This watermark graffiti by street artist Mathieu Tremblin is, like, the best thing ever.

Open Call For New Work. No fee to submit. As part of our research for future issues, Source will be organising Zoom meetings with photographers to look at new photographic work. Open to photographers from or based in Ireland or the UK. Details at source.ie DL 27 February 2026.

Experimentation beyond the lens: a retrospective of Ralph Eugene Meatyard debuts at the High www.artsatl.org/experimentat...

It’s arrived!

We’re doing a photography conference! Please circulate!

#dhist Join the @ihr.bsky.social Digital History seminar 20 Jan midday GMT (on Zoom) for @thomassmits.bsky.social & @melvinwevers.bsky.social on 'Orientalist pixels: How machine learning reveals the colonial color palette of early photography'. Details ⬇️ ihrdighist.blogs.sas.ac.uk/2025/09/tues...

Published a photography book recently? Submissions are now open Kraszna-Krausz Book Awards 2026. Deadline 31/1 free entry. kraszna-krausz.org.uk/book-awards/

The next Ethics of Medical Photography Network seminar will be on Mon 8 Dec, 2 pm UK time, online and we'll discuss a very hot topic: consent! We couldn't have better speakers: @duncanwilson78.bsky.social, Dr Chimwemwe Phiri and Dr Arya Thampuran. Book your place here: forms.gle/QUxL41SwixUH...

Looking forward to the @smallpublishers.bsky.social this Friday and Saturday. See the publishers who will be there here: smallpublishersfair.co.uk/publishers-2...

The Autumn Issue of Source “Bonds” is out now along with the BA Graduate Photography Online supplement. News, Columns, Features, Portfolios, Exhibition Reviews & Book Reviews. Portfolios by Audrey Blue, Ada Marino and AJ Wilkinson. Read the editorial in our bio.

Hello BlueSky! Starting this account to showcase the ever growing list of radical online archives and collections. Nearly 1000 collections from the around the world are listed at the link below. Please follow for updates and collection highlights! hatfulofhistory.com/radical-onli...

#GrainPhoto The Pete James Memorial Lecture is this Thursday, 16th October, 6.30 PM – 8.00 PM at the Birmingham School of Art tinyurl.com/GrainPhoto. Between 1989 and 2015, Pete (1958-2018) was the Curator of Photography Collections here at #LibraryofBham #grainphotohub

Free event, all very welcome. Limited capacity, advance booking advised. www.eventbrite.co.uk/e/morsels-su... #ACNISupported #NationalLottery #ThanksToYou and @LottoGoodCauses @ulsterpresents.bsky.social @belfastcitycouncil

Fabulous to see ‘The Camera Helps’ our new show @bodleian.ox.ac.uk that marks the arrival of the archive of the late great photographer Paddy Summerfield into the collection. Superbly curated by Alex Schneideman and Patricia Baker-Cassidy. Presented as part of PhotoOxford 2025!

Next Thursday Owen Hatherley is talking to Frank Watson about the work in his most recent exhibition. Details here: www.eventbrite.com/e/frank-wats...

Oxford people: a talk for the diary. @roseteanby.bsky.social has done brilliant research on C19 female photographers

Upcoming photography conference: Shifting Perspectives, Scotland’s Urban Architecture through the Lens, 5th Nov 2025, National Library of Scotland. #Edinburgh #Photography #Conference #PhotographyConference #Architecture #ArchitectureConference www.eventbrite.co.uk/e/shifting-p...

I'll be "Reconsidering Global Conceptualism and Photography" in Southeast Asia and the USA in the 1970s with Zhuang Wubin as part of London PhotoMonth at the Art Pavilion, Mile End Park, on 23 Oct 18:30-20:00. Free sign-up + invitation to Zoom livestream in link: photomonth.co.uk/reconsiderin...

'Guess who & where!' - is this photograph challenging us? 😂 #ArchivistProblems

Charming BBC archive film about Gandolfi Cameras from 1974. www.youtube.com/watch?v=Z4nf...

Graduate Photography Online 2025 BA Selection by Siân Addicott - Director, Ffotogallery Wales www.source.ie/graduate/202... Image by Eliza Stephens - University of Suffolk - ‘Phantom Mirror’ is a new form of AI phototherapy. It is a way to process my experience caring for my mother, whose dementia..

I recently had the pleasure of writing the text for LIGHT INDUSTRY, opening on Thursday 18.10 at Large Glass. Viewed collectively, the works explore how industries, past and present, and of various scales and levels of visibility, continue to impact our bodies and shape the wider environment.

Featuring work by Laurenz Berges, Guido Guidi, Craigie Horsfield, Gerry Johansson, Morgan Levy, Rut Blees Luxemburg, Roger Palmer, Mark Ruwedel and Ursula Schulz-Dornburg

Graduate Photography Online 2025 BA Selection by Siân Addicott - Director, Ffotogallery Wales www.source.ie/graduate/202... Image by Oscar Dooley - University of Westminster - Archaeological Evidence of Modern Material Culture presents a fictional reinterpretation of contemporary objects as...

Graduate Photography Online 2025 BA Selection by Siân Addicott - Director, Ffotogallery Wales www.source.ie/graduate/202... Image by Emily Roche - National College of Art & Design - When the Catholic church arrived in Ireland, it ran as a corporation which constantly required a tax to keep itself...

Graduate Photography Online 2025 BA Selection by Siân Addicott - Director, Ffotogallery Wales www.source.ie/graduate/202... Image by Moira S. Bisignano - Ulster University - 'Glimpses' explores human connection through memory and nostalgia. It confronts society’s capitalist predisposition to hyper..

