Ariel Avissar created a well-rounded supercut of circular images found in Coen Brothers movies from 1987 through 2018. laughingsquid.com/coen-brother...

Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #6 of 6 In "The Most unCertain Hour", @colleenlaird.bsky.social studies multiple iterations of the Marvel Studios logo, then pairs it with the 1963 anime "Astro Boy": www.screenworks.org.uk/archive/volu...

Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #5 of 6 In "Watch for Joy", Quan Zhang pairs a sequence from the 1999 Chinese New Year Gala televised broadcast with a sequence from "Anchors Aweigh": www.screenworks.org.uk/archive/volu...

Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #4 of 6 @drdanobrien.bsky.social's "Everybody Dreams" analyzes the closing montage from "Vanilla Sky", and connects it with Hans Richter’s "Dreams That Money Can Buy": www.screenworks.org.uk/archive/volu...

Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #3 of 6 In "Dance With Me", @newsfromnihon.bsky.social breaks down a shopping montage from "Mannequin" and places it in playful conversation with "42nd Street": www.screenworks.org.uk/archive/volu...

Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #2 of 6 @vikap8.bsky.social's reflective piece, "Women at Work" dissects a sequence from "Man with a Movie Camera", and juxtaposes it with "Sans soleil": www.screenworks.org.uk/.../volume-1...

Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #1 of 6 In "At All Times", I deconstruct the testing-room sequence from "The Parallax View", then place it in dialogue with "The Cabinet of Dr. Caligari" (as you do): www.screenworks.org.uk/archive/volu...

Second entry in my Year of Supercuts: vimeo.com/1162986094?s...

My second Coen Brothers supercut of the year: vimeo.com/1162626130

Delighted to announce the publication of Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue! I'm very proud of this one! Enjoy - and make your own: www.screenworks.org.uk/archive/volu...

Now live on spectacularoptical.com - the latest instalment of @stephenbroomer.bsky.social 's video essay series on Canadian classics, hits and misfits, NORTHERN LIGHT - this time focused on Martin Duckworth and Pat Crawley’s ACCIDENT (1973).

my thoughts on the final season of Stranger Things: vimeo.com/1160585447

My first video of the year: vimeo.com/1159660618

Just one week left to apply for this incredible, FUNDED opportunity! waysofdoing.com/ways-of-undo...

Now accepting applications! Join me, @barbarazecchi.bsky.social, @jbinotto.bsky.social, @arielavissar.bsky.social, Alan O'Leary, and Danielle Hipkins for a intensive videographic exploration of Venice this summer. Deadline: Mar 31. See details here: www.univiu.org/study/summer...

Screen Stars Dictionary - entry #39: Paul Mescal, by @ariadnacebrian.bsky.social: vimeo.com/1154058942

🚨 THE VIDEO JAM IS BACK! 🚨 📅 January 16–18, 2026 To celebrate five years of The Essay Library, we'll be coming together once again to create video essays in 48 hours. Learn more + join: theessaylibrary.com#jam

Great new episode of The Video Essay Podcast from @willdigravio.bsky.social featuring @jirianger.bsky.social thevideoessay.com/jiri-anger-o...

First video of the year: vimeo.com/1151237381?s...

Call for Applications! Ways of Undoing invites videographic makers, scholars, and artists to apply to one of three intensive, week-long residential workshops (St Andrews 2026 | Vancouver 2027 | Tokyo 2028). Funded accommodation & board provided. Deadline: Feb 1, 2026 waysofdoing.com/ways-of-undo...

Check out my latest mashup, Alejandro G. Iñárritu's GROSSMAN Read more: www.freecinemanow.com/2025/12/alej... #Digger #TomCruise #Grossman

The full collection of video essays reflecting on the "100 Best" list is now available at 16:9, including Wickham's entry "PARASITE and the Ones Below..." 16-9.dk/tag/the-100-...

“𝐎𝐧𝐞 𝐇𝐮𝐧𝐝𝐫𝐞𝐝 𝐌𝐨𝐯𝐢𝐞𝐬 𝐖𝐚𝐥𝐤 𝐢𝐧𝐭𝐨 𝐚 𝐁𝐚𝐫…” comes to a close in 16:9, with my own entry, “But What Do They Sound Like?” 16-9.dk/2025/12/the-...

The best video essays of 2025 are here! It was a pleasure to co-organize the poll with Veronika, Occitane, and Kevin. Thanks to everyone who participated, and congratulations to those whose video essays were selected.

Now in its ninth year, our annual poll, organised by by Jiří Anger, Veronika Hanáková, Kevin B. Lee and Occitane Lacurie, showcases a record 255 vital video essays, nominated by 72 international voters www.bfi.org.uk/sight-and-so...

Additionally, the @sightsoundmag.bsky.social poll of Best Video Essays for 2025 was published - more than 15 video essays published in [in]Transition were nominated in the poll! Huge congrats to all of our nominated authors and enjoy watching the year in video essays!

