This week, a trio of conversations that track the history of animation in my lifetime, and my life in animation. Act I: Acid Tab Cartoons. Act II: Looking Like SpongeBob. Act III: Saving Nimona. These stories come from Between Imaginary Worlds, which is available to listeners who pledge on Patreon.

It takes a village to make a monster. This week, I talk with Tamara Deverell, the production designer on the new Frankenstein film directed by Guillermo del Toro. We discuss where she looked for inspiration, and how she reimagined the iconic lab where The Creature comes to life.

This week, we look at the origins of two of the most famous horror novels -- Frankenstein and Dracula -- and talk with scholars about what might have inspired Mary Shelley and Bram Stoker.

This week, we explore the groundbreaking score that Louis and Bebe Barron created for the 1956 sci-fi film Forbidden Planet. It changed the sound of science fiction music, but not everyone was ready to accept the future of film scoring.

One of my favorite podcasts, Imaginary Worlds by @emolinsky.bsky.social, interviewed the creators of one of the best books I've read recently, Lucas Wars. podcasts.apple.com/us/podcast/i...

Viola! The French graphic novel Les Guerres de Lucas is out now in English with a new title, Lucas Wars. I talked with artist Renaud Roche and writer Laurent Hopman about how they depicted the making of Star Wars, and why it was such an uphill battle for Lucas himself.

I'm thrilled that Imaginary Worlds is a finalist for a Signal Award for Best Arts & Culture podcast! I'm also eligible for a Listener's Choice Award. You can vote right here! Feel free to forward too!

not to make this all about my own interests, but we NEED more people to discover audio dramas not only do they rule, but they're probably one of the few entertainment mediums left that aren't mostly controlled by massive companies vulnerable to corruption/pressure the most successful ADs are indie

This week, we hear an episode from the podcast Cautionary Tales about a young filmmaker, a difficult actor, and even more difficult mechanical shark that could’ve turned into a disaster. Instead, it produced a cinematic masterpiece.

This eloquently sums up why I've been so depressed about the state of podcasting now. For a long time it felt like there was this endless hunger for thoughtfully produced narrative shows. Now it feels like a capricious whiplash where everyone is like, "Okay, we're done. Bring on the celebs!"

With summer winding down, we take a trip to Coney Island – over a century ago – and explore the bombastic and bizarre theme park Dreamland.

This week, I talk with video game composers at Hans Zimmer’s company Bleeding Fingers, and indie composer Winifred Phillips about the challenge of writing music for a visual medium that is constantly changing.

In honor of the new Fantastic Four movie coming out and the way it’s paying homage to the original comics from the 1960s, this week I revised my 2018 episode about Jack Kirby and how much of himself he put into characters that eventually became pop culture icons.

Thanks to The Hitchhiker’s Guide to the Galaxy, we already know the meaning of life. (Spoiler: it’s 42.) This week, we ponder the meaning of Douglas Adams.

I will be teaching my class, How to Sound like Yourself on the Mic, on July 10th at 7pm EDT. It's great for people who are starting a podcast, or more experienced podcasters who would like to learn some tips and hone their skills!

I'm doing my 10th annual call out for story ideas across social media -- although it's my first on Bluesky. Let me know what you'd like to see on Imaginary Worlds in the future. It helps to be specific with your suggestions. As I often joke, I don't want to sound like Imaginary Wikipedia. Thanks!

What if you could upload your mind to the Internet? I talk with Pantheon showrunner Craig Silverstein and Ken Liu, author of the short stories the TV show is based on, about how they crafted an existential thriller with stakes that feel both personal and global.

FYI I changed the title and link for this week's episode, but the content is still the same. I heard feedback that people thought the preview title looked like I had posted a negative review, and I really didn't want to give that impression.

This week, I talk with author Martha Wells and the Weitz brothers, who adapted her Murderbot books into a new Apple TV+ show starring Alexander Skarsgård. We cover casting choices, balancing comedy with sci-fi, and who could appear in future installments of Murderbot’s favorite soap opera.

There's usually not much crossover between politics and science fiction but for the record, a robot is not the same thing as a clone. Other than that, no notes.

Looking for Memorial Day sales? Everything in the Imaginary Worlds merch store is up to 27% off this weekend! imaginaryworlds.dashery.com

This week, we shine a light on the 1960s gothic soap opera Dark Shadows, and look at how it sparked a debate among horror fans as to whether vampires should be depicted as pure predators or tragic, misunderstood outcasts.

