The Monday Period: Pages 1-4 #garfield #imsorryjon

huge congrats to the @letterformarchive.org type west class of 2025! a feast of creative type design typewest.letterformarchive.org/2025/

Happy belated birthday to the best character in Mahjong Soul, who is allowed to eat as many tiles as he wants

My sincere wish for all of us in 2026 is we all keep makin' art! Good, bad, stinky – it doesn't matter! Let's keep making things. ✏️💨

ambient maria is live now to 9 pm pacific with a special holiday sunday sundowns! tune in twitch.tv/theambientma...

Pokemon is basically a thing Nintendo does where once every couple of years they release a new set of character designs and I get to enjoy cute fanart based on these character designs for the next two years. Allegedly, a video game is somehow involved somewhere

Legends 🌟 #nightinthewoods x #animalcrossing

we're so back. youtu.be/aDl3cwrpz_U?...

all the A's i drew for #fontober 2025 (and an accurate representation of my mental state afterwards lol). which one was your favorite? big thanks to everyone who followed along and provided feedback and encouragement ❤️ let's do it again next year!

#fontober day 31 (LAST DAY 🎃): i had zero inspiration this morning so i just made a lowercase to complement the uppercase from yesterday. i like how i was able to reuse the weird serif from C in a/c/r/s. it feels like the headline from an old-timey railroad timetable or almanac

#fontober day 30: the redlick-newman building by 17th and mission in SF (the one that used to have the "17 reasons why!" sign on top) has these blocky geometric letters embedded in the sidewalk out front. i had to fontify them. why is the original N so narrow tho? did they forget about the hyphen?

#fontober day 29: my handwriting tends to take a zig-zag form for letters like i/m/n/u (good thing no one else has to read it!) so i made an irregular monolinear italic with a zig-zag rhythm. i was tempted to make 'n' and 'u' identical but i'm not that mean — how would you tell "month" from "mouth"?

#fontober day 28: the font in the first image is plain old Times, just upside down, right? now look at the second image where i turn it right side up. wtf!! (1/5)

#fontober day 27: finished the ink traps experiment from yesterday. the traps force some tough decisions — the R has one corner in the crotch because having two traps that close together is too complex. i wish i had more control over which direction they pointed so R/X could look a little less wonky

#fontober day 26: does it count as a whole alphabet if i draw half of an alphabet in two masters? i think so lol. here i'm using @glyphsapp.com corner components to add variable ink traps to a bold italic sans. i like how the S looks like a slug. gonna try to finish this one tomorrow

#fontober day 25: designed a narrow lowercase sans with some contrast for the 16-pixel-tall displays over the doors at the ends of the BART car (see image 3). pixel fonts are so hard — there are only a few slopes that look good on a pixel grid so making a satisfactory k/v/w/x/y/z is near impossible

#fontober day 24: i adore super-high-contrast expansion faces like bodoni black so here's my love letter(s) to them — big ol' ball terminals, hairline serifs, all the f-ligatures. good for book covers and headlines

Street cleaner fam, assemble! Have some cool announcement on the way!!

#fontober day 23: finished the engraver's script from yesterday (for now anyway). uppercase script is hard, but surprisingly modular —  spot the shared elements between B/K/R, T/F, A/C/E/G, O/V/W, G/J/Y, Q/Z. surprisingly O and Q have completely separate designs due to the direction they're drawn in

#fontober day 22: @warriorchicken.me requested a font related to "brass music and trumpets" for her bday so i thought of the way the trumpet maker's name is engraved on the bell sometimes, all ornate and swooshy. might finish this one tomorrow. thanks to lttrink.com for the assist with the strokes!

#fontober day 21: this font's based on the lovely hand-painted sign at El Chavo Supermercado by 29th & Mission in SF — boxy, angular, inconsistent, alive! it reminds me of paper cutouts. i wonder what the painting process was — mask off the bounding rectangle and counters and roller-paint the rest?

#fontober day 20: finished the script face from yesterday. it's nice to have an easy day! not sure about that v/w tho, one day i'll learn to draw them properly. also check out that wavy em dash hell yeah

#fontober day 19: i'm feeling a little under the weather so i was only able to get part of an alphabet done, a cursive script based on some doodles i did with a pressure-sensitive pen in Procreate. i think it shows promise! hopefully i can finish it tomorrow

#fontober day 18: sketched a scripty italic. this one might benefit from more iteration because it's hard to get the color consistent across letters with lots of hooks (m n u) and letters with open spaces (c r). the curly d i drew didn't work out, sadly

#fontober day 17: i drew a wide uppercase to complement the lowercase from day 6, inspired in part by the painted town names along the ceiling of the SF ferry building (though my serifs aren't nearly as extravagant)

#fontober day 16 (halfway point woooooo): sketched a somewhat unhinged black unicase where all the letters are the same height. the 'a' started as an upside-down 'g' — not sure i've ever done that before!

