I’ve seen enough; calling it for 2024. Next year’s Song of the Year is, once again, “Got You (Where I Want You)” by The Flys. Thanks to all who participated, better luck next year

@rifewithkatie.bsky.social talked with eleven women and non-binary filmmakers about the state of women in horror and the result is this important and illuminating piece. Please give it a read. 📽️ #filmsky #horrorsky letterboxd.com/journal/raw-...

Let me be clear: there is no aesthetic switch from Sept. 30th to Oct. 1st

New from me at Arrow; I look at the intersection of horror + fashion, with shout-outs to Mario Bava's Blood and Black Lace (1964), Nicolas Winding Refn's The Neon Demon (2016), Irvin Kershner's The Eyes of Laura Mars (1978) + Peter Strickland's In Fabric (2018) www.arrowfilms.com/blog/feature...

Movie night: we’re just normal men

If you have Paramount+, you have the opportunity to behold some of the sickest coats and collars in the game

Oh my god

I fully understand that years from now we’ll be four sequels deep into an insufferable Mattel franchise but for now, I’m blissfully enjoying the BARBIE reverberations and all that it implies

Running on three and a half hours of intermittent sleep but yeah carpe diem, let’s get this bread, etc.

That ‘splosion in OPPENHEIMER immediately prompted a mental note-to-self: revisit THE WAGES OF FEAR

Gabriel and the eye of A.I. Sauron is cool and all in Dead Reckoning, but let’s be honest they could never be him

Hey y’all! Since I’m not sure about how much overlap there is between here & that other place, I just wanted to share that if you dig ‘80s horror, @patrickbromley.bsky.social & I are co-writing the IN SEARCH OF DARKNESS book & you can pre-order it now: https://bit.ly/44rjNNq - Cheers!

Genuinely surprised at most of the follow backs I’ve gotten on this app so far; I half-expected the lot of you to cut that rope during the migration from tweet to skeet