This B/W variant of my SUSPENSTORIES 2 #1 cover is neat.

I gave a short interview about 1949. In French and English.

First Look: EC Comics and Oni Press Give the Gift of SHIVER SUSPENSTORIES 2 #1 with 56 Pages of Fear on December 10th! @eccomics.bsky.social @oni-press.bsky.social @dustinweaver.bsky.social

oh hey, my short time working on SHIELD infinity is in the omnibus! that's so cool. @dustinweaver.bsky.social www.marvel.com/comics/colle...

With the new S.H.I.E.L.D. omnibus out, here’s a Night Machine sketch. I still remember how to draw him.

So cool to finally have this all in one book.

A quick sketch of Alex Dayne from the first comic series i ever created, Assassins’ Guild.

So cool to finally have this all in one book.

A quick sketch of Alex Dayne from the first comic series i ever created, Assassins’ Guild.

S’il se perd un peu sur la fin, 1949 est mix réussi de polar façon années 40-50 et de thriller futuriste dont l’impeccable partie graphique de Dustin Weaver mérite à elle seule le détour ! #comics www.comicstories.fr/1949-vf/

Success is anytime I make something I'm happy with or when I manage to pull something off I've never done before. This is, at once, a low bar & an ever rising high bar. I love when someone seems to like something I've done, but does it count as a success? Success to me has fuck all to do with money.

I've reached 100 comics in this thread.

Once upon a time, comics fought to become a medium for grown-ups. That battle was thoroughly lost. Now we're left to wander the YA wastelands.

In the 60's the Marvel universe was created. 30 years later, the Image universe and Legend imprint were created. 30 years later, seven more Batmen were created.

I heard an animator once point out how artists who work in animation, but then make a move into comics, are more successful than artists going from comics into animation. He took this as evidence that animation was the better medium, which is a weird conclusion.

Struzan's stuff is like magic. He could put just layers of life into his work. I had a phase where I obsessed over Struzan. I think about his work often.

THE JUNIPER LODGE (coming in 2026) The next PAKLIS collection will include “They’ll Bury You Where You Stand!”, “Mushroom Bodies”, “An Empty Shell In The Ocean”, “The Juniper Lodge”, “Defects In The Hand-Drawn Line”, “Seventeen”, & “Quitting Comics.” Hardcover with a lot of extras.

Listening to podcasts from 2010 is kind of weird. Even for something like a movie podcast. I can't stop thinking about what these podcasters haven't experienced yet and how their feelings will change.

THE JUNIPER LODGE (coming in 2026) The next PAKLIS collection will include “They’ll Bury You Where You Stand!”, “Mushroom Bodies”, “An Empty Shell In The Ocean”, “The Juniper Lodge”, “Defects In The Hand-Drawn Line”, “Seventeen”, & “Quitting Comics.” Hardcover with a lot of extras.

Here's the whole image.

DAMN!

Longshots #1 is out. It's got this cover by me.

ENO UNIVERSE playlist! A retrospective of Brian Eno’s body of work from 1972-1995 including his solo rock and ambient records and his collaborations with Bowie,Talking Heads, U2, Devo, Fripp, etc! All links and annotated tracklisting in the newsletter issue fluxblog.substack.com/p/fluxblog-5...

I'm reading through the responses. I'll repost a few in this thread.

Youngblood #2 variant cover (2025)

Today I officially enter my late 40s.

Today I officially enter my late 40s.

Longshots #2 cover (2025)

Longshots #1 cover (2025)

Shiver SuspenStories 2 #1 cover (2025)

Here's my YOUNGBLOOD #2 variant cover. (2025) This was a real blast. The first wave of Image comics is deep in my blood.

Here's Bullwhip and Mantis-Man. (2025)

Look! I made that art!

CATACOMB OF TORMENT #4 cover (2025)

Kaneda sketchbook drawing (2018) (Scanned and colored in 2023)

My tribute to Masamune Shiro's Ghost in the Shell. (2017)

FAN ART for @mercurialblonde.bsky.social's Gendocybin. A comic with more vitality than most anything being published these days.

Otomo using his own incredibly iconic composition to pay tribute to Shiro is both amazingly cool an amazing flex.

My cover for LONGSHOTS #3.

Dustin Weaver

I THINK I prefer color to black and white, but most of my faves are black and white.

Kurt Vonnegut’s definition of what makes something “art” is one of my favorites I’ve seen - from a letter to his brother in 1995.

So strange to see someone else's collection of my art and think "I could never afford that." Meanwhile I have more of my original art than anyone.

First2Pages from a favorite comic. Joe's Bar

This is a great thread...

The thing that matters most to me in comic book art is the "personality" of the art. It's all the ways that the personality and tastes of the artist show through. If I don't like the personality, it doesn't matter how well it's done.

The comics panels and pages that live in my head are too numerous to narrow down. They actually make up most of what's in my head... Also I make all of them pay rent.

Seen like a good time to share this awesome commission I got many years ago from @dustinweaver.bsky.social