Glasgow forever ! artreview.com/glasgow-inte...

Olga, no ! Helen Charman writing on Tokarczuk’s trouble in @artreview.bsky.social artreview.com/why-olga-tok...

In the seventh episode of the ArtReview Podcast, artist and photographer Zineb Sedira speaks to ArtReview digital editor Alexander Leissle about Algerian cinema, the Scopitone and her new Tate Britain Commission, open until 17 January 2027 in London. artreview.com/artreview-po...

Museums are in crisis. To find out where we might go from here, ArtReview asked several professionals close to institutions for a diagnosis artreview.com/the-museum-i...

saw something weird so wrote about it ! @artreview.bsky.social artreview.com/even-dying-i...

Richard Phoenix in the latest issue of ArtReview on the supported studio artreview.com/what-can-we-...

In which I look ahead to this year’s venice biennale, and some of the political stakes at play, for @artreview.bsky.social artreview.com/what-can-we-...

"films from C20, struck by the richness, even wackiness of the dialogue, fast-talking screwball heroines of 30s, delightful camp of 80s action capers. Now our presiding aesthetic is laconic world-weariness set against thumping techno+droning ambience. Dialogue is over." artreview.com/dialogue-is-...

They just published my Year in Religion: popes, wars and walk through São Paulo before Christmas. The title is a shoutout to any fellow Fosseheads. artreview.com/a-continuous...

wrote about ‘The Year in Mental Health’ @artreview.bsky.social “If there now seems to be a broad cultural consensus that everybody hurts, that everybody ‘has’ mental health – even men! – there is little agreement on where the misery comes from or how to make it stop.” artreview.com/rub-it-bette...

by avoiding his books, i'd imagine www.theguardian.com/books/2025/d...

@artreview.bsky.social's 2025 lookbacks have been excellent (more to come). No listicle slop: Amber Hussein on the Year in Eating, @martinherbert.bsky.social on AI, Rebecca Liu on the death of dialogue in film. Great commissioning from @alexanderleissle.bsky.social. artreview.com/category/the...

On Beirut in @artreview.bsky.social, a story similar to Baghdad's, where development hardly meets resistance, serving the butchers-cum-elites to enforce amnesia, exorcise the ghost Saddam Hussein, and erect a city over a city in their own name, murdering histories. artreview.com/restorative-...

For @thequietus.com I reviewed JJJJJerome Ellis’s latest, album of the year candidate imo thequietus.com/quietus-revi...

The Tidewater, Virgina-born artist and 'proud stutterer' returns with an album built on backwards violins, granular synthesis, fluttering sax and quiet transcendence JJJJJerome Ellis - Vesper Sparrow buff.ly/ek4YqBZ

A gorgeous new poem by Ralf Webb is out now: ‘Girls, I thought, understand / The attitudes of animals in motion. / Girls could reveal the nature of happy horses’ artreview.com/two-horses-a...

is AI *actually* the aesthetic of fascism? I think a lot of the discourse has gotten it wrong, and I explained why in my latest for @artreview.bsky.social artreview.com/the-fascinat...

The state of art criticism today resembles a crisis of freedom, where one reality has been rejected but another has yet to be conceived artreview.com/notes-from-n...

"What isn't at the V&A?" — new from me in @artreview.bsky.social on enduring colonialism, art-washing working class heritage, and a museum without labels artreview.com/what-isnt-at...

the internet is for lying! artreview.com/why-do-we-ha...

For @artreview.bsky.social I reviewed 'Unsettled Earth', an exhibition countering the razing of Palestinian land and erasure of its history. It strikes me that art, while incapable of much else here, can re-introduce the full emotionality of a people and their homeland artreview.com/unsettled-ea...

i wrote about john donne, cronenberg's The Shrouds, and the location of love for @artreview.bsky.social artreview.com/david-cronen...

ArtReview Asia Summer 2025 is out now – featuring Shilpa Gupta, Shimabuku, Bachtiar Siagian; commentary on China’s zombie museums, and legacies of the Black Panther Movement; and much more artreview.com/artreview-as...

