Last 6 copies available! francescamarongiu.bandcamp.com/album/still-...

"this set of music was issued by the ultra-obscure Roman Pinciana record label as a “Double A-side” affair - one of the aforementioned Moog solos - the B-side - then one with the same pieces, only cut with Environmental recordings & Matural sounds"

"The compositions work as full-bodied excursions, parsed out in minimal doses that glide towards stunning emotional grandiosity."

"Opus 1970: Stockhoven – Beethausen KURZWELLEN mit Beethoven / SHORT WAVES with Beethoven"

Music for the eye: Kwaidan - 1964 - Masaki Kobayashi

"a four-part smorgasbord of ominous electronics, obliterated found-sound and haunted augmented dialogue drenched in harsh radio frequency-scanning frolics."

Music for the eye: Agostino Bonalumi (1935-2013)

"Gesture can be textured, and textures can be formed from gestures — the interplay and balance between them lie at the heart of our experiences in musical time."

"Convergence, pure interaction, the interactive possibilities of breath and mutual listening without shields."

"This work applies compositional methods, such as note durations, rhythm, and dynamics, to the then-young medium of electronic music."

"the most violent protest music Dallapiccola ever wrote."

"Sounding its earthly memory, the glacier released bubbles carrying remembrances of the epochs it had witnessed. Temporal multitudes and a rich existence materialized in its melting."

"nothingness is a work for double bass and tape recorders that listens inward, toward the erosion of gesture and the slow drift of sound into memory."

"This is music inspired by the water and the wind. By the tattoo of the insects’ beating wings and the soughing of the wattle in the sea breeze."

"Atavistic, abstract and alien, 13 documents a tangle of ribboning, in-the-moment thought processes in oscillation between atonal, asymmetric rhythms and discord and much lusher, spacious flights of fancy.."

Studio time: some generative Blips and Blops

”Reed’s mastery lies in his matchless ability to combine these disparate elements into tightly organized audio collages, each bearing his stamp of singularity"

"Touch is the child of the original Buchla electronic music triumvirate that included Silver Apples and Wild Bull. Its exploration of the sound and texture possibilities of electronic music is a variation on the two previous compositions."

“…my best intention, and greatest hope, is to simply take you, the listener, to a place where you experience something beyond the daily, infinite cycles."

"The Osaka-based 7FO combines groovily sparse electronic percussion with similarly sparse dub-feel synth bass, as well as pentatonic synth and steel pan melodies"

"Situated in a lineage of automated music that traces back to the ancient Greeks, Doran uses the possibilities of digital technology and its ability to automate a huge range of virtual instruments to move beyond human impulses and limitations to allow “new shapes to emerge”."

Teenage Wasteland Reload #2

mood of the day (aka teenage wasteland reload).

Rusty old friend

"our attention travels between the layers of sound as when we see a picture and understand it instantly, but the eye then continues to explore it progressively."

"Vaccina’s music sounds like something beyond your imagination."

"A mantric hum, almost like a sitar, vibrates with a cosmic quality, a rarefied raga emerging from elsewhere."

"Extended techniques and preparations on the flute, different tuning systems and microtonalities, electronic processing, and hyperamplication are some of the tools that shape this artistic statement."

"This hour and a quarter of original creation responds to the power of Flaherty's images and highly musical editing, sometimes experimental for its time."

"The work drew from field recordings, blending discrete and processed sounds with other audio sources to reimagine specific locations and experiences as imaginative auditory worlds." discreetarchive.bandcamp.com/album/unlear...

"SOLIDS FOR VOICES transcends into deep concentration calling for a clear state of mind, in recognition of an increasingly fragmented and incoherent reality. Valby Vokalgruppe endeavours a total absorption into the voice, the rhythm and the trance."

"five works for different instrumentations in which silence is replaced by restless air. A slow burn of haze and longing, presented on tape, suggesting a cassette diary of drifting days."

"meditating on glacial landscapes and water cycles, using shared field recordings that bifurcate into two sonic visions of ice journey."

"non synthesised drone-with-event music where the quality of the SOUND is crucial and precisely organic; a unique voice here well represented."

"It’s as if movements and textures were dropped into the ocean to let float around and combine with others that touched."

"To call it ambient would be too simple. To call it drone would be lazy. This is Orphax being Orphax - a craftsman of slowness, a curator of dissonance, a man who somehow makes broken tones sound whole again."

"4 suites in 12 movements for piano, strings, electronics, metal objects and AI generated voices."

"although they had been fragmented, looped, and processed - the compositions were still entirely made up of the View. a series of four different 'landscapes' were presented on headphones with a chair facing out the window that the recordings had come from."

The Hawks and the Sparrows (Uccellacci e uccellini) 1966 by Pier Paolo Pasolini (1922-1975).

Yasujiro Ozu (1903-1963), 晩春 Banshun (1949)

"Asmar explores the peculiar resonance of the metallophone and her collection of deconstructed toy pianos, and guides her music into ever more surreal territories. The result is a work that is dreamlike, fragmentary and strangely timeless."

"Each piece traces a kind of imaginary geography, where sonic ephemera become proxies for topography, weather, or myth."

"A claustrophobic gauze hangs over music that could otherwise be called subverted songwriting, aligning Hekla’s sonics with avant-garde, musique concréte and sound-art."

"These four sections, of uneven durations, embody the different resonances of each « element » upon my imagination. The movements are ordered compositionally and range from the intangibility of the air to the extreme density of the earth." #experimental #acousmatic #electroacoustic

"Midwest trio that taps into the slower, more meditative side of improvisational music allowing for some deep listening."

Alison Knowles (1933 – 2025)

James Senese - 1945-2025. Farewell Master, go teach the angels that this beat is four bar and half, not four bar!

"Fluctuating Streams was originally composed by Marja Ahti in 2020 as an electro-acoustic piece. In 2024, in collaboration with Blutwurst, the piece was 'translated' / re-arranged for acoustic instruments."