🎬 Our Technical Brochure is out! ⚙️Behind SCENE’s architecture lies an intelligent, interconnected ecosystem that brings together multiple tools. 👉 Want to explore them further? 👉 Explore how SCENE tools are shaping the future of film production here 🔗 thesceneproject.eu/resources/te...

We are building a vibrant ecosystem for European Animation through 3 dynamic Hubs focused on IP management, partnerships, and audience engagement. From mapping and testing to creating tools like the Discoverability Dashboard, we’re setting the stage for innovation across creative sectors.

Booking is now open for 'Beyond the Frame: Women Filmmakers and their Archives', a series of events feat. Tina Gharavi and Gurinder Chadha. Programmed by @archiveswendy.bsky.social & Grace Johnston Tickets are selling fast for these events, book here: whatson.bfi.org.uk/Online/defau...

WIPO to launch a global study on authors’ rights! At its 47th session, the WIPO adopted the African group's proposal for a global study on "The Rights of Audiovisual Authors and their Payment Mechanisms for the Exploitation of their Works". Check the full news 👉 www.saa-authors.eu/articles/a-w...

Creative industry businesses are more likely to be exporters than those across the wider economy, and the gap is growing, according to a report from the Creative Industries Policy and Evidence Centre (Creative PEC).

We deliver new data and methodologies into the multidimensional role of #VOD platforms in the #ClimateTransition. We investigate how these platforms drive and sustain change, the conditions that maximize their impact, and emerging trends shaping sustainable media. #VODResearch #MediaStudies

📈 New Creative PEC research shows creative firms are more likely to be innovators and exporters. Our latest State of the Nations report launches today, ‘Will the creative exporters please stand up? Recent export trends and features of exporting creative micro, small and medium-sized enterprises’. 👇

What an excellent group of scholars and topics! I'm excited to dive in.

Europe’s streaming ecosystem is growing fast, but sustainability frameworks are still fragmented. StreamSCAPES is closing the gaps with the 2030 Policy Roadmap. ✅ Subscribe for policy insights: mailchi.mp/1b19f978f15a... #GreenStreaming #PolicyInnovation #Streaming #VODindustry

🚨New publication 🚨A collection I co-edited with Paola Brembilla and Marco Cucco on the topic of Intellectual Property and the Audiovisual Industries has been published (in open-access!). All articles are available here (1): publishing.mediamutations.org/the-matter-o...

⏰Apply before 28 December⏰ If you are a Master’s student, want to work on copyright, AI, and media policy at the European level, and are interested in the cultural and creative sectors ... you might have what we are looking for 👀 Read the internship description and apply here 🔗 lnkd.in/dFMvsbxN

Very interesting new report published today by the European Audiovisual Observatory on fiction (i.e. series and straight to TV/platform films) production and commissions up to 2024. (1) www.obs.coe.int/en/web/obser...

Go Marina! expressiveai.net

www.instagram.com/jaythechou/ seasonal

11/27/70: George Harrison w/All Things Must Pass Cue it up w/the Scorsese doc: youtube.com/watch?v=fJh9... More: @geochesterton.bsky.social: www.gq-magazine.co.uk/culture/arti... Tom Pinnock: www.uncut.co.uk/reviews/albu... @nitinsawhney.bsky.social: www.bbc.co.uk/programmes/m...

youtube.com/watch?v=YKWX... tis the season

A popped a couple more of these in there for any Gould heads in your life: www.brianna-ashby.com/new-products...

Book is on sale - save 13 dollar bucks!

The Government’s 2025 Budget contains a number of interventions that will have an impact on the UK’s creative industries, spanning R&D, skills and business rates. In this week’s Political Monitor, the Creative PEC Policy Unit digests some of the key findings. shorturl.at/U5hVX

www.screendaily.com/news/bifa-se... Cheers to Warp Films. What a contribution. From Dog Altogether on, via EM Media, Scottish Screen, Warp X partnerships, & everything since just brilliant work & a brilliant company warpfilms.com/projects/

The Development Bank of Japan (DBJ) has become the latest major investor to back Tokyo-based K2 Pictures’ pioneering new film production fund, signaling growing institutional confidence in the company’s bid to shake up Japan’s long-stagnant film financing system.

