The low-grade euphoria that Harry Styles's 'Kiss All the Time. Disco, Occasionally." conjures is more akin to a runner’s high than an MDMA trip. Read our review.

Jeff Lieberman’s hilarious and disturbing Blue Sunshine gets a very welcome 4K upgrade and a satisfying roster of supplements from Synapse Films. Available on 4K UHD Blu-ray on Tuesday. tinyurl.com/28w94yvp

There’s a sense of boldness missing from ROOSTER's laidback, escapist tone. Read our review.

Maggie Gyllenhaal’s THE BRIDE is a shotgun blast of a movie with no fealty to the conventions of modern gothic horror. Read @justinofclark.bsky.social's review.

Jan Komasa’s funny and disturbing HEEL basically imagines what My Fair Lady would look like if it had teeth. Read @midfalutin.bsky.social's review.

Gianfranco Rosi’s POMPEII: BELOW THE CLOUDS leaves us with a haunting sense of life in Naples existing in a liminal state. Read @marshallshaffer.bsky.social's review.

Otakar Vávra’s KRAKATIT, A deeply strange and unsettling sci-fi mystery about a world hellbent on self-destruction, rings as true today as it surely did in the wake of World War II. Available soon on Blu-ray from Deaf Crocodile. tinyurl.com/2abn56vn

With ‘Make-Up Is a Lie,’ the Morrissey grievance machine marches on. Read our review. www.slantmagazine.com/music/morris...

Tony Benna’s ANDRE IS AN IDIOT is a consistently hilarious look at the ridiculousness of living with cancer. Read @justinofclark.bsky.social's review.

The only thing surprising about Rod Blackhurst’s DOLLY is what its big bad villain does to Seann William Scott’s face. Read @midfalutin.bsky.social's review.

Pixar's HOPPERS falls well short of providing any satisfying exploration of its weighty theme of persuasion versus violence in the face of oppression.

ANOTHER GAY SEQUEL: GAYS GONE WILD aims for a self-knowingness that any of its prick-brained leads would mislabel as camp. The film re-releases on streaming this Tuesday. tinyurl.com/4jrdejb4

Little of the material on #Deadline ranks among the most adventurous in BLACKPINK’s catalog. Read our review.

When its overlapping allegorical notes harmonize, Emin Alper’s SALVATION resonates with urgency and genuine horror, but they can also stifle the human aspects of the tragedy depicted.

BANQUET FOR FOOLS has confidence in its vision and in you, like a pen-and-paper game master who expects the world of you and will give you the world in return. Read @nivmsultan.bsky.social's review.

While it isn’t an overt examination of it in the manner of The Moment, ERUPCJA does feel like a natural cinematic extension of Charli XCX’s melancholy party-girl persona. #GFF

It was an honor to sit down for a chat with Werner Herzog about GHOST ELEPHANT. The iconoclastic filmmaker discussed the origins of the documentary, the urgency he brings to his filmmaking, and his new Instagram account! tinyurl.com/n7bvp443

Bruno Mars's 'The Romantic' is a mercifully short affair. Read our review.

HBO's 'DTF St. Louis' boasts a unique charm that sneaks up on you. Read our review.

Kevin Williamson's SCREAM 7 is surprisingly unconcerned with meta discussions about where the film stands in the Scream canon. Read Taylor Williams's review.

Andrew Stanton's IN THE BLINK OF AN EYE feels less like a film than a commercial for life insurance that got out of hand. Read @jakecole.bsky.social's review.

QUEEN AT SEA, Lance Hammer's first feature since 2008's Ballast, is an unvarnished portrait of a family rendered dysfunctional by the inevitability of death. #Berlinale

At a time when warmth and optimism are precious commodities, the #Scrubs reboot is the nostalgia grab we needed. Read our review!

