ALWAYS appreciate @fangoria.bsky.social for their incredible support of #NightTideMag. They're one of the most equitable mags around, and I'm so happy they understand this need! I AM HORROR is live, y'all! 👻📽️📚📺🎭🌏 www.fangoria.com/nighttide-ma...

ALWAYS appreciate @fangoria.bsky.social for their incredible support of #NightTideMag. They're one of the most equitable mags around, and I'm so happy they understand this need! I AM HORROR is live, y'all! 👻📽️📚📺🎭🌏 www.fangoria.com/nighttide-ma...

Today, we launch I AM HORROR. A global archive documenting creators of color shaping the horror genre across disciplines and continents. The work exists. The archive should, too. 👻 📽️ 📺 🎭 📚 🌎 Submissions are now open: nighttidemag.com/iamhorrorjoin/

Today, we launch I AM HORROR. A global archive documenting creators of color shaping the horror genre across disciplines and continents. The work exists. The archive should, too. 👻 📽️ 📺 🎭 📚 🌎 Submissions are now open: nighttidemag.com/iamhorrorjoin/

🚨#NightTideMag's I AM HORROR campaign begins TOMORROW. What's it about? How does it work? Get your answers here! 👻📽️ nighttidemag.com/2026/03/14/i...

If you missed last year's Muse djent banger, Unraveling is another preview of glory to come: www.youtube.com/watch?v=jXmU... I've been a Muse fan from day ONE, here's my 25-year journey of "Weird Sh*t Muse Taught Me" chronicled by the great @nighttidemag.bsky.social nighttidemag.com/2024/11/27/m...

Woohaaa! We're heading to NOLA next month for The Overlook film festival, and friends....we're HYPED! 👻📽️ nighttidemag.com/2026/03/13/f...

Independent horror criticism matters. Dead Pretty: Beauty in the Horror Genre is a new essay collection exploring how horror preserves, distorts, and punishes beauty. The project is currently crowdfunding its first print run. Get the deets here to support! 👇 👻📽️💅 nighttidemag.com/2026/03/13/d...

🚨1428 Publishing is seeking contributors for Embracing the Abject: Exploring Abjection in Cinema, a new collection examining horror, the body, and social boundaries. They’re especially encouraging submissions from marginalized writers. Sub deadline: 29 May 2026 👻📽️ nighttidemag.com/2026/03/13/s...

I AM HORROR A global archive documenting creators of color shaping the horror genre. The archive begins March 15. Submissions open the same day. #NightTideMag 👻 📽️ 📺 🎭 📚 🌎 Archive matters. Record matters.

Since the New York Times wants to play about Wunmi, please see our celebratory NightTide piece from Feb 👻 📽️ ✊🏾 nighttidemag.com/2026/02/01/s...

Indie Horror 4 Eva! @micheleschultz.bsky.social has the highlights from the @winterfilmfest.bsky.social! 👻📽️ nighttidemag.com/2026/03/07/f...

... @sharai.bsky.social discusses the dread of being pushed into motherhood in Huesera: The Bone Witch @nighttidemag.bsky.social, @jenabrownwrites.bsky.social chooses 8 horror novels whose social commentary matches The Substance for The Lineup ... 2/3

Spring seduces the outsider. Summer mutates the rules. Autumn erases the map. Winter waits for you to freeze. From The Wicker Man to The Thing, horror keeps repeating the same lesson: the seasons were never ours to conquer. 👻📽️ New on #NightTide nighttidemag.com/2026/03/10/s...

Shout out to everyone who read my Huesera piece this weekend. It landed me my second “Must Read Horror” mention at This Is Horror. Also, huge thanks to @momoshaty.bsky.social for giving these longer pieces a home at @nighttidemag.bsky.social! www.thisishorror.co.uk/5-must-read-...

Big ups, fireworks, daps, & much appreciation to the incredible women who have contributed to #NightTideMag as staff writers, contributors, authors, filmmakers, storytellers, artists, & collaborators. We wouldn't be where we are without you. Drop those Patreons, Ko-fi's, etc. Get that coin today! 👻

Coming at you on a weekend from @nighttidemag.bsky.social. Motherhood ain’t for everybody and that’s absolutely fine.

This is a good one if you love horror and missed it. #TheBoneWoman #horror #horrorsky #filmsky

Not everyone wants motherhood, and horror films like Huesera: The Bone Woman tap into the dread of being pushed into a life that was never yours to begin with. @sharai.bsky.social digs in for #NightTideMag 👻 📽️ nighttidemag.com/2026/03/07/s...

The Morbid Minds return this October. Last year: The Horror of Becoming. This year, we’re opening a different door, asking a darker question, and exploring four new territories of horror scholarship. Theme reveal + abstract submissions open in April. Stay close. 👻 📽️ 📺 🎭 📚 #NightTideMag

I don’t think I have many Virginia ppl on here, but yall can see me & @elizabethbroadbent.bsky.social cuttin up at 2nd Act Books in Charlottesville on 3/19. It’s a @nighttidemag.bsky.social super teamup! #horrorbooks #instore #horrorwriters

I AM HORROR A global archive documenting creators of color shaping the horror genre. The archive begins March 15. Submissions open the same day. #NightTideMag 👻 📽️ 📺 🎭 📚 🌎 Archive matters. Record matters.

