In case you missed it, catch up with our interview with new ALCS Chair Lord Clement-Jones.

www.cnn.com/2025/05/29/b... On Thursday, Anthropic CEO Dario Amodei warned on CNN that the technology will spike unemployment sooner than political leaders and businesses expect — and they aren’t ready for it.

Reddit porte plainte contre Anthropic, opérateur de l’IA Claude

Les États-Unis de Trump menacent la culture en Europe. Mais nous sommes bien plus puissants. Avec 50 eurodéputés, j’ai initié une mobilisation pour défendre et renforcer notre système européen de financement du cinéma et de la création audiovisuelle. www.lemonde.fr/economie/art...

The PL Presidency conf on impact of AI on copyright, media & creative sectors is taking place in Łódź since yesterday: many interesting panels and interventions. Today last panel addresses AI in collective rights management: SAA PL member ZAPA questions the application of TDM exception to AI uses

In its latest research publication, Ampere Analysis focuses on the shifts in Germany’s media market. 🔎 Cineuropa's Veronica Orciari has the news for you here: cineuropa.org/474912

👏 www.lemonde.fr/pixels/artic...

2/2 ...It is important to realise that the AI Act is not sufficient to develop a licensing market where CMOs are involved. ...Improving the opt-out system will not help authors, new initiatives and models are needed at EU level for collective licensing, that will provide remuneration for authors!"

1/2 SAA Secretary General @cdespringre.bsky.social attended the Hellenic Copyright Organisation conference in Athens today, speaking on a panel on copyright and collective management in the age of AI. "AI companies are not interested in entering into licensing agreements!..."

📊 According to a new study published by Ampere Analysis, streaming overtakes public TV revenue in Europe. Netflix remains the dominant player in the streaming market, due to the success of its ad-supported tier, its crackdown on account sharing & the expansion into live events. cineuropa.org/474716

Michiel Blanchart’s Night Call has set a new record at the 14th Belgian Magritte Film #Awards, which took place on 22 February. The thriller won a total of 🔟 awards including Best First Film, Best Film and Best Director. ✨ More: cineuropa.org/474240

At #Berlinale, the @europarl.europa.eu and the European Film Academy discussed the impact of #AI on the #audiovisual sector. The event was split into two sessions, one titled "Upholding Ethics and Democratic Values" & one exploring "New Opportunities and Paths to Innovation". 💡 cineuropa.org/474257

The Guardian has today joined the creative industries in a nationwide campaign to highlight the risks around content being given away for free to AI firms. You can read more about how to get involved here: newsmediauk.org/make-it-fair/

First panel of the European Parliament’s event in Berlinale on AI and the audiovisual sector with @emmarafowicz.bsky.social @screendirectors.eu @ec.europa.eu Discussing how the AV sector is using AI tools and the questions creators have on their works being stolen to feed the beast. Is it ethic?

Well arrived in Berlin! With snow and plenty of good meetings and talks ahead. @saabrussels.bsky.social

Brussels doesn’t want to be a leader only in regulating artificial intelligence. Top EU officials are now keen to show tech companies, founders and investors alike that Europe can be a great place to do business, too. 🔗 ow.ly/rPmZ50UWytT

A European Union plan to rein in the most advanced artificial intelligence models is in peril after Google and Meta executives criticized the draft rules.

🆕 Germany increases film funding to 30% with key changes to the German Film Fund (DFFF) and the German Motion Picture Fund (GMPF). The newly revised funding structure, announced by Claudia Roth, the State Minister for Culture, is retroactively applicable from 1 January. More: cineuropa.org/473221

“I was born into a feminist family and raised with this idea that I’m 100% equal. I was like, ‘What’s happening?’ There were a few pioneers, but I was pretty and an actress. For me, becoming a director was like climbing a mountain.” shorturl.at/nCXvz

Presentation of the Polish Presidency programme in Education, Youth, Culture, Audiovisual & Sport in CULT committee in European Parliament by a slate of Ministers, incl. Ms Hanna Wróblewska, Minister of Culture & National Heritage. Expect actions in support of young artists & to prepare AVMSD review

Talking about intellectual property theft, what about the copyright-protected works stolen to train the models? www.ft.com/content/a0df...

“I ask myself every night, how can I write a screenplay that AI could not?” he said. “I want to make a ‘move 78’ in every other page of my screenplays. How can we outsmart AI? I want to become a writer who writes one screenplay a year that AI could never replicate.” shorturl.at/DmdYv

👏 Congratulations to Jacques Audiard for "Emilia Perez" and Coralie Fargeat for "The Substance", my two favourite films of 2024! cineuropa.org/en/newsdetai...

Hi, we're Cineuropa, an online medium dedicated to the promotion of European cinema. On our website, we publish film #reviews, news & photos from #filmfestivals, #interviews with filmmakers, podcasts & more: cineuropa.org Follow us here to stay up-to-date with recent #cinema developments. 🎬

Great screening and Q&A with the director of Animal, Sofia Exarchou at @cinemagaleries.bsky.social yesterday night. Animal is one of the finalists of the LUX Audience Award of the Europan Parliament. Learn more about the five film finalists and rate them here: luxaward-rating.europarl.europa.eu/en/

Mark Zuckerberg gave Meta’s Llama team the OK to train on copyrighted works, filing claims

things are, once again, getting spicy in the AI lawsuit world www.wired.com/story/new-do...

Hello BlueSky! Just landing on the platform. Happy to discover it and explore its potential. Any tips from older subscribers on how to best navigate and enjoy the social media?