La chouette archive typo du jour : L'assignat, monnaie sous la Révolution Française, merci la newsletter The Casual Archivist casualarchivist.substack.com/p/assignats

Introducing Calligraphic Menagerie✨🖌️⁠ ⁠ Twenty charismatic creatures from the quills of 17th- and 18th-century writing masters celebrate the playful art of flourishing in this set of colorful notecards with accompanying envelopes.⁠ ⁠ Available now in our shop: letterformarchive.org/shop/calligr...

Soeprapto Soekonto, theater programs, Semarang, Indonesia, ca. 1931–34. We’d love to know more about this artist, who was perhaps influenced by Hendrik Wijdeveld (posting tomorrow), but with a style all their own. #IndonesianDesign #1930s #Lettering #GraphicDesign

J. Laugier, Modèles graphiques d'alphabets industriels modernes, Eugene Charavay, Paris, 1890. If you like this sort of thing, you’ll want to keep an eye on upcoming releases from Letterform Archive Books: letterformarchive.org/mail?utm_sou... #Alphabet #Lettering #1890s #France

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✨Georges Franju BOTD, 1912 🎂 While I adore the dreamy fantasia of Eyes Without a Face and Judex, I do have a soft spot for the gaudy pop pulp nonsense of his final film, Nuits Rouges (1974), full of mad disguies, masked villainy, undead slaves and underground secret society shenanigans...

Swiss cartographers have been hiding illustrations in their maps, for decades. eyeondesign.aiga.org/for-decades-...

Clifford A. Harvey, Before Rosebud Was a Sled: From the Permutation Press, Commercial Wood Engraving in America Seen Through the GramLee Collection, 1998. Gift of Dennis Ichiyama. #Labels #VictorianDesign #FlourLabels #Lettering #GramLeeCollection

SALUT INTERNET J'AI FAIS UNE TYPO. Velvelyne créé par Mariel Nils et moi même pour le site de la fonderie Velvetyne est dispo sous la licence CUTE, écrite par Bye Bye Binary. Le caractère est disponible en 4 graisses avec des ligatures post-binaires 💌. velvetyne.fr/fonts/velvel...

Mon Premier Cahier de Dessin, late 1950s. France www.presentandcorrect.com/blogs/blog/m...

Jean Larcher, Pop Message Postcards, Dover, 1979 #Lettering #Postcards #JeanLarcher #LetterformArchive #1970s

More Gilbert And Sullivan Overtures - Conducted By Kenneth Alwyn, cover illustrated by Malcolm Binding, 1965. #wardsmorguefile #moreartlessdoom

An old favourite for Friday. The Portuguese Fish Tin Museum is an amazing source of typography www.presentandcorrect.com/blogs/blog/n...

We're going to make it through this 🩷💙 Let's turn our fear and rage into community action.

Lancement imminent de notre nouvelle typo Velvelyne avec Mariel Nils pour Velvetyne #typography #lauch #VelvetyneTypeFoundry #singleline #plotter

The work of Koichi Sato. Scanned from Koichi Sato (World Graphic Design 13), 1994 designreviewed.com/artefacts/ko...

Georges Méliès is all "Look, ma! No strings!" in THE MERMAID. Méliès starred in most of his own films and was one of the first screen performers to really play to the audience, breaking the fourth wall and addressing them directly.

Coincée dans des réunions alors que je pourrais juste jouer de la basse. Quelle vie.

This INSANELY good site has catalogued the signage from 115 of Europe's underground stations. So much typographic eye candy, not to mention tiles and colours. ubahn.photos

Ptit changement d'avatar car j'ai juste envie d'être un ptit machin souriant dans vos feeds

Nosferatu

A collection of 17 lottery tickets from 1950s Japan. www.presentandcorrect.com/blogs/blog/w... For anyone that needs them today.

Quand j'ai l'occasion de faire un truc bizarre

Ce con de Blier a donc fait la même chose que ce con de Lynch. A bientôt, messieurs.

RIP David Lynch 🕯️🦉☕ Visuals I made throughout the years, reworked as a tribute. 10-4 good buddy!

One of my favourite things anyone has ever said about art. You'll be missed, David. 🌹

it’s a Roman Salute!

Bonjour aux nouvelles personnes, permettez-moi de vous accueillir avec mon chef-d'oeuvre personnel

A zoom-like effect in the Méliès film THE MERMAID (1904) accomplished by simply wheeling the fishtank closer to the camera.

With David gone we gotta pick up the slack. We all gotta get weirder

In honour of Severance 2, a 1970s office catalogue from Germany. www.presentandcorrect.com/blogs/blog/a...

Book covers by Pino Tovaglia, mid 1970s. from aiap.it

Mais vous êtes tous là en fait. Moi je misais tout sur Mastodon depuis tout ce temps.

A collection of 500+ old chopsticks wrappers, some of which are now online. letterformarchive.org/news/this-ju... Thanks @letterformarchive.org

Bonne année à tous·tes 🌞✨ 📸 extrait des petites expérimentations en vue de réalisation du spécimen du caractère Velvelyne que l’on conçoit avec Mariel Nils #Typographie #GraphicDesign #TypeSpecimen #HNY

Transit tickets of the world. Follow here www.instagram.com/transit.tick...

Logo et Direction Artistique pour le groupe de reprise funk et soul Soulstice (dont je fais parti en tant que bassiste). Crédits typo : Cheee Schemer de OhNoFoundry _ #creativework #graphicgang #typedesign #typefaces #logo #logodesign #fontdesign #graphicdesign #designfeed #graphicdesigner

Puisqu'il faut repartir de zéro : Moi c'est Manon, je suis directrice artistique en agence. Vous me connaissez peut être pour ma chaine youtube de vulgarisation #typo ou encore par ce qu'on s'est croisé autour du libre et de l' #opensource. Je fais aussi partie de Velvetyne ! #presentation #intro

The Type Archive in London is the greatest collection of type history that is no more. An incredible celebration of this unique typographical institution in book form is being crowdfunded: a book by Richard Ardagh. vol.co/collections/... It survived its founder, Sue Shaw, by just a few years.

Looney Tunes Background Art, an essential for your feed www.instagram.com/looneytunes_...

Commes Des Garcons, 2018 / Sister Corita Kent, 1965

On verra bien ce que ça donne ici.