Stuff about Denmoku now that it's real & public: this is Not the project that was initially conceived, it has been rebooted. Some aspects make it quite obvious, like the fact that it's Minoru Ota's series direction debut, the shift in the setting, and the new subtitle. Fortunately, it looks great!

it's really hard to write threads that flow well when reading, the struggles of social media and its limitations

A lot of the flashback segment in the new heroaca episode directed and boarded by assistant director Masayuki Otsuki, is almost bathed in oppressive lighting and post processing filters to sell the environment the twins were born and "raised" in

💡📔…… This Encounter is Electrical- "Sparks of Tomorrow" / 『二十世紀電氣目録-ユーレカ・エヴリカ-』 TV Anime Broadcasting in 2026 　　　　　　　……📔💡 denkimokuroku.jp/en/ #sparks_of_tomorrow #二十世紀電氣目録

💡1st PV Released💡 "Sparks of Tomorrow" TV Anime Broadcasting in 2026 denkimokuroku.jp/en/ #sparks_of_tomorrow #二十世紀電氣目録

Nanami Michibata's framing of the start of the latest heroaca episode really emphasize the public spectating the ongoing battle from behind the safety of a cover, each scene has the subject behind an object/window/screen, symbolizing the hope that All Might and the heroes have created

Mamoru Oshii planned it. A young Satoshi Kon took the lead on its layouts. The result: a stunning moment from Patlabor 2. We're looking inside the film's martial law sequence, including storyboards and production art: animationobsessive.substack.com/p/life-under...

Yoshihiko Umakoshi 🙏🙏🙏🙏

That steel ball run teaser looked kinda unfortunate

lmao holy shit

i miss playing Like A Dragon: Infinite Wealth

generated in stable diffusion ver 2020495001

That said, it's also made at a non-supportive techbro shithole so keep that in mind whenever you see qzilla's name pop up--

Finally public! Ridiculous collection of veteran talent (Takahiro Kishida designs, Takuya Sato scripts, Takashi Mukouda action, Yuji Kaneko art direction, hell even Kutsuna as director counts!) in conjuction with some younger folk who Get their styles. Cool stuff www.youtube.com/watch?v=IRju...

only qzila is to blame for people worrying about AI usage in the sekiro anime but i do wish people were a bit more capable of thinking critically and maybe not draw conclusions based on knowledge they don't have

"Accept the things i cannot change, and have the courage to the change the things i can"

Happy ChaO release to everyone who chooses to forget this

don't want to be hyperbolic about the latest ep of city but it might be mandatory viewing for anyone who even cares a little bit about animation

i am pretty sure that episode has rewired my brain

god CITY The Animation episode FIVE

One of CITY's greatest achievements is pushing veteran artists to tackle new challenges. Joji Unoguchi started as an in-betweener in the 80s, became a leader of KyoAni's budding BG art crew, then spent decades as art & 3DBG director His role in CITY #05? Creating a diorama to set the episode into

deranged episode of CITY The Animation this week can't believe it's real

My mom asked if I had done the dishes. I yelled MAMORU HOSODA She smiled. She knew they were washed www.youtube.com/watch?v=2AfK...

Leaving aside the fancy shot in the first episode's intro, the final scene of CITY #04 might be the first real example of the show's interconnected madness firing at full capacity. So many different people who've been appearing intervene in some way or another, with super densely packed animation

Jacob Geller makes 99% of video essayist on youtube seem like amateurs this video was absolutely gut wrenching

Fantasies of Nuremberg On justice, punishment, and the Earth crying out for vengeance. youtu.be/n9Ay5tzHIBU

Tsurune season 2 is over and im very sad

this is not okay, i am not okay

would you be able to guess that she's a rich and sheltered girl that has never tried coca cola before

the core message of Tsurune is that girls rule

tsurune season 2 might possibly be good

Taichi Ishidate said that rather than forcing anyone to laugh, CITY's goal is to endear viewers to a cast of weirdos… and if by doing so they find themselves laughing, that's true success. Riko's intro embodies that: lovely rendition of someone's life flashing before their eyes with a hilarious turn

A friend of a friend needs help "sadly a friend of mine is in the economic shitter after a cancelled lease fucked her over. She's moving out in a few weeks from her transphobic family's house. She's already handed in the forms for quitting her job so its no going back. Please, donate if you can."

And in a post-Ghibli era, with the likes of Hosoda creatively falling off, so much of that is instead going to adaptations of easily digestible shonen jump adaptations that it's frankly depressing. So getting a Big Anime Movie that is original, weirdo magical girls? That's so much better

If anything, I think anime films are in a cool place. 2025 alone gets us the likes of Housenka and Hyakuemu, both led by rising figures. Koike, Umetsu, and Kenji Nakamura are demonstrating that vets still have it. There's 4ºC stuff if you hate the working class. But those aren't the Big Anime Movies

Umakoshi......................

The cartoon is cartooning in every direction one can cartoon

Finished Munto TV and i really ended up liking it despite its occasional rough script A story about facing the future with courage while also not ignoring the past be it good or bad, just hits extra hard in the current day

Munto TV ep 7 so cool

watching Munto TV and these original scenes in the 2nd episode add a lot to Kazuya's character

Munto 2....................

The first Munto OVA doesn't quite land as well as it could narratively despite an interesting thematic common thread about dealing with the future even if it's uncertain but Yoshiji Kigami's skill as a director makes it so much better of a viewing experience than you'd expect

Her fondness for Nightow and now the willingness to direct a Corocoro adaptation paint a clear picture of Rie Matsumoto's taste for juvenile chaos. If her more idiosyncratic pitches are fated to die, getting her back on something she enjoys is a pretty good deal!

Rie Matsumoto is R(i)EAL

Wrote about how CITY The Animation came to be: a lasting friendship between author and studio, Keiichi Arawi's direct involvement, and director Taiichi Ishidate's strong belief that creators mustn't only make new things, but specifically do so in new ways blog.sakugabooru.com/2025/07/07/c...

Day 1 of living in a world with CITY: The Animation