I am now able to do museum quality prints up to A3+ folks! All your faves! Posh Hahnemuhle paper that will last 200 years or something in the right conditions. Let me know if there's anything you fancy.

Richard Gilbert Scott’s swooping Vatican II Our Lady Help of Christians, Birmingham (1966-7)

Chicken. 📷

'A Wet Walk', Kingston Bridge by Paul Cleden paulcleden.co.uk

'Over London - By Rail' (from 'London: A Pilgrimage', 1872) by Gustav Doré

Feels great to finally join the lineage of artists that have answered the calling of Dungeness; amongst them John Piper, Eric Ravilious and most famously Derek Jarman

Aliens have landed in Deal

From English Landscapes by Jean-Pierre Gilson. Signed copies now in stock: www.photobookjunkies.com/product/jean...

I’m doing a fair amount of cycling. But photography takes over when passing seductive new topographics! My phone is always to hand.

Is entertainment in the 2020s going to just involve spending a small fortune to attend immersive experiences for things which don't need to be immersive? And which most of the time aren't even immersive?

'Waterloo Dusk' by Steve Edwards steveedwardsart.com

Whilst not a fan of plastics, these 1963 adverts for Plexiglass are fascinating, and only 18 years after the end of WWII. It's hard to appreciate how modern they were at the time.

The Wall, Dymchurch http://www.tate.org.uk/art/artworks/nash-the-wall-dymchurch-p01751

Wheal Peevor and Carn Galver mines. Pinhole camera with paper negatives.

Redruth

Some experiments.

Some experiments.

This is really sad. Sebastìão was one of the first photographers I came across that really got me into it. Genesis remains one of the seminal bodies of photography of our time. Long may his work, photographically and environmentally, continue to inspire us.

The Ship Tavern, Little Turnstile, Lincoln's Inn Fields (1905) by James Ogilvy (The Morgan Library and Museum)

Redruth

Genuine question: how does Portrait of Britain continue to remain relevant when the work seems so similar every year? It's becoming like Taylor Wessing.

Wheal Peevor and Carn Galver mines. Pinhole camera with paper negatives.

'Last Orders at the Still and Star', Aldgate (2021) by Jonathan Madden maddenlondon.com

'The World's End, Camden' (2022) by Michelle Heron michelleheron.co.uk

OPENS TODAY at 4pm Sat 17th May - (free, all welcome) Corpus|Delicti by Rolf Kraehenbuehl orielcolwyn.org/en/Exhibitio...

Thanks Microsoft Teams for that not-at-all-chilling message 😧

Little new fiction cover I did for a McSweeny's insert earlier this year.

I see the Beeb News site continues its flaming hurtle into chat mag territory. I might start printing it out so I can be pointlessly and ineffectually outraged, but with an actual red pen. What a bell-end. Probably delete this later.

Excellent thread.

Pretty astonished, but we've hit the target after only 36 hours! Thanks so much to the over 200 contributors! Of course you can still contribute and get a book- the best way is through the 'Rewards' section www.crowdfunder.co.uk/p/valleys-ph...

'Main Artery', Canary Wharf Underground Station by Rob Pointon robpointon.co.uk

Candelária

7️⃣ The seventh case on our #C20RiskList 2025 is St James' Park East Stand in Newcastle, by FaulknerBrowns, 1973 Now the oldest surviving part of Newcastle United's iconic ground, the brutalist East Stand is likely to be a focus for any expansion of St James' Park. c20society.org.uk/buildings-at...

Horta, Faial #azores #faial #photography #architecture

There will be signs that I have been to the Azores.

I’ve been somewhere new but it was very wet.

Sent this one to David Hurn once, for a 'print swap'...

Azores Brutalism | Monte Palace Hotel. Built in the right place at the wrong time, the Monte Palace Hotel operated for just 18 months in the late 80s at the rim of the crater of the Sete Cidades Massif, overlooking the crater lakes.

The walk and guide that Elliott contributed to BRUTAL Bristol II lay the foundation for the rest of the zine. Now you can pick up his own guide Modern Bristol as part of the set or on its own. ourshadowswillremain.bigcartel.com/product/modern-bristol-elliott-sargent

With the Pope dying a day after meeting JD Vance, and with Queen Elizabeth dying two days after meeting Liz Truss, it seems prudent to keep the elderly away from neoliberal conservatives for their own safety.

I went to the Tate Modern yesterday. In the Rothko room with all the Serious Art Connoisseurs there was a ~5 year old kid who walked up to each painting, pointed at it and shouted 'RECTANGLE' at each one in turn, then left the room.

In light of the new Universal Studios park being confirmed, I was reminded I traipsed through that cold Bedfordshire field with a friend around this time last year.

Pollarded plane trees - an unusual sight in the sea of North Wales pebbledash. This, from my project documenting the chronically overlooked seaport town of Holyhead/Caergybi.

New work...

I'm doing that thing again where I realise I haven't shared anything in a while, and I go to share some work, and then I question why. Clearly I'm not happy with what I'm making right now.

Walking round IKEA yesterday, all of those room sets the ghosts of more optimistic times, made for the dreams of a different world

‘Genius Loci’ - the spirit of a place. This project looks at visual presentations that determine our memory and perception of familiar places. Or in other words, what makes us feel what we do about our surroundings.

In ‘Lives Less Ordinary’, a diverse portrait of working-class life offers welcome respite from the patronising photographs of Martin Parr artreview.com/what-depicti...

Excited to be launching the crowdfund for my Valleys publication very soon! Can't wait to see (and for you all to see) these in print!