Louise in a 1930 Stars of Photoplay magazine feature. The photo by Eugene Robert Richee is from a 1928 session.

Let's Keep Calling!

Been a minute since I posted my Mastercard/Visa strats to drag out the call 1. Ramble at the beginning for as long as you can - goal is to clog the line 2. They won't insist on card # if you say you're in public 3. When you get disconnected call back and lodge a complaint about it immediately

Yes, We've Got a Video, Charlie Brown

Spoke to my source familiar with internal workings at Mastercard. The holiday call campaign re payment processor censorship is working, there is a lot of pressure being felt from your calls. This is resulting in increased response times at a core moment for Mastercard due to the holiday season

Louise on the set of Diary of a Lost Girl (1929).

Dancin' Divas is going to have damsel in distress continue screens? Stop, I was already going to buy it...

They Aborted Your Girlfriend, Charlie Brown! (1975)

Alf by Bill Sienkiewicz. #comics #art

Warner Bros illustrated advertising suggestions for Havana Widows (1933), from the film's pressbook

twitter is so cooked

Old meets new. I don't normally domme for guys who look like they walked out of 2007, but this one literally walked out of 2007 and I thought he deserved a quick scene.

Another shot of Louise on the playground, c 1927. The photographer appears to have magically added her doppelgänger on the equipment (R).

Louise shoots for two in a Paramount publicity photo, c 1927. The heels are a nice touch.

Someone with a very old school avatar came wandering around my house. I had a hunch and greeted them. They were returning to SL after 18+ years and checking on an old landmark for Kidnapper's Warehouse ("in Old Bondage City"). They gave me the LM. #SecondLife

Farewell my queen. #TwilightoftheGods

Not unexpected, but I'd love to know what was planned for season 2 after that ending. Torrent anything Netflix.

Sex cymbal, obviously.

And then, out of nowhere, you get stage directions like this.

Wednesday night was my best chance to watch Wizard of Oz before Wicked: For Good but I was seeing Nuremberg Thursday so tonal whiplash gooo #LetterboxdFriday #LastFourWatched

While it's somewhat timely, here's a Halloween commission I got from Bowen12a (DA), featuring @princessashe.bsky.social and Penelope York in the cauldron.

Louise for Now We’re in the Air (1927). Photo by Eugene Robert Richee.

And the official explanation for last night is... He fell asleep. When I took five minutes to write a carefully considered response. This is somebody who was seriously asking about me becoming his sub.

Wicked: For Good is kind of just what you'd expect when you split off act 2 of a musical. There's some great spectacle I'm glad I saw on a premium screen and the moments it intersects with Wizard of Oz are very cool, it's just that the ending scene of Part One wrote a cheque it couldn't cash.

I was never into these comics but I've always liked Chastity's design.

Using my voice as a creator to put out a small PSA on how to disable the new feedback feature on our favorite overly-nosey payment processor. Reminder to never comm details on payment websites, and to never directly link your payment pages to your NSFW work.

if you're a princess, "hmph" counts as enthusiastic consent btw

So, didn't plan to spend my evening renegotiating consent with a dom who fails to understand that you don't get slavish devotion as a default. Who went afk for 20 minutes and then went offline after I explained this at some length.

I thought Nuremberg was a pretty solid film. A bit light in tone for the subject matter, to the extent it almost feels like the more intellectual prequel to some franchise thing. But it stuck the landing, great performances, Richard E. Grant at his most Richard E. Grant.

Beano #1018, January 20, 1962

Louise by Eugene Robert Richee, 1927.

Transgender Day of Remembrance (TDOR) is an annual observance on November 20 that honors the memory of the transgender people whose lives were lost in acts of anti-transgender violence. 🏳️‍⚧️

There are millions of fetish+ videos out there, made over the decades. Does it bother you to think that somewhere there's a video that is your perfect video, the one that would make you happy forever, but you might not ever find it? At least a lot of videos come close, though. Yay :)

Apparently P*ypal now asks for customer opinions on accounts sending invoices. If you are paying an invoice to a nsfw artist, do NOT mention NSFW in any way, keep it blank even. you risk both your account and the artists.

I've tried seven different torrents of Wizard of Oz and none of them are in colour.

Beano #2151, October 8, 1983

Louise in costume for God’s Gift to Women (1931). Photo for Warner Brothers by Elmer Fryer.

Harold MacMillan could have seen Iggy Pop dry humping a teddy bear on Number 73.

Jon Pertwee could have seen Man O Man.

Oh no. If this goes through it might become morally and socially unacceptable to watch Harry Potter.

Louise and friend pose at her home, 1927. Photo by Otto Dyar.

It's the 8th anniversary of the theatrical release of #JusticeLeague, so I reshare my article "Fracture," a rhetorical analysis of Rolling Stone's "Fake Accounts Fueled the Snyder Cut Army." Read here: cinemaelite.com/obsession/20...

It's the Old Army Game, with W.C. Fields and Louise Brooks, screens in London. louisebrookssociety.blogspot.com/2025/11/its-...

Louise by George Hommel, 1927.

Beano #1058, October 27, 1962

This must have been how Biffo looked when I was regularly getting the Beano. I don't remember this at all.

As promised in the kinktober, to celebrate the first step of 250+ follower, here a sketch raffle :D Rules : Repost + follow ! Reply with a ref of your OC ! Thanks for all the support <3 !!!

"You would expect Lady Penelope York to be a bit more suspicious about these invitations from distant York relatives... This Count Khitŭr-i-Kovaren with his unique collection of family statues was clearly not to be trusted..." Art by DutchUrbanSketcher on DA! #ASFR #tfsky #statuetf #petrification

An agonized Lucienne finally pushes her fiancé’s hand — safe but controlling — away as he sleeps. She’s made her choice. The original story for Prix de Beauté (1930) was co-written by G.W. Pabst, the director of both Pandora’s Box (1929) and Diary of a Lost Girl (1929).