What is your least favorite horror movie trope? 🩸

Happy Pride Month! We’ll be sharing some of our favorite queer horror films with you, starting with the French horror-thriller Knife+Heart. ❤️🔪🏳️‍🌈

What is a horror film you’d recommend to a non-horror fan if you wanted to get them into the genre? 🎬 [ID: White text: “Question: What is a horror film you’d recommend to a non-horror fan if you wanted to get them into the genre?” on a bloodstained background with red scratches.]

If you had a one-wish willow, what would you wish for? 🔪

Continuing with our must-watch list of black and white movies, this week we’re sharing Dracula, the 1931 Spanish-language film. Have you watched it lately? 🩸

Are there any horror films you regret watching? If yes, why? 🩸

The final deadline is upon us – today is your LAST CHANCE to apply to the 2026 Access:Horror Film Festival.  Our wonderful team of talented programmers is ready and waiting to watch your film. Don’t miss your chance to apply at filmfreeway.com/ACCESSHORROR

Who is the most overrated horror movie villain? 🩸

There’s only ONE DAY LEFT to submit your film for this year’s Access:Horror film festival. Our definitions of both horror and disability are expansive. We seek films informed by lived experience of disability.

FINAL DEADLINE – WEDNESDAY. In 2026, we plan to select ~25 films that stay with you. Experimental, narrative, documentary, hybrid, animation—we value impact over category. If your work embraces darkness and disability, we want to see it. Learn more and apply at filmfreeway.com/accesshorror

Not to be confused with the 2009 film of the same name, The Uninvited (1944) is next-up on our must-watch list. If atmospheric ghost stories are frequently dominating your watch history, queue this one up next! 👻

Tell us: Who is the scariest horror villain (and why)? #horrorcommunity  [ID: White text: “Question, Who is the scariest horror villain?” on a bloodstained background with red scratches.]

What is your most anticipated horror film of May? 🎬

Calling all horror filmmakers and fanatics! There are 9 DAYS LEFT to send us your submission to the 2026 Access:Horror Film Festival. We want to see your film in all of its gory glory before the Drop Dead Deadline on Wednesday, May 20th. 🩸🎥 Submit at filmfreeway.com/AccessHorror

Your next must-watch is the black and white gothic horror film The Innocents (1961). Part supernatural-horror, part psychological thriller, it’s sure to get under your skin. 🖤 #theinnocents #movierecommendation #horrormovies #horrorcommunity

Do you wish movie theaters still gave out physical ticket stubs? 🎟️

What is your favorite horror sub-genre? 🧟

Today’s movie must-watch is The Haunting (1963), a supernatural black-and-white horror film based on the 1959 novel “The Haunting of Hill House” by Shirley Jackson.  Have you seen it? 👻🏚️

If you were transported into the last horror movie you watched, would you be able to last for 24 hours? ⏱️ [ID: A graphic displaying the above question in bold white text on a blood splattered red background.]

You heard it here first, folks. The DROP DEAD DEADLINE for the 2026 Access:Horror Film Festival is fast approaching. Apply by May 20th for your (last) chance to be featured in this year’s film festival.

Join the sickest girls you know for the sickest party this spring! Our friends at Sick Girl Films will be celebrating all things horror with a host of friends and fiends for a night of drag, tunes, and a few horrible prizes up for grabs on 9 May 2026 at Piehouse Co-op.

Who is your favorite horror villain? ❤️

This week’s must-watch is the documentary, 1000 WOMEN IN HORROR, created by Alexandra Heller-Nicholas and based on her novel of the same name.

Who is your favorite final girl? 🔪

What horror film got you hooked on the genre? ❤️

Not to be confused with Stephen King’s story of the same name, The Long Walk (2019) is a Laotian horror film directed by Mattie Do. Part time travel, part ghost story, and sure to haunt you long after the credits roll.

Access:Horror was created as a space to explore and celebrate the history, impact, and future of disability in the horror genre, through conversations, connections, and various artistic forms, including film. Join us in our mission at filmfreeway.com/accesshorror ❤️ #horrorcommunity

The Drama may look like a rom-com from the trailer, but don’t let that fool you. This film intersects horror, disability, ableism, and misogynoir with an intriguing premise about how we throw people away.

