loading . . . How Did The World Get So Ugly? https://themodernworld.com/
Look at the objects around you: furniture, cars, doors, bins, staircases, railings, doorbells, doorhandles, windows.
Do you like how they look, or not?
Modern design has become boring, but it doesnât have to be this way.
The word âbeautifulâ is overused. We donât need âbeautifulâ lamps, bus stops, and water fountains â we just need lamps, bus stops, and water fountains that are interesting, that actually mean something. At the very least, we need the details of our cities and homes to be not boring.
The aesthetics of architecture and urban design arenât just a bonus; they totally change how we think, feel, and behave.
Boring environments make us more stressed and less productive; they erode our sense of community; they make us sadder, less trusting, and lonelier. A boring world is one where we spend even more time online and where our addictions are even harder to battle.
There is a widespread feeling of dissatisfaction; with this film, and the documentary series it will lead to, we want to investigate that feeling and give it a voice.
The point isnât that we should return to the past or get rid of modernism. Itâs about learning from the past in order to improve the present, and about giving the public what they very clearly want, which isnât the eradication of modernism but the co-existence of modernism AND traditionalism.
Just look where tourists go, where they take their photos, and that tells you everything you need to know about what most people find interesting or beautiful.
We are incredibly rich and have a sprawling choice of shows to stream, phones to buy, or shoes to wear⊠but everything feels more and more generic all the time.
If you want to understand a society, donât listen to what it says about itself â look at what it creates. You can learn everything about the Victorians â the good and the bad â just by looking at their lamp posts.
And what do the ordinary details of the modern world say about us? That we are technologically advanced, very efficient⊠and care more about making money, about making things as quickly and cheaply as possible, than making our world an enjoyable place to actually live in.
Although in this film we look at how the Victorians designed ordinary objects, this isnât about past versus present. Itâs about learning from the past in order to improve the present.
Itâs important to learn about why and how things have changed, but thatâs for another time. The first step is establishing that the public arenât happy with modern architecture and design, and that something needs to change. But what we need isnât a total revival of so-called âtraditionalismâ; the truth is that traditionalism and modernism can (and should) co-exist. The trouble right now is that we only have one, and that people are tired of it.
Everybody, from all sides of the political spectrum and all backgrounds, stands to benefit from a world that is designed more thoughtfully and imaginatively. The world could be such a colourful, meaningful, and thrilling place!
So this isnât about left versus right or conservatism versus progressivism; itâs about making our world a more interesting and meaningful place to live in. This should be a unifying cause, because everybody loses out when our homes and cities are badly designed.
I want this film to unite people who think theyâre on opposite sides, and to create a consensus that we need to change our approach to how we design our buildings and the objects - benches, bus stops, bins, lamp posts, aircon units - that fill our cities.
But this film (and the series it will, all being well, lead to) is about more than the specific argument it presents. Above all itâs about a way of seeing the world around us, a way of noticing and thinking.
âHow you do anything is how you do everything.â That is probably true, and it also applies to whole societies, not just individuals; a single doorbell implies everything else about the whole socio-economic and political system that gave rise to its creation.
And, beyond being merely âusefulâ, the ability to notice details makes the world a richer place to live in, and life a richer thing to lead. This is what the film is about, more than anything: the power and joy of noticing.
MUSIC
Adagio in G minor by Tomaso Giovanni Albinoni, arranged for alto saxophone and piano by David Hernando Vitores
CC BY-SA 3.0
(https://commons.wikimedia.org/wiki/File:Tomaso_Giovanni_Albinoni_-_Adagio_in_G_minor_-_Arr_for_alto_saxophone_and_piano_-_David_Hernando_Vitores.ogg)
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Gnossiene No. 5 by Erik Satie, performed by La Pianista
CC BY-SA 3.0
(https://commons.wikimedia.org/wiki/File:Gnossienne_5_%28Satie%29.ogg)
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Young Personâs Guide to the Orchestra by Benjamin Britten, performed by The Concert Arts Symphony Orchestra, conducted by Felix Slatkin
CC BY-NC-SA 3.0
(https://archive.org/details/BenjaminBrittenYoungPersonsGuideToTheOrchestra) https://youtu.be/tWYxrowovts?si=2QtH3KUDy6E8MmnU
