‘This is Adelaide’s generous accomplishment. When I’m Sixty-Four is likely to send you straight to the library of Gabrielle Carey’s books.’ @samtwyfordmoore.bsky.social

This was not an easy piece to write for @kydmagazine.bsky.social but a pleasure nonetheless - Debra Adelaide's novel on Gabrielle Carey is a little marvel and deserving of attention. Thank you to Suzy Garcia and Rebecca Starford for their careful edits. www.killyourdarlings.com.au/article/dear...

Frankness comes before fiction in Debra Adelaide’s homage to her late friend in When I’m Sixty-Four, writes @samtwyfordmoore.bsky.social.

This is at least the 12th Al-Jazeera journalist assassinated by Israel

@samtwyfordmoore.bsky.social on AI in fiction and Steve Toltz's latest novel, A Rising of Lights. Read more: bit.ly/4dESAyz

Tech’s big threat to the modern man offers few laughs in Steve Toltz’s fourth novel, A Rising of Lights. Read the first review by KYD Critic @samtwyfordmoore.bsky.social in 2026: bit.ly/41t3YpU

Rhoda Roberts, Indigenous broadcaster and cultural powerhouse – obituary

I went long on the late, great David Stratton for Sydney Review of Books. Spent the end of last year reading all of his books and thinking about what sort of writer he was and what kind of library he leaves behind. sydneyreviewofbooks.com/essays/oh-da...

Happy Mardi Gras

Jacob Elordi is James Bond!

Can someone explain why Malcolm Turnbull has been using this rotoscope filter lately?

ICMYI: Laura Elizabeth Woollett explores the highly anticipated debut novel by Jennette McCurdy and the evolution of the teacher–student trope in her first review as KYD Critic. Read more: bit.ly/4kjdyo8

The Post's books section was very strong. And for it to be killed off by the founder of Amazon, the company that drove so many book stores to die off, is a level of irony that, if it were in a novel, would come across as contrived. bsky.app/profile/nycs...

Pumped. www.booksandpublishing.com.au/articles/202...

We are delighted to announce Laura Elizabeth Woollett and @samtwyfordmoore.bsky.social as two regular critics for Kill Your Darlings magazine. Laura and Sam will each publish long-form criticism on new release fiction and non-fiction throughout 2026. Find out more: bit.ly/4tbyYHS

Some reflections on Adelaide Writers' Week from this Adelaide writer. Deep disappointment all round, and some big questions: www.indailysa.com.au/news/opinion...

Statement from @australiainstitute.org.au on Adelaide Festival.

“That old one — the working class as one dumb mass — is nothing but another bourgeois cliché. We are not simpletons, we’re just exploited.” From a polemic by Sergio Chesán on literature and class, translated for us by Roy Duffield.

@samtwyfordmoore.bsky.social on Sumner Locke Elliot's late-life coming-out novel, Fairyland. Listen to the podcast: apple.co/4nVRuAW

Loved being a part of this podcast and writing about SLE!

Australian real estate culture is rotten. A take on everything.

#BREAKING 🚨 Deloitte to refund government, admits using AI in $440k report into mutual obligations issues. Fake quotes from Federal Court case that ended Robodebt deleted from new report in Friday DEWR dump. 📰 AFR ✍️ @paulkarp.bsky.social ✍️ @edmundtadros.bsky.social 🗣️ @chrisrudge.bsky.social

What can we glean from the last bastion of regular television book coverage? @samtwyfordmoore.bsky.social finds out. killyourdarlings.com.au/article/brin...

Finally a hot bisexual man. The representation we needed. www.abc.net.au/news/2025-08...

i feel like there's probably a better way to dunk on ai tools than using them extensively so you can post all the poor results that in turn encourages even more people to use them to post their "funny" mistakes. true believers don't care, you're just amplifying its use and feeding it more user data.

I would like to read my very interesting book on the bus but instead I have to listen to your very boring conversation.

“Tech companies have devalued the work of creative industries for years. The latest iteration of this is their insistence the AI models they plan to make lots of money from need the labour of all of human creation for free in perpetuity.” www.theguardian.com/australia-ne...

Arts and media groups demand Labor take a stand against ‘rampant theft’ of Australian content to train AI

I challenge Australians to have normal conversations on public transport, or, better yet, none at all.

My NYT op-ed this morning I’m a Genocide Scholar. I Know It When I See It. www.nytimes.com/2025/07/15/o...

Again, someone hoping to provide report cards on universities advocates for this role in a report that would likely fail as an undergraduate paper for lack of citations and evidence of its many claims.

In a week that the Yoorook Commission found a genocide had taken place in Victoria, and the NT coroner found the territory was rife with (potentially fatal) racism, Albanese ignored both. He owns the furore that followed, and the mess it has become.

Glad to announce my next book The Mush Room: Australian Publishing's Rushed Erin Patterson Books will be out in a few weeks. Start writing it tomorrow!

The @jewishcouncilau.bsky.social has put out a very strong and well argued statement rejecting the special envoy’s antisemitism plan

“Israel is massacring Palestinians at aid sites every day” is the headline you scumbags www.dumptheguardian.com/world/2025/j...

The word is "massacres"

Not “best.” Not “favorite.” Not “most likable.” Most significant. Some of these films are obvious. Some obscure. A few will be controversial. Let the debate begin on our list of significant political films. Published June 22, 2023: https://trib.al/4OEgh53

Keep forgetting to post about it (everything's frantic, prepping for this + working to get the @londonaustfilm.bsky.social festival line-up sorted), but I'm doing my first keynote tomorrow, as part of the PICNIC @ 50 symposium at @sheffielduni.bsky.social, organised by Jonathan Rayner and SCRIF.

Respect the game

Shout out to @samtwyfordmoore.bsky.social for writing this incredible book on film in Australia. Witty, fascinating and at times (for a film student wanting to make Australian works) disheartening

Really proud of this piece in the new Griffith Review.

“If I die, I want a loud death. I don’t want to be just breaking news, or a number in a group, I want a death that the world will hear, an impact that will remain through time, and a timeless image that cannot be buried by time or place.” www.theguardian.com/world/2025/a...

Just two perfect heroes hanging out

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