Hong Sang-soo’s aesthetic is key to the resonance of his latest examination of an artist’s life, WHAT DOES THAT NATURE SAY TO YOU. Opening this Friday at Film at Lincoln Center. tinyurl.com/422r52y8

Nakajima Sadao’s THE JAPANESE GODFATHER TRILOGY, available today on Radiance Films Blu-ray, broke new ground in the yakuza film just as the genre’s death knell was tolling loudly. tinyurl.com/mr3fkhcx

Season two of MONARCH: LEGACY OF MONSTERS is even more mired in soapy family squabbles and love triangles than the first. Read @midfalutin.bsky.social's review. tinyurl.com/2crxkuzx

Check out the new trailer for the THE VOICE OF HIND RAJAB. Kaouther Ben Hania’s Oscar-nominated film is available today on digital. tinyurl.com/4u3h3t8p

THE EUROCRYPT OF CHRISTOPHER LEE COLLECTION 3, available tomorrow, features five films and a recent documentary on the life and career of the horror icon who once described himself as “tall, dark, and gruesome.” tinyurl.com/bdnst88m

The absence of “American” from the title of Michel Franco’s immigration drama DREAMS makes the word seem all the more present. Read Diego Semerene's review.

GHOST ELEPHANTS shows that iconoclastic German filmmaker Werner Herzog is fiercely determined to explore new frontiers. Read @positivelytonsils.bsky.social's review.

'The Mountain' is Gorillaz's best album since 2010's 'Plastic Beach.' Read our review!

'My Days of 58' sees Bill Callahan facing down mortality with candor and humor. Read our review.

"This is subject matter that might sound heavy, but the difficult feelings dredged up never overwhelm the film’s gentle, character-driven approach." Read David Robb on Kelly O’Sullivan and Alex Thompson’s MOUSE. #Berlinale

Angela Schanelec's MY WIFE CRIES starts off as an ostensibly simple tale of infidelity before it begins to grapple with even more anxious themes as it shuffles its characters into a series of memorable tableaux. Read Zach Lewis's #Berlinale review.

‘Strip Law’ is another postmodern adult animated series that thinks bigger is better. Read our review.

Jessie Ware takes a "Ride" on the disco-spaghetti western side with new single, featuring a nod to Ennio Morricone.

From 'House of Cards' to 'Adolescence,' these are the 30 best shows on Netflix right now. How many have you seen?

While WOLFRAM might struggle to convey a depth of feeling for its characters and the brutal, dehumanizing frontier they call home, it can be an intermittently satisfying good-versus-evil period piece. #Berlinale

U2 drops 'Days of Ash,' a new EP reflecting on current events like ICE's occupation of Minneapolis and the war in Ukraine.

Leyla Bouzid’s ability to capture the complexities and contradictions of familial affection is what makes IN A WHISPER so impressive. Read Diego Semerene's #Berlinale review.

What you see is what you get in NIGHTBORN, and that's mostly a good thing. Read Zach Lewis's #Berlinale review.

Freudians will have a field day with Markus Schleinzer’s 17th-century-set folk tale ROSE. Read Diego Semerene's #Berlinale review.

John Patton Ford's HOW TO MAKE A KILLING cultivates an old-school flair while keeping one finger on the pulse of the current moment. Read Alexander Mooney's review.

Adam McDonald’s THIS IS NOT A TEST has an awfully hard time bringing its non-zombie characters to life.

'Luck... or Something' isn’t exactly a bold reinvention, but it reinforces what made Hilary Duff so charming in the first place. Read our review.

Easy as it may be to imagine a more artful, restrained, and introspective version of REDUX REDUX, the one we got is satisfying enough that you may want to take it out for another spin. Read @midfalutin.bsky.social's review.

Where would you rank 'Wuthering Heights' in Charli XCX's discography? www.slantmagazine.com/music/every-...

Co-produced by longtime collaborator Jack Antonoff, Lana Del Rey's "White Feather Hawk Tail Deer Hunter" is a bona fide love song filled with whimsy and drama.

Only cheap shock value can be gleaned from ROSEBUSH PRUNING’s cavalcade of blood, semen, animal carcasses, dick pics, and erotic toothbrushing. #Berlinale

R.I.P. Robert Duvall (1931-2026)