Big day for [in]Transition! We just published our new Special Issue on Cinematic Bodies/Videographic Form, featuring six great new video essays on a wide range of topics, as well as a posthumous video from Isabelle McNeill. Check it out below:

Our 3rd Collection of experimental videographic practice is now live. 12 fragments (from nine creators). Read our editorial and view them all here fragments.video

“𝐎𝐧𝐞 𝐇𝐮𝐧𝐝𝐫𝐞𝐝 𝐌𝐨𝐯𝐢𝐞𝐬 𝐖𝐚𝐥𝐤 𝐢𝐧𝐭𝐨 𝐚 𝐁𝐚𝐫…” approaches the finish line (only one more to go...), with “Seen, Heard: Language Use in the ‘Best Movies’” by @middento.bsky.social, now on 16:9:

“𝐎𝐧𝐞 𝐇𝐮𝐧𝐝𝐫𝐞𝐝 𝐌𝐨𝐯𝐢𝐞𝐬 𝐖𝐚𝐥𝐤 𝐢𝐧𝐭𝐨 𝐚 𝐁𝐚𝐫…” marches on, with Benedetta Andreasi's playful "One Hundred (Lonely) Movies Walk Into a Bar", now on 16:9:

Barbara Zecchi’s latest brilliant videographic thinkpiece, just published in 16:9 as part of Ariel Avissar and Colleen Laird’s collective series in response to the New York Times’ list of 100 best films of the 21st century. vimeo.com/1141239458?f... 16-9.dk/2025/11/the-...

Another entry in “𝐎𝐧𝐞 𝐇𝐮𝐧𝐝𝐫𝐞𝐝 𝐌𝐨𝐯𝐢𝐞𝐬 𝐖𝐚𝐥𝐤 𝐢𝐧𝐭𝐨 𝐚 𝐁𝐚𝐫…” now in 16:9: @barbaracrampton.bsky.social's “All About Numbers: 100 Films – 11 Women”: 16-9.dk/2025/11/the-...

Found Footage Magazine launches its new - now fully open access - issue! foundfootagemagazine.com/online-issue...

Now on 16:9: “𝐎𝐧𝐞 𝐇𝐮𝐧𝐝𝐫𝐞𝐝 𝐌𝐨𝐯𝐢𝐞𝐬 𝐖𝐚𝐥𝐤 𝐢𝐧𝐭𝐨 𝐚 𝐁𝐚𝐫…” continues with Wickham Catesby Flannagan's "Parasite and the Ones Below…”! 16-9.dk/2025/11/the-...

We're proud to share our co-host Wickham Flannagan's latest video essay, as published in 16:9 Film Journal! vimeo.com/1140094821

Apparently, @edgarwright.bsky.social plus @johnlithgow.bsky.social had a chat about my Raising Cain Director’s Cut for Brian De Palma. As the Hot Fuzz wizard told the soon-to-be Perkamentus, it’s “pretty great”. Source: Happy Sad Confused (around 25’45”): youtu.be/rGzphHQlMV4

Now on 16:9, @colleenlaird.bsky.social's "See Under: Orient", the first in a series of videos made for our summer workshop, “𝐎𝐧𝐞 𝐇𝐮𝐧𝐝𝐫𝐞𝐝 𝐌𝐨𝐯𝐢𝐞𝐬 𝐖𝐚𝐥𝐤 𝐢𝐧𝐭𝐨 𝐚 𝐁𝐚𝐫…”, in response to the The New York Times’ list of “100 Best Movies of the 21st Century". 16-9.dk/2025/11/the-... More to follow soon...

We’re excited to welcome Prof. Jason Mittell (Middlebury College, USA) for two insightful sessions exploring television narrative and videographic criticism. 📅 23 October | 14:00–16:00 Guest Lecture: “Complex TV … Continued” 📍 Conti Hochhaus, Room 609

Excited to have my latest videographic experiment published in 16:9: 16-9.dk/2025/10/the-...

"There is something in its constructed-ness that seems to demand a normative reading of the video, i.e., what it is saying about this character—the wrestler—and how he is treated by the film and by himself." @arielavissar.bsky.social's fragment in our 2nd collection. fragments.video/2025/06/19/t...

In honour of Julie Andrews' 90th birthday tomorrow (and indeed, the 60th anniversary year of #TheSoundofMusic), here's the Screen Stars Dictionary entry I made a couple of years ago. 'Voice'. #JulieAndrews #MaryPoppins #voice #videoessay @arielavissar.bsky.social vimeo.com/828949634

I placed two videos (by @sennahojottonib.bsky.social, @misek.bsky.social and Martine.Beugnet) side by side, and, well.... wow: vimeo.com/1122450439

Very happy to have contributed a (35-seconds-long) fragment to the 2nd collection of @fragmentsjournal.bsky.social, alongside fragments by @drdanobrien.bsky.social, @bolddecade.bsky.social , @ursmusically.bsky.social, and others!

Our 2nd Collection of experimental videographic practice is now live. 9 fragments (from eight creators) ranging from 35 seconds to an hour. fragments.video

Screen Stars Dictionary #38: Isabella Rossellini, by @barbarazecchi.bsky.social: vimeo.com/1104219355

Screen Stars Dictionary #37: Ana Torrent, by Celia Sainz: vimeo.com/1104217407

Screen Stars Dictionary #36: Arnold Schwarzenegger, by @drdanobrien.bsky.social: vimeo.com/1104220855

Screen Stars Dictionary #35: Diana Ross, by @jaapkooijman.bsky.social: vimeo.com/1104216438

Screen Stars Dictionary #34: Jessica Lange, by Flavia Soubiran: vimeo.com/1104222172