this year's poll. If we don't get a few more surveys completed, it wouldn't be fair to name any winners – so please vote! silentlondon.co.uk/2024/12/22/t...

Excited to be heading to the Netherlands Silent Film Festival tomorrow! 🎞️ 🎶 On Saturday, Anke Brouwers and I will present our program "Nice Work (if You Can Get It)," which is dedicated to women at work and working women of various kinds!

TO SAVE AND PROJECT, MoMA's annual festival of preserved films, starts tonight and continues through Jan. 30. www.moma.org/calendar/fil...

Let's do a silent movie alphabet! A is for The Adventures of Prince Achmed

It's the most wonderful time of the year! Time to vote in the Silent London Poll of 2024! silentlondon.co.uk/2024/12/22/t...

As we approach the holiday I want to share some Christmas shorts directed by women. Czech animator Hermina Tyrlova, created wonderful worlds of wool & string. A stop motion innovator, her career spanned almost 60 years, 1927-86. Here is her delightful SNOWMAN (1966) www.youtube.com/watch?v=PtNo...

The schedule is up for MoMA's annual festival of film preservation, TO SAVE AND PROJECT. Organized by yours truly this year, with the invaluable help of Cindi Rowell. Starts Jan. 9 with our upgraded restoration of Frank Borzage's silent masterpiece, 7th HEAVEN. www.moma.org/calendar/fil...

You still have this weekend to submit to Women and the Silent Screen XII, "Form and Feeling in Silent Cinema."

The surviving fragment of VICENTA (Musidora, 1919) is now streaming online on HENRI! www.cinematheque.fr/henri/film/1...

Save the dates for Hippodrome Silent Film Festival 19-23 2025. Festival passes for the 15th edition on sale now www.hippodromecinema.co.uk/hippfest/

Just finished reading a draft of @aurspiers.bsky.social book manuscript, Archiving the Past: Women’s Film History in France, which will be published in my Feminist Media Histories book series @ucpress.bsky.social. Can’t wait for you all to read it!

Ukrainian French artist Sonia Delaunay's 1920s - 1930s clothing designs

The new issue of JOURNAL OF e-MEDIA STUDIES has dropped. Its Early Cinema Compendium includes 17 essays and a companion set of 15 newly-created databases of primary sources related to the first four decades of motion-picture film. pub.dartmouth.edu/journal-of-e...

We've extended the deadline for Women and the Silent Screen proposals to Monday, December 9! For more info: www.wfhi.org/2025-brussel...

In one hour you can join Amy Ruhl, Mark Cooper, Lorena Ruiz Trejo, María Fernanda García Solar, and Sabine Groenewegen online for Entr’acte Day 2! www.wfhi.org/entracte-2024

Join Esha Niyogi De, Susan Potter, Diana W. Anselmo, Luciana Corrêa de Araújo, S. Louisa Wei, and Terri Francis for Entr'acte Day 1 later today! It's not too late to register!

Registration is still open for @wfhinetwork.bsky.social's Entr'acte 2024 online event! www.wfhi.org/entracte-2024

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www.wfhi.org/entracte-2024 Registration is now open for Entr’acte 2024: Creative Historiographies, an online symposium sponsored by @wfhinetwork.bsky.social Organized by Drake Stutesman, Kiki Loveday & @katesac.bsky.social Nov 22 & 23

Proposals for Women and the Silent Screen XII are due December 2, 2024! wfhi.org/2025-brussel...

"After Alice, Beyond Lois: Mining the Archive with the Women Film Pioneers Project," MoMA, through Nov 10! www.moma.org/calendar/fil...