Minigun sound design and implementation! I wasn't able to find many resources on this so I thought it could be useful to share a breakdown of the one I did for Men in Black: Most Wanted #sounddesign #gameaudio

Game Audio Playthrough #49 - Men In Black: Most Wanted. 🔊 With: Sound designers Nikolaj de Haan and Simon Irving-James. 📅 When: 11th of June 2026, 18.30-21.00. 📌 Where: Ghost Ship Games, Gothersgade 8F - Copenhagen, Denmark. Sign up at: www.meetup.com/game-audio-p...

Making a dry dock empty in 6 seconds is one of those strange sound design tasks you sometimes have to tackle Started by doing some research and emptying a real dry dock takes somewhere between 5 and 24 hours. So realism was out the door and I really had to condense time here #sounddesign

Breakdown time: It turned out heavily abusing recordings of a real cricket was the key to the Noisy Cricket sound design. #gameaudio #sounddesign youtu.be/4Ld4ZjW046I?...

Come join the cozy #gameaudio community breakfast meetup at Ghost Ship Games on May 26th 08.00am - 10.00am CEST alongside the wonderful people of Audiokinetic - Damian Kastbauer and Alessandro Famà. Sign up at: www.meetup.com/game-audio-p... See you there!

I don’t think you can ever have enough warbles in your sound library, so I recorded yet another warbly prop that came with my new keyboard. Most of my other warbles come from pieces of metal, so I liked that this plastic one had a more neutral feel to it. #sounddesign #gameaudio

Designing the chaotic, aggressive sound for the iconic Noisy Cricket in Men in Black: Most Wanted was a fun one. Most of the design is built from a heavily processed recording of a real cricket, which ended up working surprisingly well for this ridiculous little weapon. #gameaudio #sounddesign

Sometimes you just have to try random weird ideas when recording source material. This was one of those, wanted to hear how attaching sheets of tin foil to a ceiling fan would sound like. #sounddesign #fieldrecording

I’ve been neglecting resonators in my foley recordings for too long, so tried to fix that. Been meaning to record this rattly car jack handle for a while, so I used it as an excuse to experiment a bit. #sounddesign #gameaudio

Last Monday we had a very special new arrival! I felt obliged to start recording him early on, as I did with his big brother, so here are some sounds from his first few hours, and a couple of days later.

Weow! We're back with more cat! 😻 @snarkism.bsky.social takes us through the different parts of her cat meow patch #phaseplant #cat #gameaudio

New blog post revealing a few more nuances of the detail the team built into our foley system for Ghost of Yōtei #GameAudio https://bradleymeyer.com/wp-core/2026/03/14/the-sound-design-of-ghost-of-yotei-character-foley/

The trailer for Skytail just dropped, and it marks my first time leading a small audio team. I ended up enjoying the planning, feedback, and collaboration side of things much more than I expected. #gameaudio #gamedev

I love when a game slows down and lets the environment carry the experience. In a mission in Men in Black: Most Wanted you return to the MiB HQ to find it desolate and vandalized. Early in the mission the player is exploring without any action which made it a fun ambience opportunity #gameaudio

Hey everyone. We're in the final stretch on development for SweejTech's GPU raycast propagation system. Our API is designed to work with any audio middleware, including Wwise and FMOD, joining our existing compatible products. We'd love to hear from you, would you be interested in testing?

//FULL EPISODE: OUT NOW// 010 - The Killing Stone with Kat Wenske (@jelfish.bsky.social) and Chris Rickwood (@chrisrickwood.bsky.social) Links: linktr.ee/audiologs.po... #deckbuilder #gameaudio #horrorgaming #gamedev #gaming #audiologs #outsourcing #sounddesign #music #occult #podcast

Let’s talk underwater fart designs. Here is the secret about how I achieved high quality fart sounds for this fun moment in Men in Black: Most Wanted. It’s all about the audio community - few challenges unity us more like a good fart challenge. #sounddesign #gameaudio

FMOD’s User Properties is a small but powerful feature that often gets overlooked. They’re essentially variables you can store on FMOD events and then read from the game engine. On Men in Black: Most Wanted we used them extensively for our occlusion system. Here are a few examples 👇 #gameaudio

How I used recordings of a tortured piano and a jet engine to recreate the Men in Black HQ entrance. Working with an established IP often means some fun reverse-engineering challenges, which can be a great way to practice sound design. #gameaudio #sounddesign

Next Game Audio Playthrough event will be with Adam Zacho, sound designer on LEGO Voyagers, which just won the Best Audio award at SpilPrisen 2026. The event will take place on February 26th 2026 at Vesterbrogade 19 in Copenhagen. Sign up at: www.meetup.com/game-audio-p... #dkgame #gameaudio

I'm looking for 3D art commissions! After grinding full-time unpaid on my own game for months now, I have to make sure my ship doesn't sink🙂 I specialise in retro graphics, PS1 and PS2, but can do everything else. Characters, cars, env, weapons, you name it.

