Moirée szn is back. moir.ee/editions/can...

Starting in Cannes next week, Moirée will be stepping up its podcast game with more frequent dispatches year-round. We've launched a new Patreon page, where listeners can support us and also unlock extra content and features. More here: www.patreon.com/posts/welcom...

I was invited to curate a series on experimental 3D filmmaking for this year's Punto de Vista film festival, called "Forever Young: Cinema in relief." Three programmes, nineteen films, six different formats. April 21-22. www.puntodevistafestival.com/en/2026-edit...

🏆 #FNC54 | LAURÉATS COURTS MÉTRAGES : LES NOUVEAUX ALCHIMISTES 🏆 #FNC54 | SHORT FILMS WINNERS: NOUVEAUX ALCHIMISTES @mainfilm.bsky.social @tvpaint.com @tafakory.bsky.social @astrostic.bsky.social

The FILM FEST KNOX program is live. :) www.filmfestknox.com

Cameron Bailey should resign

In 2016, TIFF’s essential Wavelengths slate had 15 features, four shorts programs and five installations. This year, just eight features – fewer than Primetime, the section that previews TV series – three shorts programs and zero installations. #TIFF50 www.theglobeandmail.com/arts/film/ti...

Upcoming screenings of my new film FELT in full 3D: - TIFF Wavelengths: Sep 7, 3:30pm - NYFF Currents Program 5: Oct 8, 6pm + Oct 9, 9pm - More TBA

>>> Sight & Sound poll

The U.S. Premiere of my new film FELT will take place in NYFF’s Currents section this Fall. www.filmlinc.org/nyff/daily/6...

Vancouver area: A portion of my TIFF series "Dimensional Excursions" will screen at The Cinematheque on July 17, including the pure heroin version of the 3D shorts programme. www.thecinematheque.ca/series/innov...

Whole thing is good obviously, but 34:05 to ~41:00 of the new Chuquimamani-Condori mix is all I need from music these days. soundcloud.com/user-6435530...

I'll be in Ghent tonight presenting a few of my films, which are screening as part of an incredible 3D program happening at Art Cinema OFFoff. offoff.be/en/program/3...

Moirée Podcast #2, posted yesterday, features critics Mark Peranson, Flavia Dima, Daniel Kasman, Öykü Sofuoglu, Vadim Rizov, and Pedro Emilio Segura Bernal joining me to discuss SIRÂT, NOUVELLE VAGUE, DIE MY LOVE, MIRRORS NO. 3, and EDDINGTON. soundcloud.com/moiree/moire...

Cannes dispatch #1 includes some quick words on Mission:Impossible 8, Eddington, and (festival best atm) Sirât. filmmakermagazine.com/130721-canne...

Moirée has a podcast now, and we raised the curtain yesterday by inviting critics Pedro Emilio Segura Bernal, Jordan Cronk, Daniel Kasman, Elena Lazic, and Vadim Rizov to discuss Cannes 2025 films Mission: Impossible, Two Prosecutors, Sound of Falling, and Enzo. soundcloud.com/moiree/moire...

Moirée is back for this year’s Cannes. Follow along starting today: moir.ee/editions/can...

Baby Invasion felt like the first time I saw Play Time

The Notebook Insert's absolute banger of a new issue is on extrasensory cinema and rolls out all this week, including my piece on Apple Immersive Video (up tomorrow). Also new writing by Tom Gunning, Erika Balsom, Kevin B. Lee, Vera Drew, Andrew Norman Wilson and others. mubi.com/en/notebook/...

Oh?

It really shouldn't have taken this long to screen this stunner in North America, but better late than never.

Since several have asked, Moireé is joining the boycott of this year's Berlinale. We hope to resume gridding, with some fun new features, in May at Cannes.