Graduate Photography Online 2025 BA Selection by Siân Addicott - Director, Ffotogallery Wales www.source.ie/graduate/202... Image by Anna Warin - Brighton University - 'The Profit of Pain’ is a photographic self-portrait project. Utilising my own experience as a trans-masculine individual...

We were thrilled to chat with founder & curator of African Style Archive, Tosin Adeosun, and learn about her experience as a digital curator, managing care and loss in user-generated archives, and explore her favorite images from the Flickr Commons. Read the article: www.flickr.org/african-styl...

This is a good and thoughtful essay. Photo booths are a strange thing to have persisted... There is something of the absurd in their invention, and thus, double absurd in their persistence. A romantic machine. artreview.com/how-we-were-...

Can't overstate how Google's AI Overview is hitting arts criticism. Until recently, you found a bunch of top reviews for a new exhibition, play or film via search. Now you get an AI overview. Traffic is falling away. observer.com/2025/08/arts...

𝘚𝘶𝘴𝘵𝘢𝘪𝘯𝘪𝘯𝘨 𝘍𝘶𝘵𝘶𝘳𝘦𝘴 𝘈𝘳𝘵𝘪𝘴𝘵’𝘴 𝘊𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 2025. The Irish Photo Network is offering a €5,000 commission to support the development of a new publication from a project already in progress. Deadline: Midnight 14 September. See conditions and Apply now photomuseumireland.ie/ipn-artists-...

The 2025 Richard Benson Lecture in the Reproduced Image (@bodleian.ox.ac.uk) will be given by Joel Meyerowitz, reflecting on his career through his photobooks. 28 October 2025 Weston Library. Book now to avoid disappointment! visit.bodleian.ox.ac.uk/event/oct25/...

Graduate Photography Online 2025 BA Selections now showing: source.ie/graduate/202... Selectors: Siân Addicott (Director, Ffotogallery Wales), Michael Itkoff (Publisher, Daylight Books) & Raquel Villar-Pérez (Academic, Curator & Writer). Image by Shizza Majeed Kingston University London.

I’ve written lots about the problems with historical photo colourisation (which also uses forms of AI). This is an extension of this practice (an extreme one) reliant on the same logic of emotional ‘impact’ outweighing veracity, and ignoring or refusing to accept the historical limits of imagery.

LAST CHANCE, deadline tomorrow 1st August...

This year's SOURCE Prize for New Writing on Photography is CLOSING SOON. Open to anyone who hasn't written for Source before. All details at www.source.ie (where you can also read the shortlisted articles from previous years) *DEADLINE 1ST AUGUST*

This year's SOURCE Prize for New Writing on Photography is CLOSING SOON. Open to anyone who hasn't written for Source before. All details at www.source.ie (where you can also read the shortlisted articles from previous years) *DEADLINE 1ST AUGUST*

We are delighted to announce Rebecca Conway as the winner of the sixth Rebecca Vassie Memorial Award for her proposal 'Torn Water', a project exploring the long-term psychological impact of civil conflict in South Asia: rebeccavassietrust.org/2025/07/06/r...

Highly commended: Richard Gosnold's 'Apostate' sets out to explore the personal impact and aftermath for people leaving high-control religions, working with the charity Faith to Faithless across the UK and Ireland and celebrating individual resilience.

Congrats to Westminster Photography Arts MA grad Adaeze Ihebom, doing the 2025 SPAZIO GRIOT artist residency dedicated to the Second Congress of Black Writers and Artists. You may have seen her self-p on the cover of Liz Wells, Photography: A Critical Edition. spaziogriot.org/en/spazio-gr...

Sat down with @sourcephoto.bsky.social to talk about fascist and photography and the lessons from the past.

from 'Jigs' by Jan McCullough '... Our all too human minds, trained to identify and assess our environments, demand an object to focus on, a subject to comprehend, or a starting point for further investigation...' (Hester Keijser) Featured portfolio in Issue 118 'NEGATIVE SPACE' #outnow

Job Opportunity. Photo Museum Ireland is looking for a full-time Collection Manager & Digital Archivist. Deadline: Friday 18 July 2025 Find out more 👉 ow.ly/TWLG50W4GVR

The New issue.... Negative Space read the editorial at www.source.ie

This year's Graduate Photography Online BA Phase is *NOW SHOWING* at source.ie. Featuring emerging photographers from 30 degree courses across the UK & Ireland. tinyurl.com/5n6vj9j6 (Image: Jonathan Cochrane, Bath Spa University)

Free to collect. Due to office relocation + reduced storage capacity all remaining copies of Source from 1992 and Creative Camera from 80's free to collect. First come first served. Bring your own strong boxes! Sunday 1st June 1-5pm. Source Unit 6, 2-10 Bridge Street Bridge Street, Belfast, BT1 1LU

Due to office relocation ( in progress) + reduced storage capacity all remaining copies of Source from 1992 and Creative Camera from 80's free to collect. First come first served. Bring your own strong boxes! Sunday 1st June 1-5pm. Source Unit 6, 2-10 Bridge Street Bridge Street, Belfast, BT1 1LU

Due to office relocation +reduced storage capacity all remaining copies of Source from 1992 and Creative Camera from 80's free to collect. First come first served. Bring your own strong boxes! Sunday 1st June 1-5pm. Source Unit 6, 2-10 Bridge Street Bridge Street, Belfast, BT1 1LU (Beside NWhig Bar)

LAST OPPORTUNITY to order a print copy of one of our past issues Monday 26th May. We're clearing our back stock for an office move. After 26th, print copies of past issues will no longer be available. These issues go back to 1992. Available here > www.source.ie #photomagazines #photohistory