Cape Fear review – Amy Adams and Javier Bardem’s immaculate update is a wild, wild ride www.theguardian.com/tv-and-radio...

Times Square — 1958

‘It’s a relief … I’m irrelevant!’: Rufus Norris on life after the National Theatre www.theguardian.com/stage/2026/j...

Peabo Bryson, R&B singer behind classic Disney duets, dies aged 75 www.theguardian.com/us-news/2026...

Masters of the Universe review – Amazon’s He-Man adventure is a weak big-budget misfire www.theguardian.com/film/2026/ju...

“'Somebody was texting in this part,' she said, gesturing towards a section of the audience. ... 'Maybe it was very important, and maybe you’re a doctor, and you’re saving someone’s life, and I hope you are, but we do see these, we do feel them.'"

"...he came on and did a scene about four minutes, and absolutely stunned the audience. And then we were left empty, empty and wounded by this actor." Eli Wallach recalling Marlon Brando in "Truckline Cafe" (by Maxwell Anderson). The drama premiered on Broadway late February 1946.

This is one of my favorite episodes yet: a deep dive into Death of a Salesman with its director Joe Mantello. We talk about the choices and challenges involved, and Joe reveals some REALLY interesting discoveries he made while studying Arthur Miller's original drafts. www.youtube.com/watch?v=1yWF...

Between the box office performance of Obsession and Backrooms (as well as several other recent films), it feels like something about American moviegoing tastes and habits are shifting very quickly in a way for which most of the people with the money to finance movies are completely unprepared.

I thought Beetlejuice the Musical was fine really but I just couldn’t get past how much they’d changed the source material www.timeout.com/london/news/...

Who's Afraid of Virginia Woolf? (1966) Directed by Mike Nichols

Harry Belafonte and Marlon Brando (1963).

Well, he walked up to me and he asked me if I wanted to dance. Elisabeth Shue in Adventures in Babysitting (1987) 🎬💜

Kenn Duncan, Diane Keaton and Barry McGuire in the original 1968 Broadway cast of Hair. Photos by Kenn Duncan.

Black Comedy review – Peter Shaffer’s relentless farce provokes helpless laughter www.theguardian.com/stage/2026/m...

Redcliffe review – beautiful musical gets straight to the heart of forbidden love www.theguardian.com/stage/2026/m...

This is essential for anyone interested in the state of theater and of human identity in the age of perpetually mutating self. Kip Williams rediscovers Genet's "The Maids," at St. Ann's Warehouse, as a prophecy for an era when existential uncertainty becomes public performance.

Fairyland review – moving memoir of queer parenting and new kinds of family in 70s San Francisco www.theguardian.com/film/2026/ma...

Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook www.theguardian.com/film/2026/ma...

Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal www.theguardian.com/film/2026/ma...

Tuner review – Leo Woodall and Dustin Hoffman in sweet harmony in safe-cracking thriller www.theguardian.com/film/2026/ma...

The Tempest review – Kenneth Branagh returns to the RSC in this enchanting production www.theguardian.com/culture/2026...

Dark of the Moon review – bluegrass girl meets emo witch boy and their songs soar www.theguardian.com/stage/2026/m...

NEW REVIEW: The spoofy Heated Rivalry musical (★★★★) lovingly checks the hockey-studs phenomenon www.timeout.com/newyork/news...

Action Film Dictionary: F is for Fight Scenario. The defining feature of the fight scenario is physical conflict. In its prototypical form, the conflict minimally consists of two combatants with fighting skills showcased as shown in Red River (1948).

Funny Girl (1968) Directed by William Wyler starring Barbra Streisand and Omar Sharif. #FilmSky #Movies

Glenn Gould at the Steinway warehouse selecting a piano before recording "The Goldberg Variations" in 1955. Photo by Gordon Parks.

Stephen Sondheim by Daniel Okrent review – a superb biography of the musical master www.theguardian.com/books/2026/m...

Cannes got it wrong this year by awarding Palme d’Or to Cristian Mungiu’s very moderate Fjord www.theguardian.com/film/2026/ma...

Little glitz and underperforming auteurs: how Cannes 2026 went – and who will win www.theguardian.com/film/2026/ma...

‘Men and boys need to see this’: Jo and Kush and the joy of Race Across the World www.theguardian.com/tv-and-radio...

‘The days I had to have sex with randoms, I thought thank God!’ Jamie Bell on eye-popping drama Half Man www.theguardian.com/tv-and-radio...

End of the Rainbow review – Jinkx Monsoon’s Judy Garland could be the talk of the town www.theguardian.com/stage/2026/m...

‘I want to hit 100’: Derek Jacobi on Aids, ageing and failing to boil an egg www.theguardian.com/film/2026/ma...

Johnny Mercer - one of the founders of Capitol Records - with Nat King Cole during a recording session.

Moonstruck (1987) directed by Norman Jewison starring Cher in her Oscar winning role with Nicolas Cage. The supporting cast includes Vincent Gardenia, Olympia Dukakis, and Danny Aiello.

From late 1961, Richard Rodgers and Diahann Carroll during rehearsals for the musical drama "No Strings." The show was a success, running for 580 performances and winning Tony Awards for Rodgers, Miss Carroll and for Joe Layton's choreography.

I have loved Equus since my GCSE English teacher decided to make us study it for some insane reason and the Menier’s revival is great, intensity overcoming some of the datedness, I’ve give Lindsay Posner some stick over the years but this really plays to his strengths www.timeout.com/london/theat...

Let’s dress like a Mark Rothko! How gen Z fell for the king of colour field paintings www.theguardian.com/artanddesign...

‘Liberation,’ a Memory Play About ’70s Feminism, Wins Drama Pulitzer www.nytimes.com/2026/05/04/t...

Jude Law by Helmut Newton (2001)

Paying in sweat! How Debbie Allen went from stardom in Fame to conquer Hollywood www.theguardian.com/stage/2026/m...

‘My dad cannot see me on stage doing this’: will the stigma around boys who dance ever shift? www.theguardian.com/stage/2026/m...

Hairspray (2007) The musical adaptation of the John Waters film from 1988. Directed by Adam Shankman with music by Marc Shaiman.

If you've never seen Silkwood, stop everything and sit down. One of Mike Nichols's best films--and it remains maddeningly difficult to obtain, for no good reason.

Newspaper movie page from the Summer of 1982 #filmsky