Rotterdam highlights in order of occurrence: - the steak & octopus at Café Patricia - presenting & experiencing “Cinema of the Spectacles” - climbing at Beest Boulders - John Winn’s Ode to R.G. Springsteen - Afternoons of Solitude round 2 - Entre Montañas natural green tip gesha at Sound Kitchen

While I'm self-promoting, I'll be presenting a variation of my traveling 3D shorts programme at the Zumzeig Cinema in Barcelona (where I'm living for the next 6 months) on Feb. 21, as part of La Inesperada Festival de Cine. www.zumzeigcine.coop/cinema/films...

A bit more detailed info on my IFFR event. Feb 4, 21:15 at WORM.

Gave INLAND EMPIRE my first and only 10 on my blog a couple Aprils ago when I rewatched it for the first time in more than a dozen years and realized that every aspect of my taste, sensibility, way of thinking about and processing art was shaped by it, and most of his other movies aren’t far behind.

Just realized that I forgot to include this Veritasium featurette on AI maze-solving competitions that randomly showed up in my youtube suggestions earlier last year. Would fit well into the Computer Chess (Bujalski) Extended Universe. youtu.be/ZMQbHMgK2rw?...

Working through an endless 3D due diligence list and it’s only becoming harder to tell how much I like many of these. Eg. Journey to the Center of the Earth: Some of the worst images / best depth in the 2000s wave. An utter insult to physics. A true post-Spy Kids 3D product. Ugly, dumb, and pure.

I'm afraid the Hatari uhd already means 2025 > 2024

Some of the new-to me audio(/)visual things I most enjoyed last year

One final plug for one final 3D screening. Jan. 1 at 6:30pm, the Norman McLaren short is worth the price of admission alone. tiff.net/events/the-m...

Finally well enough to catch one of @astrostic.bsky.social fantastic 3-D programs TIFF: The Treasure of the Four Crowns. One of the best 3-D experiences I've had, in no small part for the imaginative use of animal protrusions.

Toronto! Tickets are still available for tonight's Lightbox screening of JACKASS 3D, which is one of the greatest cinematic experiences you can have with a crowd. Seriously.

Treasure of the Four Crowns, y’all

Just announced this morning, I’ve been invited to curate a 3D screening at IFFR (Rotterdam), called “Cinema of the Spectacles.” 7 films (ALL projected from 16mm prints), 5 different 3D formats, 4 types of glasses. Happening on February 4.

per Lobster, the films after Arrival of a Train "are Louis Lumière's relief tests. These are family views." I'm logging them as untitled for now, but will keep searching for clarity on these (and Lumière's* other 3D experiments). *Auguste wasn't interested in 3D. Stereoscopy was Louis's passion.

Still waiting to hear back, but I did find an account of Lumière's 3D presentation at the 1935 French Academy of Sciences saying he showed the Train remake as well as a comedy called L’Ami de Monsieur and a "documentary" called Sur la Riviera (possible the latter is the one we saw shot on a boat)

Tonight’s “Dimensional Excursions” screening pairs one of my top 10 fave 3D features with one of my top 10 fave movies of any length or format. The hits just keep on coming. tiff.net/events/flesh...

Have a bit more 3D programming coming up in Q1 2025 (TBA, all in Europe), and would be happy to tour any of these program(me)s around wherever there's interest.

Corey gets it. 🍻

last night’s post 3D shorts discussion included someone finding a bridge from Takashi Makino to DJ Sabrina, so I’d say it went well

Wednesday is going to be insane. tiff.net/events/3d-sh...

Wednesday is going to be insane. tiff.net/events/3d-sh...

The DCP for L’Arrivée d’un Train 3D ended up including (all?) the other films the Lumières made in 3D, none of which I’d seen before (don’t know the titles, if they even have titles?). We decided to screen all of them instead of stopping after Train. Cinema peaked in those 6 minutes.

What a cool series! Nobody in Toronto knows more or has thought more deeply and imaginatively about 3-D than @astrostic.bsky.social. This series is not to be missed! (I saw a 3-D version of Arrivée d'un train in Paris a decade ago and it rocks.) tiff.net/calendar?ser...

i wrote about @astrostic.bsky.social’s 3D film retrospective at TIFF Cinematheque, kicking off tonight with a screening of Hugo and Arrival of a Train in 3D