A continuation of my foray into recursive processing, this time using outboard gear and a custom Reaper script to automate the process. www.youtube.com/watch?v=r8wl... #gameaudio #sounddesign

Spatialization becomes funky when you’re designing a game inside another game (FMOD breakdown at end of the video) #gameaudio #sounddesign

This is how I somewhat keep myself sane when navigating lots of busy projects. Having a consistent note system across all of them is something that really helps my aging brain. I use AnyType for this with a project template that I always start from. The template consists of three main elements 🧵

Always satisfying when you can build a design using only source material created early in production That was the case for one of my favorite weapon mods in Men in Black - the shotgun shield Shoutout to Aaran Burnett and @raulpla.bsky.social for making the shield look great! #gameaudio #sounddesign

I wish I'd been able to find more examples of FMOD editor scripts, so sharing some I made for Men in Black: Most Wanted While working on the game, I ended up writing a handful of FMOD editor scripts that saved a lot of time. #gameaudio #gamedev

As someone who was a kid in the 90s, I had a lot of nostalgic fun working on time specific sounds in Men in Black: Most Wanted set in the same era. Nothing flashy about it, but I really enjoyed trying to make interactions with stuff like VHS tapes feel tactile and how I remember them #sounddesign

Making dynamic weapon reloads feel satisfying in VR is a fun challenge. I had a lot of fun working on the shotgun for Men in Black: Most Wanted, especially making the VR interactions feel good - flicking, inserting shells and how the weapon moves in the player’s hands #gameaudio #sounddesign

I love adding environmental details like this dangerous goop that can be found in the sewers in Men in Black: Most Wanted. Nothing fancy, but it adds so much to the immersion to me. #gameaudio #sounddesign

📡💥Accidentally blowing up a giant satellite dish in Men in Black: Most Wanted was a fun audio challenge. Making the chunky debris feel natural as they hit the cliffs was surprisingly hard. The "Dishwasher Destruction" library by Shade Audio was very helpful source - highly recommended! #gameaudio

Found this old video I never shared of an eggcelent recording session from a few years back. Serves as a reminder to always protect mics when recording anything greasy. Had borrowed the expensive Sanken CO-100K from a friend and I think it had a near dead experience #sounddesign #fieldrecording

Excited to see Skytail the game I’m currently leading audio on announced with this teaser! Shout out to the fabulous team at Coatsink for putting so much heart into this project. Can’t wait to reveal more soon! #gameaudio #gamedev

Wazaaa – finally Men in Black: Most Wanted that I have working on most of the time the last two years has been released. I am super proud of what the team at Coatsink managed to create and excited to send it into the world. #gameaudio #gamedev #sounddesign

I don't post a lot here, but since a few people asked about my template for editing ultrasonic+normal mic recordings I made a rambly walkthrough 🦇 Hope it is helpful, I'm happy to explain if some things didn’t make sense. Sorry the recording is kinda laggy and voice unpro distorted #fieldrecording

YIKES @soundcloud.dev no thank you

⚖️ Riot or revolution? Your success shapes New Savannah. Unravel the tale of disparity and hope in Augmented Empire, OUT NOW on PC! ⚙️ 📽️ www.youtube.com/watch?v=gLZt... store.steampowered.com/app/2856600/... #indiegame #indiedev #StrategyRPG

hey #gameaudio people. a new episode of Beards, Cats, And Indie Game Audio is out. Talking with Maximilien Simard-Poirier about Interactive Audio Montreal and other meetup stuff. indiegameaudio.podbean.com/e/beards-cat... #BCAIGA

Today marks a DECADE of #collectedtransients. I'm celebrating by: 1. Releasing this fun interview! 2. 10 day 30% off sale for all libraries 3. Donating ALL of the proceeds to @msf.ca 4. Giving away 10 libraries to 10 customers You can enter to win here! collectedtransients.com/2025/04/15/c...

In Episode 15, Bastian Gerner shares how Foley artists build perspective into their performances, ensuring sound fits naturally into a scene.

Seems like we drained the pool a bit too much last year so we thought a casual Friday bar where we can geek out would be nice while we wait for the next Game Audio Playthrough event. Please skip testing your sounds in engine Friday and show up early so there's still space for us at the bar #dkgame

Just added a wonderful new magic spell design video to The Armory from Jesse Rope. Some great techniques and workflows showcased in here. youtu.be/Ze9enZLKA2I?...

EXCITED OBJECTS – a sound object library. Abrasive metal textures recorded using assorted metal objects, surface transducer and guitar pickup. Pay what you want on Gumroad: marchasselbalch.gumroad.com/l/excitedobj...

Did my first weapon session this weekend and think it went well - only had issues with one of eleven mic setups 😛 Managed to record 3 rifles and 2 shotguns. Would have been a mess without @aaronbrownsound.bsky.social's fantastic video guide, big shoutout #sounddesign #fieldrecording

Musicians, this is probably the most important message I have for you this year. www.youtube.com/watch?v=KXnE...

Give me a single screenshot from a video game that immediately makes you hear the soundtrack in your head.

Looking forward to the last GAP event of the year with Hunt: Showdown 1896 with Dominik Zingler and Thea R. Hundebøl. Join us if you’re around Copenhagen – @gminorscale.bsky.social and I might even serve you some glögg! 🎅🏻 #gameaudio #sounddesign #dkgame

I also wrote a pretty thorough post on "How I Record Sounds in Urban Environments". Honestly probably the blog post I'm most proud of, and much of the knowledge came from recording Diffuse City! Felt great to share what I've learned! www.sto.sh/2023/11/08/h...

Hello bluesky! I used to have some videos from various game dev processes, that sadly got lost when I deleted twitter some year ago. But here is a vid of a cool weird sound I made for COCOON, mostly using Ableton's Collision synthesizer 👽 Maybe I will post more here in time! Music by @schmid.dk

Needed to set random automation values for a bunch of items in Reaper and was able to whip a script together that does it automatically since I couldn’t find anything doing just that. Gotta love how much we can customize Reaper! #gameaudio #reaperdaw