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Talos M&E Track Showcase

Jason and the Argonauts M&E Track Showcase. Sourced from my own capture of the 1995 laserdisc

Custom poster for Rodan (1956).

This being from 1956...

Gappa the Triphibian Monster

archive.org/details/them... Here's my bit perfect audio capture of the 1991 Laserdisc of Them!

Them! (1954) is great because of the bleakly sincere, existential approach to the Bomb and the emergence of the new species as this ominous, apocalyptic event. This is very much in the same vein as the apocalyptic space thrillers of George Pal that preceded it it.

Today’s work doodle is a wonky attempt at Godzilla 2000

Gezoraposting.

they're going to hit gojira any minute. they'll be using guided missiles. you better go.

Hear it from me, a professed hater of the Funimation dub and Anthony Kimm's cut and dry subs: the new Shin Godzilla dub by NYAV Post is good. When I heard Ping Wu again early on, my brain lit up and I was transported back to a time when G2K's dub felt important to me because of the all AAPI folks.

Screw it, Bonfire Night has come and gone... Here's my It's A Wonderful Life Christmas card design. #caricature #art

Become your best self! It's #MinillaMonday!

Yongary

Caroline Munro Captain Kronos: Vampire Hunter by Frederick Cooper #HorrorArt

The Ghost of a Flea — William Blake, 1820

King Kong vs Godzilla (1962)

Shin Godzlla Dubbing Comparison

Happy Godziller Day! For this special occasion, I promote my rip of the Taiwanese VCD of Monster of Monsters, Ghidorah, yay. archive.org/details/meia...

Just got this in the mail

What happened to your eyes

the redubs where Colin Shevloff dubs Jackie are so fucking cursed I love them

Titanosaurus destroys the The Akatsuki M&E Track

I don’t like the ephemeral way dubbing is treated, to the point where you have to justify their mere continued existence This is not a matter of preference, taste, or even accessibility. Dubs are unique presentations of media with often rich histories. They require serious analyses and preservation

Hanuman

you get actors like Alec Guinness despising their genre work, or like Jeremy Brett being massively screwed up by it, and then you get Christopher Lee calling his cat Renfield.

I always recommend going the route of visual editing; matching 2 or more video sources frame-by-frame to achieve frame accurate synchronization. There’s a lot of nuance involved, yet it’s also very straightforward. I recommend making smaller encodes of larger source files for processing speeds.

Bloodthirsty Hawk | Flying Monster Vulture | 飛天怪鷲 (1977) - Mandarin Theatrical Cut (480i DVD ISO/Remux) Archival Credits Purchase: Milo Davidson Special Thanks: BillyBob486DX, Deathgilas archive.org/details/feit...

GODZILLA 1955, 70th Anniv. Seen in GODZILLA RAIDS AGAIN and the truncated GIGANTIS THE FIRE MONSTER(1959) Oils, 12 x 16.

Creature! Gillman! For the Universal Monsters gallery show in Austin in Oct.

Header card art I did for Spiral Studios release of GODZILLA 2014 soft vinyl toy sculpted by master Masami Yamada! Love how this worked out, note the halo jumpers.

The Bride of Frankenstein done for a Universal Monsters gallery show in Austin.

More Shin Goji! Shikishi edition

Ishiro Honda, re-editing his movie in the early '70s: "okay, it's VERY important that I leave in all 90 seconds of the grueling laser beam cutting sequence"

Godzilla Raids Again Video Quality Comparison

Return of Daimajin Dubbing Comparison

gudzilla sinks a soviet sub sandwich