Hidden Folks is hiring a Game Designer to help shape the quirky, playful world of Hidden Folks 2 and beyond! 📍 Remote, Full-time (Netherlands) 🗣️ English proficiency 🛠️ Made in Godot ⤵️

#15 Left: The Licensed Fool and Keeper of Her Immortal Majesty's Hounds Right: a Bound Golem of Clan Doria (remaining term: 236 years)

Art for our upcoming game @gardens.dev 🌳

#portfolioday, I'm trying my luck again with my very old illustrations ⚡️⚡️⚡️

A Fool’s Errand — our latest game for @play.date — is out now! Get it now: play.date/games/a-fool... Learn more: www.iorama.studio/afoolserrand

New Year card ! Working hard in the comic mines this year 🫶🎸

By the way this IGF Excellence in Narrative nominated writer (twice!) is still looking for work in 2026 👋

friends! acquaintances! help! i'm looking to hire a game designer (living in the Netherlands) to help build games in The Hidden Folks Universe, starting with a sequel to the indie hit game Hidden Folks. know someone who's a good fit? pls forward this, ty! hiddenfolks.com/job-opening/...

Looking for a job #PortfolioDay

Sol Cesto might just be your next roguelike obsession

Now that everyone is going back to work, it's a good time to remind you I still urgently want to be your next writer of things. Email [email protected] or DM me for my portfolio. Happy New Year!

Hire Nico. She worked on our next game and made cool perfectly isometric pixel art environments for it. If you need refs, hit me up.

#03

started a little daily (or as close to daily as possible) drawing challenge. Trying to spend about an hour on it, but that might go down on days when I'm working

American journalist and author, Chris Hedges, delivered a speech in 2013 on progress and collapse that still resonates today, with one part focusing on why resistance to fascism is a moral duty in itself. "I do not fight fascists because I will win. I fight fascists because they are fascists."

Hello ✨ Je m'apelle Azura, game UX et strategist designeuse. Ces 9 dernières années, j'ai travaillé dans une grande entreprise de la tech mais surtout dans des studios de jeux vidéo français : WRC, Lost Records, Jusant...

hello :D going to start posting here too, say hello!

Bonjour, @guillaumemeurice.bsky.social a un message pour vous 😇 1/

Here’s a sneak peak at another #lego model I’ve had the chance to work on depicting recently published Late Triassic animals, specifically the little amphibian Ninumbeehan! More details and builds coming soon! #paleoart #paleontology #scicomm #scienceart #biology #legomoc #afol

Iguanodon bernissartensis- built for a collaboration with other artists to depict extinct animals using LEGO. Links to the other works available on my instagram post

Treat a published work that was later divulged to be AI-generated the same way you would if you found out it was manually plagiarized from a different book. Same situation, just the plagiarism has been automated and averaged out a bit, and the plagiarist is also a scab and a cultural arsonist.

The only reasonable position is zero tolerance: the AI industry must end sooner rather than later. It is culturally, socially, environmentally, and economically destructive, and all the Silicon Valley marketing in the world isn't going to make it otherwise.

We will get paid less, many of us will be forced out of the field and/or the industry, generations of new writers will find their development stunted and their early-career opportunities limited, and ultimately, the quality of the work available to readers will suffer.

AI is a direct threat to our livelihoods as well as the future of our professions, not because AI is capable of doing any of the work, but because our industries will use the threat of AI to make us all increasingly precarious. Uncertain futures and worse working conditions.

There is no ethical use of AI because the continued existence of the AI industry is directly harmful to (alongside everyone else) the interests of everyone whose labour makes books exist—writers of fiction & nonfiction, illustrators, translators, researchers, editors, everyone.

Atuel is 100% OFF its original price of COMPLETELY FREE for the Steam Winter Sale! 🎉🎊✨ Play our award-winning, surrealist documentary game about a river in Argentina and the ongoing climate crisis today! store.steampowered.com/app/2794330/...

For the occasion, we’ve also released a special ambient video with beautiful scenes from the game, in collaboration with @dontnod.bsky.social 🧗  Go check it out! youtu.be/fRtNpOC46vA

The live version of the magnificent Jusant OST is here 🎹🎻 For the game’s anniversary, the composer Guillaume Ferran gave a cozy & touching celebration concert with Maïa Collette. He had the bright idea to record the evening as a gift, which we now offer to you. 🔗  kidkatana.ffm.to/jusant-live

you might remember Natalie from when she was laid off from Giant Squid *immediately* after they shipped Sword of the Sea (which she did incredible work on). please consider reading/sharing her story, and giving something. it's been a rough year for her, and we can help.

Most of my art for KEEPER was on paper. Somehow. ✏️

I've been working on Monument Valley 3 as an artist and animator for the past 3 years and its just come to an end. These are some of the screens that I'm really proud of. Our team did such an amazing job on this game and I constantly feel lucky to be able to be a part of it.

Maybe this is why I like stealth games because they usually are forced to have a premise that is about a character being out of place/under threat in some way. I really think so many games could be improved with a narrative premise beyond “following orders”

Videogames are weird because so many of them are about someone who is where they supposed to be, doing the thing they are supposed to be doing (because someone told them to) and succeeding at it.

My most recent thing for @unwinnable.com isn't calling out anyone specific, but make no mistake, it *is* meant as a call out.

💥💥💥LOOKING FOR A JOB💥💥💥 Hi everyone, after few bad news, I am now urgently in need of a job ! I can do: -Environment Art -Prop Art -Shader & Textures -VFX Both available for contract work and freelance !! Portfolio: clen.artstation.com thank you for your time ❤️

Added some new pieces to andiwatson.bigcartel.com

The only acceptable amount of genAI usage is zero, IMO.

I don't know why the idea of developing concept art with AI is somehow meant to convince us that AI isn't replacing creative professions, when concept art is one of the single most creative and imaginative parts of the entire development process.

it's all bad but it's disgusting to imply that using genAI for concept art is comparable to placeholder text

So, my contract on Aphelion ended after two years and I’ve been enjoying some time off 😴. I won’t be accepting job offers in the coming months, since I’ve been selected for a 6 months training course on collaborative, tv series writing, starting in January! 🤗 Really happy about this, exciting news!

Nous atteignons déjà la moitié de notre campagne de dons... mais pas de l'objectif 😢 Si vos moyens vous le permettent, c'est le moment de vous mobiliser pour que des voix indépendantes perdurent face aux discours des médias Bolloré ! donorbox.org/arret-sur-im...

Alright gang, there's a Senior Level Designer opening on my team. You know the drill. 👇 Please pass this along and AMA* jobs.zenimax.com/requisitions...

Le Sénat prévoit la liquidation de l’Institut national de la consommation (INC) et l’éventuelle cession de son magazine @60millionsconso.bsky.social à un acteur privé. Un gâchis et un carnage social annoncés.

Check out this thing I'm working on at Remedy 😁 It's going to be very very cool. youtu.be/e1_eZyFM5-4?...

worm for you

reading about genAI slop brokers makes me want to draw more weird manual art. extremely realistic brachiosaurus reconstruction for you