Hello @radiotimes.bsky.social Your TV guide shows that Animal Farm is playing on Film4 today, but for some reason you've put John Halas as the director - Joy Batchelor has been left out (this is a Halas AND Batchelor film). Funny how it's never the men's names that get mistakenly left aside...

@labouruk.bsky.social came to my door tonight. Tried to get my vote by criticising @greenparty.org.uk Geez. Told him that they are definitely not going win me over by criticising the Greens when they really should be fighting the rise of fascism/Reform. #shockingbutnotshocking

Looking forward to this at the BFI next month: whatson.bfi.org.uk/Online/defau...

Gurinder Chadha joined us in January for our @womensscreenwork.bsky.social In Frame discussion at BFI Southbank. She's back at the BFI on Tuesday for this excellent programme: whatson.bfi.org.uk/Online/defau...

🧵 Curious how researchers, journalists, and artists dig into the web’s past? 🌐 WAYS OF WORKING WITH THE WAYBACK MACHINE shows how the #WaybackMachine opens up a world of discovery and creativity. Learn more ⤵️ www.internetarchive.eu/2026/02/18/w... 1️⃣/5️⃣ #WebArchives #DigitalResearch

Please sign: www.change.org/p/erasing-a-...

Today I accidentally bought 14 oranges instead of 4. That's my news.

Our @womensscreenwork.bsky.social post-doc, Dr Jessica Boyall, wrote this lovely piece about Gurinder Chadha and Tina Gharavi's archives held at Screencraft, BFI National Archive: www.bfi.org.uk/features/bey...

Wonderful last night of our Beyond the Frame: Women Filmmakers & their Archives season, BFI. We watched Bride & Prejudice with a lively audience then Gurinder Chadha Q&A, ending the night with Gurinder meeting artists Athen & Nina & seeing their Bend It installation. @womensscreenwork.bsky.social

Thrilled with wk 1 of Beyond The Frame: Women Filmmakers & their Archives. Last night we saw Tina's brilliant I Am Nasrine, after which she discussed her work & archive with @lindaruthwilliams.bsky.social @womensscreenwork.bsky.social Amazing to bring women filmmakers' archives to cinema audiences

Artist duo, Athen & Nina, were commissioned by BFI Screencraft and supported by @womensscreenwork.bsky.social to respond to Bend It Like Beckham materials in the Gurinder Chadha Collection. If near Southbank, do take a look at their installation. Until 1st Feb. whatson.bfi.org.uk/Online/defau...

My excellent colleague, Chantelle Boyea, introduced Tina Gharavi's short films last night, with some highlights from Tina's fascinating archive. Come here Tina speak about her work and archive on Friday at the BFI!

Very please to share this BFI press release about Tina Gharavi's archive coming to the BFI National Archive. I am currently working on this collection - which is fascinating. www.bfi.org.uk/news/bafta-n...

One of the highlights of the Beyond the Frame: Women Filmmakers and their Archives season (aside from Tina Gharavi being there in person!) is that Gharavi's Mother/Country will be screened: www.youtube.com/watch?v=sPKY...

Woman with a Movie Camera is back! I'll be on a panel with BFI digital archivist, Grace Johnston, talking about the archives of Tina Gharavi and Gurinder Chadha, then we'll host an archive show and tell... whatson.bfi.org.uk/Online/defau...

Come see this lovely short season at the BFI! Beyond the Frame: Women Filmmakers & their Archives As leading figures in British cinema, Tina Gharavi & Gurinder Chadha’s work remains relevant for both current and future audiences. @womensscreenwork.bsky.social #BFI whatson.bfi.org.uk/Online/defau...

Interesting training event at TNA: PAST Surveillance and Society: Reading records against the grain - Participants are invited to critically engage with case studies of a broad range of 20th century surveillance records at the archives www.eventbrite.co.uk/e/past-surve...

Very pleased that the book Sue and I edited, The Materiality of the Archive: Creative Practice in Context, has just come out in paperback (so a bit cheaper!). www.routledge.com/The-Material...

Interesting & critical review of the new V&A Storehouse by @profdanhicks.bsky.social artreview.com/what-isnt-at...

Laura Mulvey to receive the BFI Fellowship this year: www.bfi.org.uk/news/laura-m...

Home working in school hols: Me: I'm working & need to concentrate, don't interrupt for a bit. 5 mins later son runs to me: Son: There's a big problem. Me: What? Son: I don't know how to say it, but I need you to come. Me: Just tell me what it is. Son: I've got a bit of slime stuck to a newspaper.

The ICO is taking action against the Cabinet Office because of lengthy and unexplained FOI delays. In a new practice recommendation the ICO is highly critical of the Cabinet Office approach to FOI, telling it to supply quarterly updates for monitoring of its future performance.

