"Informative, provocative and entertaining all at the same time." - Michael Billington @sierz.bsky.social delivers a wide-ranging and accessible account of new writing in British theatre during the 2010s, written in a boldly experimental style. Learn more: https://bit.ly/4cR85l7

"Delivered by an expert in a truly adventurous and entertaining manner ... highly recommended." @sierz.bsky.social's 'New British Drama in 15 Scenes' reviewed @britishtheatreguide.info www.britishtheatreguide.info/reviews/new-...

★★★★ TENDER @sohotheatre.bsky.social - An anarchic takedown of clichéd masculinity, as the team behind Tambo & Bones return with a hilarious show about sex, sex and more sex - review @sierz.bsky.social www.theartsdesk.com/theatre/tend...

★★ Please Please Me, Kiln Theatre: too much, and not enough writes @sierz.bsky.social on this life of Brian Epstein which never really satisfies www.theartsdesk.com/theatre/plea...

Huge congratulations to @vickyangelaki.bsky.social , Elisabeth and Clara on your superb editing of this volume. Very proud to be included!

BETWEEN THE RIVER AND THE SEA @royalcourt.bsky.social - Autobiographical show about the Middle East prefers utopian longing to political engagement - but @sierz.bsky.social is won over by #YousefSweid's solo performance in this wry take on insoluble antagonisms www.theartsdesk.com/theatre/betw...

In the same glass. I dare ya! Congrats on the new book.

★★★ Deeply felt, but frustratingly incomplete: Heart Wall, a new play about family trauma and grief is subtle, sensitive, but pitted with plot holes writes @sierz.bsky.social at Bush Theatre www.theartsdesk.com/theatre/hear...

My new book is out now. Do I celebrate with champagne or a cup of tea? Or both?

Ooh, what a lovely sight — thanks @ntbookshop.bsky.social ! Much appreciated!

THE AUTHENTICATOR @nationaltheatre.org.uk - Latest drama from #WinsomePinnock is too short to be thoroughly satisfying - @sierz.bsky.social follows a complex post-colonial archival dive www.theartsdesk.com/theatre/auth...

★★★★ ROMEO & JULIET #HaroldPinterTheatre - Time waits for no man (or woman), as #RobertIcke's starry production elides #SlidingDoors with #Shakespeare - review by Matt Wolf www.theartsdesk.com/theatre/rome...

Now in paperback 📚 Why do we associate contemporary British history plays with white male playwrights? This vital study by Rebecca Benzie examines how feminist playwrights since 2000 have reclaimed history through a post #MeToo lens. Learn more: https://bit.ly/4cIZnHk

James Graham's 'Punch' wins the Critics’ Circle Theatre Awards 2026 for Best New Play (the Michael Billington award)! 👏 www.whatsonstage.com/news/critics...

Oh look what’s arrived in the post today! Very pleased with this @methuendrama.bsky.social publication. Available next week!

★★★★ Rebecca Lucy Taylor aka Self Esteem is a smash in this 50th anniversary revival of David Hare's Teeth ’N’ Smiles, Duke of York’s Theatre writes @sierz.bsky.social www.theartsdesk.com/theatre/teet...