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R.I.P. Michael Parenti.

A carta que o Stênio Gardel nos negou. 🤭 [📖: Philippe Besson, 'Mentiras que contamos'.]

This random online comment from 2018 remains one of the last half-century's most important works of political commentary. crookedtimber.org/2018/03/21/l...

Essa queridíssima fazendo um trabalho hercúleo de arquivologia cinematográfica «preto-quare» – com filmes do mundo inteiro. boxd.it/QZp94

Um deslumbre meu xará Nathan Stewart-Jarrett em 'Femme'. [🎬: 'Femme', de Sam H. Freeman e Ng Choon Ping (2023).]

Abrir um filme assim. [🎬: 'Road Movie', de Kim In-sik (2002).]

Cada vez melhores os vídeos da nossa Wendy Williams intelectual-afrocentrada. youtube.com/@antiblackba...

A fujoshi excitadíssima no fundo! 😂

🔥 ! [🎬: 'Otoko-tachi no yume neiro', de Tetsuya Takehora (2007).]

Uma porrada bem argumentada nos liberais ilustrados.

Lindo lindo lindo!: um deslumbre de filme. 🤩 [Imagem tirada do perfil do @cinema505.bsky.social lá no cafofo do Adolfo.]

Na minha cabeça, todo chá revelação é assim. [🎬: 'Gender Reveal', de Mo Matton (2024).]

Que delicinha de curta! 🥰 [E já quero um longa do Chris e da Dana em altas confusões! 😆] b4watch.com/movies/hotte... b4watch.com/movies/hotte...

It’s so funny to be like “this is when women were WOMEN”

O romance queer do Kitano. [Shinji e Masaru eram um casal, eles só não sabiam disso. 🤭] [🎬: 'Kizzu Ritān', de Takeshi Kitano (1996).]

Gently: I think the sweet little leftist fiction that right-wing politics are the result of epistemic gaps---that you can just newsletter and educate and evangelize your way to leftism---is dead. Consider: many people want to hurt others. Want to feel superior. Want to inflict pain on the lesser.

A Papudinha lhe espera.

Setting all partisan disputes or debates about the historiography of far-right political ideology aside, the one clear and resounding lesson of World War II is that occasionally people can come along who are plainly evil and can only be negotiatied with through overwhelming countervailing force.

I believe that there are such things as evil, malignant people whose beliefs, desires, and pursuits thereof negatively affect the majority, people whose actions are deleterious to social cohesion, and that these malignant actors should be politically and socially ostracised for the good of society.

— Conceição Evaristo, 'A gente combinamos de não morrer'. Em: 'Olhos d’água'.

Conceição Evaristo atriz da 'Filmes de Plástico' e estrela do cinema da Grande BH: 🥰 !

Lembrando que eu já fiz isso DUAS(!) vezes. Bons tempos.

Irmão, vocês precisam repensar o país inteiro e destruir qualquer vestígio do destino manifesto no imaginário americano. Pelo bem do planeta.

Historian Alfred McCoy says the United States is "an empire in decline," exhibiting the same "irrationality" as previous declining powers. https://www.democracynow.org/2026/1/13/alfred_mccoy_cold_war_on_five

Uma das razões da minha parassocialidade:

Coisa mais linda esse livro.

— Eric Stanley, 'Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable'.

This isn't just a casual observation. Fascism scholars have long made this point. It's why calling them "weird" was a more effective strategy than talking about the prices of eggs. Fascism is an aesthetic political movement - you need to make people feel embarassed and horrified by it.

A vivência das homossexualidades/travestilidades durante a ditadura brasileira, por exemplo — terreno aberto e pouco desbravado (e cuja historiografia, aliás, é recentíssima) —, já seria capaz por si só de inaugurar todo um novo subgênero cinematográfico.

NOSSOS GOLDEN GLOBES WINNERS

— Michael Lassell, '25 Reasons To Hate Heterosexuals'. Em: 'The Hard Way' (1995).

(...) Mas o mundo é do capeta, Hans, vamos escrever a quatro mãos uma história porneia, vamos inventar uma pornocracia, Brasil meu caro, vamos pombear os passos de Clódia e exaltar a terra dos pornógrafos, dos pulhas, dos velhacos, dos vis.

Eles. [🎬: 'Naz & Maalik', de Jay Dockendorf (2015).]

— zuri arman, '“I’d Do Anything for You (in the Dark)”'.

I don’t want to return to normalcy and bipartisanship. I don’t want to break bread with these gutless pigs and slobs. I want to defeat them, to beat them back into the cultural backwaters in which they belong and then erect an airtight cultural barrier around them so the rest of us may finally live.

These people are not the other side of the aisle. They are not the counterpoint in the debate. They are fringe extremists, loveless losers, fattened hogs, incurious slobs and slaves to bloodlust, and your leaders who accommodate them are selling you down the river for a cheap, AI-generated song.

BLOOD WORK / EPISODE 10 THEY KISS HORSES, DON’T THEY? / FOUR FASCIST CONCEPTS What are ‘libidinal politics’? What the fuck is a ‘machinic assemblage’? Why are these men terrified of women? We look at four ideas in the fascist imaginary and head down to the stables to look at some freaks.

Mensagem antitrabalho em BL: gostamos! 😆 [📺: 'Peach Trap', de 2025.]

Leesong Hee-il, um pai para as fujoshis. 😆

Miss him www.indiewire.com/features/gen...

— Eric O. Clarke, 'Virtuous Vice: Homoeroticism and the Public Sphere'.

Queerness is a betrayal---of the family, community, and Nation, a desertion of the imperative to "secure a future" for white or Hindu or Russian or anything hegemonic demographic of children. Giving citizens the freedom to exist outside of heterosexuality is tantamount to legalizing treason.

kind of darkly funny that "gender studies" is the stereotypical "useless degree" because gender studies will help you understand a large and important chunk of the current psychosis in american life

— 'The Accident', de Julian Lee Chi-chiu (1999).

Meu casal. [🎬: 'The Accident', de Julian Lee Chi-chiu (1999).]

Breve aula de conjuntura [o poder de síntese invejável da diva!]:

os caras dificultam muito o trabalho dos lambedores de bota desse jeito. mas eu boto fé na capacidade deles de deixar o couro brilhando só com a língua

final stage of US empire sees us capturing several presidents, putting them in a house, and making a show. we will watch the presidents fall in love. we will watch them hate and despise and reconcile with each other. a thrilling conclusion to the american project. well then there's All Stars