Agnes Gund, the US philanthropist and president emerita of the Museum of Modern Art, New York, has died artreview.com/agnes-gund-p...

Chinese artist Cai Guo-Qiang and his recent Arc’teryx-sponsored firework performance, The Rising Dragon, have triggered a barrage of online criticism over environmental concerns artreview.com/cai-guo-qian...

The New York-based interdisciplinary artist examines the uncanny of the everyday in this unsettling mediation on the home artreview.com/art-lovers-m...

An ambiguity – between self-possession and spectacle – is central to the Almaty artist’s work artreview.com/how-almagul-...

Qiu Shihua, the Chinese artist known for his signature white monochrome paintings, has died aged 85 artreview.com/qiu-shihua-c...

The artists Jennifer Packer and Marie Watt have been named the 2025 recipients of the 2025 Heinz Award for the Arts and will each receive a $250,000 cash prize artreview.com/winners-of-2...

For all of its big ideas of futures and freedom, the 36th edition, The Oracle, is altogether something smaller and more diaristic artreview.com/ljubljana-bi...

Our editors introduce the exhibitions on their radar this month artreview.com/the-10-exhib...

Speculative futures can come from the left or the right. An interesting article on different approaches to sci-fi and how Musk, Thiel etc are attempting to 'turn its contents into tools for their own forms of memetic warfare'. artreview.com/space-racism...

Read a good article about this. It really is the aesthetic of facism artreview.com/the-fascinat...

The ‘Black is Beautiful’ movement; Velázquezian references; Sleeping Beauty – it’s all there in Kerry James Marshall’s monumental painted worlds, on view from this weekend at London’s Royal Academy artreview.com/how-kerry-ja...

This New York Pavilion of the decentralised biennial functions as ‘a final call’ artreview.com/from-gaza-to...

Wrote on Donald Locke and Anderson Borba and, I guess, bodies joyful and cruel.

Working generations apart, both artists use the bodily form as a vehicle for self-expression and preservation artreview.com/donald-locke...

This is the first of my 'works of art' monthly columns for @artreview.bsky.social. Each month I'll tackle issues affecting how artists sustain--and sometimes can't--their creative practice.

From 1952: John Berger ponders the plight of professional painters but who, for economic or personal reasons, have little actual time to work artreview.com/john-berger-...

John Morgan, who designed ArtReview in its present incarnation, will be remembered as an inspiration, collaborator and friend of the magazine artreview.com/john-morgan-...

Age verification and data collection require there be no slippage between who governments think we are and who we want ourselves to be – which was the whole point of the internet in the first place artreview.com/why-do-we-ha...

Today’s Editor’s Pick is 'Who Can Stop Artwashing?' by Joanna Walsh for @artreview.bsky.social. The problem with artwashing and how the widespread defunding of the arts has made it more pervasive.

Written by the wonderful @badaude.bsky.social by the way!! Say no to artwashing. "A freelancer working from gig to gig, I’m only too aware that artwashing is a form of censorship that silences the creative voices of artists living precariously."

Artists and unethical money have been implicitly linked for centuries. Whose role should it be to police it? artreview.com/can-we-ever-...

Regarded as one of the pioneers of the so-called ‘hi-tech movement’, Grimshaw’s designs include the geodesics domes of the Eden Projects in Cornwall and the original Eurostar terminal at Waterloo station in London artreview.com/nicholas-gri...

Haegue Yang is the new chair of Kunst-Werke Berlin, the institution responsible for the KW Institute for Contemporary Art and the Berlin Biennale artreview.com/haegue-yang-...

"This veneer of enlightened reason reflects similar strategies employed by everyone from longevity grifters to AI accelerationists and even climate-change denialism (The science is inconclusive!) or gender essentialism (It’s basic biology!)." artreview.com/the-fascinat...

For decades, Victor Man has made paintings that, for all their productive anachronism, feel both astral and intimate artreview.com/victor-man-h...

Two quite different types of criticism are frequently confused, John Berger wrote: Studio criticism and Public criticism artreview.com/opinion-john...

Last week’s Israeli airstrikes on Yemen have damaged the national museum in Sana’a, the Houthi culture ministry says artreview.com/national-mus...

UC Berkeley has provided the US government with the name of 160 students and teachers amid their ‘potential connection to reports of alleged antisemitism’, as part of a federal investigation artreview.com/judith-butle...

The artist’s project is not about dissecting past events per se; rather it’s about centring the way in which narratives surrounding those events have evolved as time progresses artreview.com/the-left-win...

Public participation is key to the artist’s metamorphic tapestries, which examine Traveller culture and politicised movement on calico-covered walls artreview.com/delaine-le-b...

“I managed to learn how to criticise the government without risking my life. One learns how to move around” artreview.com/the-intervie...

is AI *actually* the aesthetic of fascism? I think a lot of the discourse has gotten it wrong, and I explained why in my latest for @artreview.bsky.social artreview.com/the-fascinat...

AI is the machine of fascism artreview.com/the-fascinat...

In ‘passing the fugitive on’, the viewer is invited to think about almost everywhere but Gaza artreview.com/13th-berlin-...

Though the institution did not provide any reason for the move, Le Monde reported on Thursday that Simon Baker was fired artreview.com/simon-baker-...

In joyful, speculative work, Jeffrey Gibson unpicks and repatterns mythologies around the depiction of native cultures artreview.com/jeffrey-gibs...

London’s Freud Museum has picked Anna Jobson as its new director artreview.com/freud-museum...

The US government’s anniversary AI project tells us nothing about American history and everything about today’s America artreview.com/the-fascinat...

In its eschewing of art technique and history, ‘Of my life’ at Kunsthalle Basel catches a certain artworld mood artreview.com/ser-serpas-o...

Stephen Prina’s central project, 37 years and counting, is a dialogue with himself about the collapse of the image. Why does this matter so much? artreview.com/stephen-prin...

Berlin nightlife is under threat and the city has never been more insecure about its ‘cool’ artreview.com/berlin-atona...

Our editors pick the top 10 exhibitions they’re looking forward to this month artreview.com/the-10-exhib...

Ralph Rugoff will step down from his role as director of the Hayward Gallery in Spring 2026 artreview.com/hayward-gall...

In his four-hour documentary of Amsterdam under Nazi rule, Steve McQueen’s eye is more a poet’s than a philosopher’s artreview.com/steve-mcquee...

The 36th Bienal de São Paulo centres on the estuary as a curatorial image, with outstanding works fighting against the designs of their presentation artreview.com/36th-bienal-...

‘In a Bright Green Field’ foregrounds young artists from Greece and Cyprus imagining a new future for the region artreview.com/in-a-bright-...

The National Gallery in London has announced that it will develop a new wing and public space on its campus. It will also expand its collection to include twentieth- and twenty-first-century art artreview.com/national-gal...

The September 2025 issue of ArtReview is out now – featuring Naeem Mohaiemen, Kerry James Marshall and Gala Porras-Kim; columns on public art and unethical sponsorship; reviews and more. Get your copy and subscribe now: shop.artreview.com/products/art...

While I’m not a fan of the new entrance - my review below - Finaldi’s directorship has seen the display areas of the Gallery looking better than ever. Developing the new site will leave Finaldi as the most transformative director of the Gallery in modern times. > artreview.com/national-gal...

'The greyhounds are long gone, but there could yet be some stolen goods on display.' interesting use of dazzle camouflage as chi-chi, while Albert, framed between oiled muttonchops, sneers dismissively at the author