Ask any horror creative, these phrases are familiar. Horror shaped by lineage, migration, and lived experience is often treated as adjacent to the genre. But categorization shapes archive. #NightTideMag’s I AM HORROR launches March 15. 👻 📽️ 📚 📺 🌎

Stand by for big news from (Stoker Award Nominee!) @momoshaty.bsky.social and @nighttidemag.bsky.social…

Ask any horror creative, these phrases are familiar. Horror shaped by lineage, migration, and lived experience is often treated as adjacent to the genre. But categorization shapes archive. #NightTideMag’s I AM HORROR launches March 15. 👻 📽️ 📚 📺 🌎

Canon is built by what survives. On March 15, #NightTideMag begins building record. A permanent global initiative. Stay with us. 👻 📽️ 📚 📺 🗺️

Basements in horror aren’t just where bodies get hidden. They’re where shame, class hierarchy, racial violence, and institutional cruelty are contained so the upstairs can pretend everything’s fine. 👻📽️ nighttidemag.com/2026/02/27/s...

Basements in horror aren’t just where bodies get hidden. They’re where shame, class hierarchy, racial violence, and institutional cruelty are contained so the upstairs can pretend everything’s fine. 👻📽️ nighttidemag.com/2026/02/27/s...

It’s about time someone invited me to nerd out about Doctor Who on mic.

These snafus didn’t start this month. Hattie, segregated. Sidney, “acceptable.” Halle? Still the only Black woman to win Best Actress. @sharai.bsky.social examines how awards shows keep mishandling Black art & artists, and why we’re tired of being told to move on. 👻📽️ nighttidemag.com/2026/02/26/h...

Thirty years later, Scream is still iconic, but nostalgia doesn’t smooth over the cultural blind spots it carried with it. Paul Wooldridge of @yammityvillehorror.bsky.social digs in. 👻 📽️ nighttidemag.com/2026/02/24/s...

Just still blown away by this in-depth analysis of my story craft by Eliza Broadbent. Humbled and delighted!

Follow these account ALL year long @xghorror.bsky.social @girlthatsscary.blacksky.app @peopleunderscares.bsky.social @nighttidemag.bsky.social @markoestesmsd.bsky.social @legallylove.bsky.social @tananarivedue.bsky.social @blerdymassacre.bsky.social @ashxashes.bsky.social

Congratulations to our talented editor and fearless leader @momoshaty.bsky.social for her Bram Stoker nomination in short nonfiction from the staff of @nighttidemag.bsky.social! Love, Eliza, @cullenwade.bsky.social, @rjacksonjoseph.bsky.social, @emmacole.bsky.social, @sharai.bsky.social …

... @tugcekutlu.bsky.social explores grief & not letting the dead die in Talk to Me @nighttidemag.bsky.social, Theresa B finds hope among the horror in The Long Walk @whatsleepsbeneath.com, and @gnofhorror.com sit down for an author interview with @angelaslatter.bsky.social! Happy reading, friends👻

It’s me!!!!

🚨@sharai.bsky.social talks with Brandon Espy about Mr. Crocket, where childhood nostalgia collides with something far more nightmarish. 👻📽️📺 nighttidemag.com/2026/02/19/s...

I had a blast writing this one! It really helped my own craft, and I hope it’ll help yours, too.

How does @candacenola.bsky.social build tension? @elizabethbroadbent.bsky.social's latest craft analysis examines the structural precision that makes her work hit so hard. Dig in if you love narrative architecture in horror! 👻📚 nighttidemag.com/2026/02/19/s...

There’s something so inherently crushing about grief, having to adjust, move on and forward. In horror, it’s just has visually damaging. @tugcekutlu.bsky.social takes us back through ‘Talk to Me’ for #NightTideMag 👻 📽️ nighttidemag.com/2026/02/16/m...

There’s something so inherently crushing about grief, having to adjust, move on and forward. In horror, it’s just has visually damaging. @tugcekutlu.bsky.social takes us back through ‘Talk to Me’ for #NightTideMag 👻 📽️ nighttidemag.com/2026/02/16/m...

Hope you’re having a pretty sweet Friday the 13th, buddies! 👻 📽️ #NightTideMag

Thank you for this wonderful interview! So grateful!

Boosting because I reread it and decided to be proud of this one. Was a highlight in a day that is still on hard mode.

🚨 @sharai.bsky.social pays homage to Marlene Clark, a Blaxploitation era Scream Queen that deserves a well-earned space in horror’s collective memory. 👻 📽️ #NightTideMag nighttidemag.com/2026/02/12/m...

She deserved more and is one of the MANY reasons the industry biases are hurting all of us. Thanks @momoshaty.bsky.social and @nighttidemag.bsky.social for creating a space for this piece to live!

P.S. Make sure you follow @nighttidemag.bsky.social! It’s one of my favorite outlets and is also now one of my homes!

I appeared on Horrifically Well-Read, Bled, & Said podcast (don’t forget the Oxford comma) & had a really fun conversation with Adam about S(p)lasher Flicks. Fun times! #horrorsky #podcast #splasherflicks #booksky