A (slightly belated) happy new year! Allow me to introduce myself to those of you unfamiliar with my work; I’m Lee, I’m a painter from England, I’m a fan of abandoned buildings, moody narratives and quiet, mildly foreboding landscapes.

The first painting of 2025 and the last painting of 2025.

Wishing you all joy, happiness and good health. Merry Christmas!

Edgelands (2024) Oil and acrylic on canvas

The Jetty (2022) Oil and acrylic on canvas

A painting from yesteryear.

‘Fracture’ is now available as a limited edition print. Feel free to message me for more details.

‘Fracture’ is now available as a limited edition print. Feel free to message me for more details.

Latest painting (acrylic on canvas)

The Anomaly (2022) Oil and acrylic on canvas

Just a couple more days to bid on these as well as on others from a great list of people from the entertainment world, sport and the arts.

I have two sketches in @getsmart2025.bsky.social’s online charity auction, should you be interested in bidding. It’s for a very worthy cause that’s close to my heart.

What the husband @mjowen174.bsky.social says is true. It’s been a bit quiet in my shop lately. If you’re looking for #Christmas cards and gifts please have a look at my website. gailmyerscough.co.uk A repost would be lovely too.

The Barbershop (a painting from the archives) Limited edition prints available.

I had a nice brief chat with the lovely people at @thisiscolossal.com recently: www.thisiscolossal.com/2025/10/lee-...

My solo exhibition continues… Link here for more details: briansinfield.com/artist/eclip...

Opens today! At the Brian Sinfield Gallery, Burford, in the Cotswolds. 18 Oct - 4 Nov briansinfield.com/artist/eclip...

Chimney pot huddle. @leemadgwick.bsky.social

The Interlude Oil and acrylic on canvas

Liminal Silence Oil and acrylic on canvas

The Conekeeper’s Cottage Acrylic on canvas

@leemadgwick.bsky.social Saw this nightmarish, gurgling thing and thought of you.

Hard to believe Dismaland was ten years ago. It was a huge privilege to work with Banksy and an unforgettable experience.

The Post - oil and acrylic on canvas

Whippy Oil and acrylic on canvas (90x90cm)

‘Drift’ Oil and acrylic on canvas 1.1Mx1.1M

Jacob very kindly asked for a couple of my paintings (‘Fracture’ being one of them) to be featured in his brilliant new book. More details here: www.lostincult.co.uk/overthinking

The Tenants Oil and acrylic on canvas

Paper Planes (oil and acrylic on canvas - 90 x 110cm)

A new painting. Badlands (oil and acrylic on canvas)

The Swift House Oil and acrylic on canvas 1.1M x 1.1M

The Rumour (2022) Oil and acrylic on canvas

The beginnings of a new piece. This time of a handsome building I stumbled upon in Asturias recently.

Latest painting. Oil and acrylic on canvas (60x115cm)

I went to see 28 Years Later last night. Wasn’t overly convinced. Then I slept on it and it all made sense. It stays with you. Alex Garland is good at that.

BOOM! Oil and acrylic on canvas

It’s @glastonburyfestivals.co.uk weekend. Here’s a painting of mine of The Pyramid Stage during quieter times.

The ballad of Wallis Island. What a bloody lovely wee film. Beautiful, just what I needed.

A small painting fresh off the easel.

Just missed out on this year’s John Moores Painting Prize with ‘Fracture’. Although I was amazed to get to Stage 2. Congratulations to those who got through!

The Block (2021 - oil and acrylic on canvas)

Sketch > Painting (2022)

Heartily recommend this strange, haunting, claustrophobic, bleak and wonderful book. Tiny chapters combined with abstract art that portrays the despair from the narrator of something terrifying happening from above. peter.blaserad.com

The finished piece. Oil and acrylic on canvas.

A Relic With A View #Photography #Urbex #Cork #Ireland

Sometimes I really feel the need to paint a lone majestic tree. Here’s the latest..