Join Rosanna McLaughlin and Fi Churchman at the ArtReview Bar on 25 June as they discuss McLaughlin’s new book, ‘Against Morality’. ⁠ ⁠RSVP essential to [email protected]

Defining ‘woman’ by biological female sex isn’t just about excluding trans people from single-sex spaces. It also highlights how little respect governing bodies have for the community as a whole artreview.com/the-trans-co...

My review of Ailbhe Ní Bhriain’s work is now up on @artreview.bsky.social. Big, vertiginous tapestries and some conceptual trickery later on. Whether it’s what you want from art or not, I think it works. artreview.com/ailbhe-ni-bh...

Across largescale tapestries and adroit conceptual works, the artist examines the destructive forces in the world artreview.com/ailbhe-ni-bh...

'Kehlmann frequently compares his subject’s compliant life under the Nazi regime to that lived on a film set.' Alexander Leissle on the compromises and self-justifications of G. W. Pabst

Gertrude Stein’s literary experiments; celebrity mystics; the compromises of G. W. Pabst; a tribute to Mario Vargas Llosa; Toni Morrison’s books – and much more. www.the-tls.co.uk/issues/cu...

I'm in the new @thetls.bsky.social, reviewing Daniel Kehlmann’s latest novel – about G. W. Pabst, art’s relationship to fascism, and the ways in which aesthetic taste and social ethics are interlinked www.the-tls.co.uk/literature/f...

I went long on how policy, colonialism, being neglect, diaspora and the contemporary art market produce layers of visibility and obscurity for Santurce's contemporary art scene for @artreview.bsky.social artreview.com/how-to-see-t...

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I'm convinced that Max Cooper, Max Porter and Charlie Porter are all the same person

Here’s my review of the new National Gallery entrance and rehang, which opens tomorrow. artreview.com/national-gal...

In the May issue of @artreview.bsky.social, I offer a little provocation: lets do away with 'global south' & 'global majority'. There is no shared hemispheric condition between exploiter & exploited, & the geographies of neocolonialism aren't natural or demographic. artreview.com/the-trap-of-...

Celebrity authors are rebranding themselves as philosophers of art; an extraordinary dumbing down of culture has occurred artreview.com/dont-listen-...

Each month, we publish an original poem written in response to a work of contemporary art. This month, poet Oluwaseun Olayiwola has chosen a work by Japanese artist Takashi Murakami artreview.com/do-not-say-t...

Why disgusting things are actually really important, for @artreview.bsky.social artreview.com/bianca-hlywa...

I read all 500 and something pages of the new Preciado book and wrote this review. I did not enjoy it. Sometimes things are actually not that much like other things. artreview.com/paul-preciad...

The trend, it seems, among curators and institutions globally, is to ‘correct’ art history by reversing the erasure of the Global South from a history written in and by the Global North. But what you can’t do is correct some parts of history and not others artreview.com/the-institut...

This is liquid Guardian-brain. In fact, I love this entropic idea of radicalism: shaking up the status quo into a a new version of the same thing, like making potatoes out of mashed crisps www.theguardian.com/commentisfre...

At what point will simply ‘doing a genre’ cease to be some kind of radical act? And can we get there already please

As online access to information becomes increasingly restricted, even the noblest feats of preservation and archiving are being hijacked artreview.com/we-all-have-...

Seriously though: why is everyone on the tube reading Butter?

Loved Amber’s work on this. ‘This kind of stage-managed wilderness may appeal to the green sensibility, but... it rests on an “ecology” that excludes from its calculus those kinds of people and nature deemed unhelpful to the aim of accumulation’ artreview.com/youre-missin...

For some years now, I've loved how Camille Ralphs layers language in her poems, building clarity then folding a phrase back on itself, like an elastic band twisting inwards to tighten. Camille’s new poem for @artreview.bsky.social is out now artreview.com/the-romance-...

This month’s @artreview.bsky.social Movie Club features the Venezuelan artist Valentina Alvarado Matos, whose films I saw at LIAF 2024 and introduce here – considering the evolving technologies of communication artreview.com/art-lovers-m...

Wrote about Lynette Yiadom-Boakye’s new works, which – somehow – are the first to be formally reviewed in @artreview.bsky.social artreview.com/lynette-yiad...