#fontober day 15: i spotted this hand-painted sign at Librería Palabra de Dios in SF (palabradediossf.com) and fell in love with the funky R sticking its leg out like it's trying to trip somebody. the sign only has 14 letters of the alphabet so i had to extrapolate quite a bit

#fontober day 14: today's idea is a geometric slab serif italic, where the stems are tilted but everything else is kept (more or less) straight, including the serifs and rounds. spacing is tough!

Man

#fontober day 13: i decided to make caps for the lowercase from day 4. drawing an uppercase grotesque is at the same time very formulaic (there are only so many ways you can make E F H I L T out of rectangles) and very fiddly (it's very easy for B G M W to feel too dark)

#fontober day 12: this typecooker was more work than i was expecting. tapering the stems toward the middle makes the outlines much more complex and hard to manipulate (and extra-light faces are even less forgiving). the hooks in a, c, and r usually have ball terminals but s has serifs — why is that?

#fontober day 11: i added a "signpainter's shadow" to day 1's font by outsetting each glyph's path, deleting the segments that don't face the direction of the shadow, and stroking the remaining segments with a round brush. i like how it differs from just putting the text on an offset copy of itself

#fontober day 10: @macrael.com prompted me with the phrase "attack font" and i ran with it, imagining something that might be painted on the side of a plane, bold and pointy with no curves

#fontober day 9: if bees developed electronic displays they might look like this, a 12-segment hex cell based on a triangular grid. it works for the most part but the constraints are evident in letters like T, m, x. the cell tiles the grid when staggered so you can use it to hide messages (image 3)

#fontober day 8: i always wanted to try a slab serif and typecooker said i should so i guess today's the day. i'm not quite sure how to get k and x to work right tho… as it is it just looks like they're all serifs

#fontober day 7: the nice thing about typecookers is that you can pick and choose which parts you want to follow. today i got "no contrast, extra bold condensed" and decided to make the ends rounded for funsies. shrinking the counter of 'g' to make room for the tail is one of my favorite tricks

#fontober day 6: did another typecooker asking for a wide high-contrast face with translation stress. couldn't resist the tilted 'e'. i feel like it has slightly spooky fall vibes!

#fontober day 5: i love the lettering in "an ideal boy: charts from india" by sirish rao et al. here i extrapolated the ultra-wide hand used in "OUR HELPERS" to a whole alphabet. there were some tough decisions — should I have made the C/G/D rounded like the P/R instead of square like the O?

#fontober day 4: i'm a huge fan of franklin gothic and narrow grotesques in that vein so i decided to try drawing one. turns out it's super hard — with no serifs to distract the eye, every mistake in thickness and curvature is much more apparent

#fontober day 3: i asked a friend for a prompt and he said "maximum ornamentation", so i did what i could in a 3 hour time frame. think circuses and toy chests

#fontober day 2: sometimes too much constraint is a bad thing. typecooker suggested "octagonal curves" and i decided to try a bodoni-esque face using only straight and 45° lines. turns out non-45° lines are important for A N X Z which look a little wonky here. the result reminds me of cross stitch

hey we're back with another #fontober, the silly challenge i give myself every year where i do some type design every day during the month of october and post the results here. today i'm kicking things off with a typecooker-inspired high-contrast marker face

The God of Arepo / a #comic about a farmer who befriends a nothing god (1/13) #art

I drew a tiny zine about this for just myself last spring. I offer it now to a weary world.

a comic about fishing (1/7)

Ta daaa! I give you the Lorentz Attractor thanks to the free pattern from #ThreadedTheorems and also @samjshah.bsky.social whose posted work I admired. #StemBroidery #MathArt #MathSky

Recently reading Debord reminded me of this one-page drawing game I did based on his and other situationalist's work. You can get Driftbook for free (or leave a tip) here: lurnoise.itch.io/driftbook

New product on my shop, The Longest Cat. This is a set of four stamps to create cute mutant cats. guypradel.fr/produit/the-...