As highlighted by Alliance for IP - assets.publishing.service.gov.uk/media/6925e6... perhaps hope for an effort towards www.eif.org/InvestEU/gua... www.eif.org/what_we_do/g...

Australia's streamer regulations are now law. deadline.com/2025/11/aust...

Submit your proposal for the @dariaheu.bsky.social Annual Event: deadline is December 22! Full info: annualevent.dariah.eu #ResearchInfrastructures #OpenHumanities #DARIAH

Great visit, great work, and great discussions nytimes.com/2023/02/25/a... www.ringsidestudios.com/ringsidemedia

Kahlil Joseph’s mesmerizing debut BLKNWS: Terms & Conditions, opening in theaters Friday, feels like a living, breathing dispatch from a time beyond ours, ushering in new possibilities for the form. Read @jpraup.bsky.social's Critic's Pick review: thefilmstage.com/sundance-rev...

www.unic-cinemas.org/en/resources... Included showcasing of collaborative promotional campaign connecting exhibition & home ent. Chris Spelman ODEON, Liz Bales British Association for Screen Entertainment, Andrew Stewart Amazon Prime Video, shared insights from their cross-industry initiative

www.screendaily.com/news/pinewoo...?

✨The SCENE EU Project is hosting its Final Event on 3 Dec 2025 at Fundación Épica La Fura dels Baus (and online)! Featuring a keynote, 2 panel discussions, project insights & live demos of SCENE tools. 📝Register (hybrid): docs.google.com/forms/u/1/d/... 🔗Agenda: thesceneproject.eu/event/scene-...

Together with @streamscapes-eu.bsky.social, REBOOT Horizon Europe and CresCine, the seminar highlighted how culture is a strategic boost for the EU’s competitiveness, diplomacy, and sustainability. #HorizonEurope #EUculture #CulturalPolicy #AudiovisualIndustry #ClimateTransition #AnimationIndustry

www.gov.uk/government/s... We understand that supporting the sector’s long term growth means rapidly improving access to finance for creative businesses and IP owners.

Staff Pick of the Week: FALLEN ANGELS (1995) Lost souls reach out for human connection amid a glimmering Hong Kong in Wong Kar Wai's hallucinatory, neon-soaked nocturne. Originally conceived as a segment of Chungking Express only to spin off on its own. https://bit.ly/4rh7Eaj Available: 🇺🇸|🇨🇦|🇦🇺|🇬🇧

Congratulations, @clemicollett.bsky.social!

www.icpsr.umich.edu/sites/icpsr/... www.icpsr.umich.edu/sites/nadac/...

www.screendaily.com/news/spend-o...?

The Global Media & Internet Concentration Project's (GMICP) new data dashboard offers users an interactive view of revenues, market structures & concentration trends for two dozen telecoms, internet and media industries in 25 countries. gmicp.org/dashboard/ 1/

🎬Our interview series "Data Practices, Provenance, and Categorizations in Film History" is out now! 👉 doi.org/10.5281/zeno... Our #DAVIF project partners discuss how data practices and institutional and theoretical frameworks shape film-historical #metadata. #digitalfilmhistory #culturalheritage

www.screendaily.com/news/uk-crea...

Why “Set the Stage” matters These workshops are the foundation of StreamSCAPES. They connect stakeholders, identify gaps, and shape the tools and policies that will guide the sustainable transformation of Europe’s VOD ecosystem. 📥 Access the full report: zenodo.org/records/1748...

New Milestone for StreamSCAPES! Our Set-the-Stage Workshops Report is out! This deliverable captures insights from five stakeholder workshops exploring how European #VOD platforms can drive a Sustainable Climate Transition. Access the full report: lnkd.in/dBkgQDhU #Sustainability #GreenMedia

deadline.com/2025/11/rich... Curtis at BSF conference on impact producers.