This week, I confront my fears and look at why the subgenre of body horror freaks me out, and how it can be liberating for some people to watch.

This week, we tour an exhibit in New York celebrating the artwork of Syd Mead. He famously designed the dystopian worlds in Blade Runner, Tron, Aliens, Elysium and other sci-fi films. But his personal vision of the future was more utopian and egalitarian.

ICYMI I'm teaching a class at 7pm EDT on Zoom tonight about podcasting narration, with some in-class coaching. It's for newcomers to hosting and those with more experience behind the mic who want to up their tracking game.

This week, we look at why so many architects believe that a sci-fi utopia is possible if we can imagine it first.

Anyone else feel like they're on The Pequod these days?

Until I saw this post, I completely forgot how great Val Kilmer was in this wildly underrated Cold War spoof made by the same team as Airplane and The Naked Gun.

This week, we conclude our mini-series by looking at the flair of Mary Blair. She changed the way Walt Disney wanted his animation and theme parks to look. But we’ve all collectively felt her work more than we’ve actually seen it.

In the multiverse, Mark S and Mark Scout could’ve settled their differences by playing Cones of Dunshire.

TeePublic has shifted all their podcast partners to a new merch site. Say hello to the Imaginary Worlds Dashery store! The store also just went on sale, so you can get a t-shirt for $16 before prices go back up on Tuesday!

For Women's History Month, we're doing a two-part series about two women who had a huge impact on pop culture from behind the scenes. First, we look at Milicent Patrick, who designed the Gill-man from Creature From The Black Lagoon, but she’s only recently gotten recognized for her achievements.

I would’ve loved to have seen a musical dance tribute to David Lynch at the Oscars. They could’ve used the sandworm a third time.

If you're a newcomer to podcasting or an experienced podcaster who wants extra coaching, I'm teaching an online class on April 21st about how to sound like yourself when you're narrating.

This week, I talk with voice actress Veronica Taylor about the characters she's played from Pokémon to Dragon Ball Z to Yu-Gi-Oh to Sailor Moon. We discuss the challenges of voicing anime, like dubbing the shows after they've been animated, and keeping up with a grueling work schedule.

People have said we're living in an Orwellian world. To me it feels more like we're living in some 13-year old's English assignment to create an Orwellian world, and he got a B- on the story.

One of my favorite things about living in NYC is how many times people make Stefan references. There’s always a gimmicky high concept bar, restaurant, or festival opening. When someone tells you about it, somebody else will chime in with, “New York’s hottest new club is…” #snl50

This week, we delve into the subculture of filk, which began as a blending of folk music about science fiction. We look at whether filk culture can still thrive amid the corporatization of SFF, and how the community is trying to transition beyond the boomer generation that started it.

I highly recommend the Chrome extension "Make America Kittens Again," which replaces pictures of Trump with cats. It makes reading the news a bit more palatable.

This week, I talk with Jon Ronson @jonronson.bsky.social and the creators of the show Sleep No More about their new collaboration -- an immersive theatrical experience called Life And Trust. The show tells the story of Faust in The Gilded Age, and it unfolds inside an actual bank near Wall St.

This is really cool. I thought Beyond: Two Souls was a very underrated video game. The game also stars Willem Dafoe who can not give a bad performance, even as a video game avatar of himself. I hope he's in the new TV show.

I wonder if "broligarchy" will be the 2025 word of the year.

Just remembered that The Muppet Show theme song contains the line “it’s time to put on makeup” and it makes me wonder what they look like without it, maybe they look normal

One of the many things I loved about Twin Peaks was that Lynch was baffled that he had to write towards commercial breaks, so they landed in wonderfully strange places. I can't find evidence of this, but I remember one coming right after Cooper tells Diane he's holding a box of chocolate bunnies.

David Lynch was so influential I'm not sure we can even see the borders of his legacy. From the Sopranos and the whole world of peak TV to the fact that "Lynchian" is an adjective that can be applied to so many forms of TV, film, theater and other works of art already speaks volumes.

“That Penguin award is mine, Farrell”

According to the WSJ, there won't be any Bond films for a while since the Broccoli family won't let Amazon turn the franchise into a universe of "content." In the meantime, Bond lives on in the Imaginary Worlds universe of audio dramas where I interview fictional characters.

Massive away win for the little fella.