Our brilliant @womensscreenwork.bsky.social post-doc researcher, Jessica Boyall, wrote an excellent piece on Gurinder Chadha for the Recent BFI Blu-ray release of Bhaji on the Beach. Jessica is working on the Gurinder Chadha Collection for the WSW project.

The wonderful Connie Francis has passed away. One of my favourite records to listen to growing up was my mum's Connie Francis album. Such a tragic life. www.youtube.com/watch?v=8a5i...

Our amazing BFI Special Collections Archives Assistant, Eva Norton, wrote this week's Object of the Week, a promotional still for the lost silent romcom Swim Girl, Swim www.bfi.org.uk/features/obj...

Bringing together the many ‘cides’ inflicted on Palestine with the hope of the ‘accidental and piecemeal archive’ newlinesmag.com/essays/histo...

The BFI National Archive's first Object of the Week! This piece is by my wonderful former boss, Nathalie Morris. The wallpaper has had some excellent conservation work by or brilliant paper conservator, Tabitha Austin: www.bfi.org.uk/features/obj...

It was so great to be at #DWFTH7 in Lincoln and to present our project’s first steps. Thanks for the insightful comments and discussion from the audience #womensscreenwork #femfilmhistory #archives @bdcmuseum.bsky.social @bellecobb.bsky.social @archiveswendy.bsky.social

Our AHRC Project Women's Screen Work in the Archives Made Visible now has a bluesky account! Do follow @womensscreenwork.bsky.social

‘For a largely self-taught young woman of that period, such a career was remarkable – near impossible for a Black woman. But Greene moved through the world as white.’ Francesca Wade on Belle da Costa Greene, J.P. Morgan’s librarian at the turn of the 20th century: www.lrb.co.uk/the-paper/v4...

Women’s screen work project team assemble for #DWFTH7 ! Really excited to present work in progress together for the first time at the excellent Doing Women’s Film & TV History conf and talk with other scholars of #femfilmhist

Hear about the BFI's Star Wars print and Ann Skinner's continuity script for the film. And my wonderful colleague, Kay, wrote about our recent research showcase: blog.bfi.org.uk/knowledge-an...

Serendipity Institute for Black Arts and Heritage event: Black Heritage Voices 2025: The Importance of Black Archives in Preserving Historical Memory www.serendipity-uk.com/event/black-...

My brilliant colleagues at the BFI made this Sensory ASMR tour. A particular shout out to Lily and Kay in Special Collections, who have been doing a superb job auditing our paper collections. m.youtube.com/watch?v=nMRp...

Mobile phones have made emergency waiting rooms even more unbearable than they already were. When did society decide earphones just aren’t necessary?

There is so much bad news on micro and macro levels lately, I will share a little personal win. Here is a sneak peek at a very early dummy of the interior layout for my book "The House Archives Built, and Other Thoughts on Black Archival Possibility," upcoming from @wehere.bsky.social press.

very proud to have been involved in the development of this report, for which I also wrote the afterword, being launched by the All Party Parliamentary Group in London today www.theguardian.com/world/2025/m...

‘The Gothic horrors – snow, violence, madness – are all present in Walser’s plot, but there is enough comedy in it to make the scary funny.’ Anna Aslanyan watches Stanley Schtinter’s film 𝘚𝘤𝘩𝘯𝘦𝘦𝘸𝘪𝘵𝘵𝘤𝘩𝘦𝘯, based on a text by Robert Walser: www.lrb.co.uk/blog/2025/ma...

BFI Special Collections have two vacancies for a Curator and Assistant Curator. Come join our lovely team! bfijobsandopportunities.bfi.org.uk

Wayback Machine Saves Thousands of Federal Webpages Amid Purge of Government Data Under Trump

To celebrate #NationalLottery Open Week, #BFI are offering fourteen lucky film fans (plus a guest) a chance to explore the BFI National Archive on Thu 20 Mar! Enter now by Fri 7 Mar. www.bfi.org.uk/competitions...

Association of Research Libraries Calls for Protection of US National Archives and Records Administration 📜 www.arl.org/news/associa...

🎬🍿Join us! Screening & discussion of “Making Fiction Flow” on work of script supervisor Penny Eyles (credits include Kes, 1969, Time Bandits, 1981 and Orlando, 1992). 18th February 2025, 5.15pm. Room: SR (LG.16), Michael Sadler building @universityofleeds.bsky.social @feministbell.bsky.social

The brilliant BFI Curator, Jo Botting: The forgotten Technicolor fashion-world drama: It Started in Paradise www.bfi.org.uk/features/for...