My art assets and dystopic, corporate entity branding work, so far, for a Mothership adventure and sourcebook I'm working on.

I made an Affinity asset library for all the bits and bobs I'm adding to sci-fi maps for my Mothership sourcebook. It makes piecing together complex scenes (like this Ace Judicial corporate mediation chamber) buildable, fast.

'Couple more fictional corporations for a Mothership sourcebook I'm working on. The list grows, but the corpo stooges and grunts gotta come from somewhere. And the businesses beget all the rest in a setting like this.

Compilation of all my Mothership corpo-distopia logos from yesterday and tonight. Got a lot more to make for my sourcebook. I've freelance illustrated & designed for clients like Nike, Burton, Nickelodeon, MST3K, etc, for 20+ years, so I'm putting on my vector hat for these and having some fun.

Working on the fictional independent corporate entities for my dystopic Mothership ttrpg sourcebook. It's a great excuse to make some fake logos. Lmao.

Finished the Flatwoods monster today - artofcoop.threadless.com/designs/flat...

Finished my two-level corpo-research vessel map for a @mothership.bsky.social one-shot I'm running soon. Drawing all the bits as I went is creating a bit of a vector asset library to more quickly make maps for Mothership in the future which makes me happy.

Had a blast drawing the tiny bits on this @mothership.bsky.social adventure map. Now I just need to finish two other levels.

I'm drawing the first level map of a @mothership.bsky.social one-shot I'm writing. I just need to finish the armory and the armory security scanner room. Close.

Making some new animations for my club's game room, today (I projection mapped the walls and table for running D&D--well, DCC, in my case).

Gammorean guard, taxidermied head wall mount sculpt. Wip. Tinkering as I have time.

HUMAN artists, use only one piece to convince people to follow you.

Stop 2025, I want to get off.

Some progress on my decaying Gamorrean Guard wall hang.

What I got done on my decaying gamorrean guard sculpt tonight!

Roughing in a Gamorrean Guard sculpt.

Some maps I've made with @dungeonalchemist.com.

Creature token doodles continue. My first time using Krita in a while--and the first digital or iPad/Clip Studio thing in ages.

Messing around with some stylistic departures for my TTRPG tokens.

TTRPGs for Trans Rights: Ohio is live on @itch.io! For as low as $5, get over $1700 worth of games, zines, digital accessories, and more! All proceeds benefit @kycohio.bsky.social and @transohio.bsky.social, two organizations doing important work for LGBTQ+ folks in Ohio! itch.io/b/2946/ttrpg...

Found this work of mine in the wild. Bones Coffee Co. sells some of the SpongeBob art I made for Nickelodeon on bags 'n mugs.

Making quick character portraits for a kids D&D game my shop runs this Sunday. Like a billion more to go.

Mickey 17 is right up there with They Live for showing to normie friends and hoping some class consciousness might blossom in their skulls.

Out in the world, drawing chaos creatures for fun and no profit.

I agree completely.

Two years in, and I still can't believe I built this, game master here, and get to create adventures, art, animation for this space.

Tonight’s bedtime 3ttrpg token doodle. Another pulpy sci-fantasy alien-y monster.

Sitting next to @jentendo.bsky.social, working on #ttrpg tokens in the car. I put a fez on everything. I'm feztive.

I have monster designs for Sam Raimi's production company created almost 20 years ago that I can't show. And work from Mystery Science Theater 3000 that has been under NDA for, yeesh, around 10 years? Gail's got it right.

I should revisit this clean, isometric #ttrpg map template I made for Affinity Designer at some point.

Doodlin'.

Recent #ttrpg token paintings.

Come with me on a journey. One of my many freelance gigs was creating art for Nick--SpongeBob art, specifically. It needed to be weird enough that kids would think it rad, but not so weird parents wouldn't buy it. The dictate after the first round of revisions was to, paraphrasing, make it more me.

Cobbling together more simple tokens for my D&D VTT install.

Making some VTT tokens!

The quickest path to nostalgia here is to search "webring."

Working on a color palette for faction token paintings for a mega dungeon I've been futzing with. I'm really digging the Astropad Rock Paper Pencil textured screen protector.

Alex Raymond’s most famous creation, Flash Gordon, is so ingrained into American pop culture that simply his name can be used as shorthand for a specific type of heroic, romantic science fiction. Read More: goodman-games.com/blog/2024/12... #DCCRPG

Some interior pieces by the great @frenden.bsky.social from our collaboration on KING TUT’S ROOTIN’ TOOTIN’ WEIRD WEST EXTRAVABONANZA (AND WESTERN WEAR™️) - what an incredibly fun and satisfying experience this was. 💯

I can't believe I get to DM surrounded by century-old, wood-lined walls on an equally old, fourteen foot long table. I projection mapped the room and can change out the VTT, faux-windows, and wall sculptures with whatever animated skins I make.

Quoting to investigate this for myself. I know I'm missing folks I liked to catch up with.

I updated it with 50 new songs for 2024! shitm.as

Me - "I'm sorry, did you put on Howard the Duck?" Him - "You bet your ass I did. And it's Howard T. Duck."

I get into more conversations here, and I actually see the people I follow's posts. That's nice.

I made 4-up, zero-level character sheets for @goodmangames.bsky.social's Mutant Crawl Classics. Before we started our gaming social club, I streamed in games on Goodman's Twitch, and I love DCC/MCC. They're simple sheets, but a bit of design to make the medicine go down never hurt anyone.

If you see this, post some inked art.

I was playing a LOT of Goblin Quest as pickup games a few years ago, so I made my own character sheet and drew up a ton of gobbos.

I drew about 60 NPCs for my campaign a few years ago. Sable brush and ink for a lot of them. Here are a few.

Archfey Warlock for D&D 2024 Player's Handbook. AD: Emi Tanji