We’re hard at work making Access:Horror 2026 the best year yet. Visit us at filmfreeway.com/accesshorror to learn more about our mission and what films are eligible before you apply. #accesshorror #filmfestival #indiefilms #indiefilmmakers #filmmakers

The science fiction body horror classic, The Fly is our must-watch this week.  Be afraid.  Be very afraid. 🪰 #thefly #bodyhorror #bodyhorrormovie #horrormovies #horrorfilm

TODAY is the late deadline to apply to our festival. We’re looking for films that intersect disability and horror. Does that sound like you or someone you know? Go to filmfreeway.com/accesshorror to share your film with us and send a reminder to your favorite filmmakers – we want to see your story.

The late deadline to apply to the Access:Horror Film Festival is TOMORROW. Get your application in . . . before it’s too late. Apply here: filmfreeway.com/accesshorror  #filmfestival #horrormovies #independentfilm #indiefilms #filmmakers

This month’s last movie must-watch is the 2021 film Titane. Part body horror, part psychological thriller, this film was written and directed by Julia Ducournau and takes the audience on a wild ride from start to finish. Was this movie what you expected? 🚘

If you know women in horror, you know Jennifer Kent.  The Australian director and screenwriter is best known for her supernatural horror film, The Babadook.

There’s less than a week left until the March 31 late deadline to submit to our film festival – show us your horror shorts, music videos, and more. 🎥🩸 Apply at filmfreeway.com/accesshorror #filmfestival #horrormovies #indiefilms #filmmaking #filmmakers

This Monday's must-watch is Candyman (2024) directed by Nia DaCosta, is a continuation of the original 1992 film that explored systemic racism, trauma, and how it’s passed down through generations. The film is available to watch on Amazon Prime (subscription required) or rent/buy on other services.

Do me a favor and submit/tell your friends to submit to @accesshorror.bsky.social (if the film meets the criteria). I’m a programmer and want to see that creepy weird shit posthaste! filmfreeway.com/AccessHorror

As Women’s History Month marches on, there is no shortage of female-led movies worth watching. Quite notable is “Mother of Flies,” a film by the Adams Family.

Each film accepted as an Access:Horror official selection that complies with the FULL eligibility requirements will receive screening fees of $75/short and $150/feature (USD). Don’t miss the late deadline – submit by March 31st for your chance to be selected. filmfreeway.com/accesshorror

Get into these movies and support more international women filmmakers today!

Today’s Monday Must-Watch is Dearest Sister, a Lao horror film directed by Mattie Do. The film follows Nok, a village girl who travels to care for her rich cousin, Ana, who is experiencing vision loss accompanied by visions of the dead. #dearestsister #movierecommendation #horrorfilm #horrormovie

Leigh Janiak weaves suspense and tension with emotionally compelling characters to tell stories that will linger with you long after the credits roll.

Tag and share this with your favorite filmmaker who needs to apply to our film festival! The late deadline is March 31. If your film intersects disability with horror or the fantastic, we want to see it.  Apply now at filmfreeway.com/accesshorror 🎥

Hey London Horror Lovers! Get your Buffy fanfic and existential dread at the ready because Sick Girl Films is showing I Saw The TV Glow! 📺🩷

This week’s must-watch is Love Lies Bleeding, a romantic thriller written and directed by Rose Glass. The 2024 film stars Kristen Stewart and Katy O’Brian as lovers who find themselves ensnared in a bloody cocktail of violence, crime, and family drama. ❤️🩸🏋️ #loveliesbleeding #kristenstewart

It’s Women’s History Month, and today we’re spotlighting Coralie Fargeat, the acclaimed French filmmaker best known for writing and directing the female-centered horror films Revenge and The Substance. 🧪

I just submitted "The Big Scream" to @accesshorror.bsky.social via FilmFreeway.com! #FilmSky

Submit your film to the 2026 Access:Horror Film Festival today – filmfreeway.com/accesshorror   Late deadline: March 31st Extended deadline: April 30th Last Chance: May 31st #accesshorror #filmfestival #horrorfilms #independentfilmmakers #independentfilmmaking

To kick off this month’s Monday Movie Must-Watch series, we’re recommending you add the 1997 Southern Gothic film, Eve’s Bayou, to your watch list. The story of the Batiste family unfolds over the course of a long, tragic Louisiana summer and is sure to linger with you long after the credits end.

Listen to the full interview and/or read along with the transcript at whoamitostopit.com/pigeonhole-5... on the Pigeonhole Podcast with Cheryl Green.  #horrorpodcast #mask #elephantman #horrorfilms #disability