Sara Jayne
@straypoodle.bsky.social
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Cynical optimist, lover of cowbell
reposted by
Sara Jayne
The Tonearm
about 2 months ago
Chris Moore and John Blonde of A.M. Boys talk to
@straypoodle.bsky.social
about their album Present Phase, the creative power of treating every instrument as a noise generator, and why they'd rather enjoy the moment than chase what's next. Synths & Echoes — Catching Up with A.M. Boys:
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Synths & Echoes — Catching Up with A.M. Boys | The Tonearm
Chris Moore and John Blonde discuss their new album 'Present Phase,' the creative power of treating every instrument as a noise generator, and why they'd rather enjoy the moment than chase what's next.
https://www.thetonearm.com/synths-echoes-catching-up-with-a-m-boys/
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reposted by
Sara Jayne
The Tonearm
2 months ago
"In 1979, my father Roy Ayers went on an extraordinary three-week tour with the Afrobeat pioneer amid extreme violence in Nigeria. Three band members recount the unforgettable trip." ‘Bass on one shoulder, bow and arrows on the other’ — life with Fela Kuti on history’s most dangerous tour:
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‘Bass on one shoulder, bow and arrows on the other’: life with Fela Kuti on history’s most dangerous tour
In 1979, my father Roy Ayers went on an extraordinary three-week tour with the Afrobeat pioneer amid extreme violence in Nigeria. Three band members recount the unforgettable trip
https://www.theguardian.com/music/2024/apr/10/life-with-fela-kuti-dangerous-tour-roy-ayers-nigeria
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reposted by
Sara Jayne
Clare Blackwood
3 months ago
My phone just autocorrected "duck" to "fuck" when I actually really did mean to say "duck," and I feel like I have finally broken its spirit
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reposted by
Sara Jayne
The Tonearm
3 months ago
Chris Moore and John Blonde of A.M. Boys talk to
@straypoodle.bsky.social
about their album Present Phase, the creative power of treating every instrument as a noise generator, and why they'd rather enjoy the moment than chase what's next. Synths & Echoes — Catching Up with A.M. Boys:
loading . . .
Synths & Echoes — Catching Up with A.M. Boys | The Tonearm
Chris Moore and John Blonde discuss their new album 'Present Phase,' the creative power of treating every instrument as a noise generator, and why they'd rather enjoy the moment than chase what's next.
https://www.thetonearm.com/synths-echoes-catching-up-with-a-m-boys/
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reposted by
Sara Jayne
MDonaldson →
4 months ago
I joined Sara Jayne Crow and Lawrence Peryer, fellow writers at The Tonearm, in paying tribute to Brian Wilson and the extraordinary worlds he imagined and then realized putting this one together was a bit of an emotional ride — I hope you like it
@straypoodle.bsky.social
|
@lawrenceperyer.com
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A Tidal Wave of Love — Our Tribute to Brian Wilson | The Tonearm
Behind the California sunshine, harmonies, and groundbreaking production techniques lies a complex artist battling inner demons. Three takes on why Brian Wilson's music remains a refuge for so many.
https://www.thetonearm.com/a-tidal-wave-of-love-our-tribute-to-brian-wilson/
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reposted by
Sara Jayne
The Tonearm
5 months ago
"Maybe the real question is what silence sounds like when there's no one left to interpret it." 'MEno.001' showcases how BANKERT operates as both chaos architect and sound worker, blending discordant textures with melodic fragments to deploy "digital containers" rather than traditional albums:
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Parallax Point — BANKERT's Constructed Cosmos | The Tonearm
'MEno.001' showcases how BANKERT operates as both chaos architect and sound worker, blending discordant textures with melodic fragments to deploy what they call "digital containers" rather than traditional albums.
https://www.thetonearm.com/parallax-point-bankerts-constructed-cosmos/
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reposted by
Sara Jayne
MDonaldson →
5 months ago
❝ As musicians, we’re already being so taken advantage of that it’s tricky to ask us to moralize our way through how we can best serve our fans. It’s hard to love making music so much and also feel pinched in the gears of the machine. I sure loved this article →
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Tune In, Drop Out
The independent musicians and labels who are saying no to streaming.
https://www.hearingthings.co/musicians-not-on-streaming/
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reposted by
Sara Jayne
Richard Littler
6 months ago
Tech bro social media sites 2005: "We want to connect people!" 2010: "We want to collect people!" 2015: "We want to disconnect & disaffect people!" 2020: "We want to misdirect & go unchecked, people!" 2025: "We want to elect defect people!" 2035(?): "We want to infect, eject & dissect people!"
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reposted by
Sara Jayne
MDonaldson →
7 months ago
it's great fun when pals from my past come together to participate in my latest (ad)venture that would be
@pezzner.bsky.social
interviewed by
@straypoodle.bsky.social
for
@thetonearm.com
re: tubas + 808s = burlesque techno huzzah! →
www.thetonearm.com/pezzner-embr...
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Pezzner Fuses Techno with Cabaret at Seattle's Can Can
The seasoned techno producer and DJ known for electrifying international dance floors now creates burlesque circus spectacles, his innovative fusion of tubas and 808s rattling the walls of one of Seat...
https://www.thetonearm.com/pezzner-embraces-polka-core-at-seattles-historic-can-can-cabaret/
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reposted by
Sara Jayne
Jerry Chen
7 months ago
the tragedy of social media, in two acts
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Los Ángeles is, at core, a city of blue collar, hardworking survivors; a city of great beauty and great destruction. And today, the rains and fires have subsided. Here’s to sunny skies and brighter futures, my Blue Sky friends.
8 months ago
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Hello world ☁️
8 months ago
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you reached the end!!
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