Weight of Days, 2025. Sifting two decades of material, rearranging, finding new connections... Join us at the Poetry School (@poetryschool.bsky.social) this autumn to examine the use of archives in the writing of poetry. poetryschool.com/courses/tran...

Richard Skelton celebrates the 20th anniversary of his Sustain-Release label with a new album *** Madeleine Cocolas presents an album that explores the nexus between music, place, and memory. www.ambientblog.net/blog/2025-07... #ambient

Richard Skelton celebrates 20 years of his Sustain-Release imprint with a new album that goes back to his "broken consort" of handmade and modified string instruments ✨ bit.ly/4nRv5VW

Join us this October for our course at the Poetry School (@poetryschool.bsky.social): poetryschool.com/courses/tran... "In this course, we will look at ways of developing other modes of seeing – chief among them, the use of the Archive as both prompt and source material for new work."

'Marking 20 years of his Sustain-Release label, Richard Skelton's new album feels organic and quietly pastoral, conjuring mirages of landscapes both natural and surreal - a summation of two decades of work in atmospheric experimental music' #RichardSkelton - The Second Chamber buff.ly/bTJcozb

June 28th marks the 20th anniversary of Sustain-Release, the private press label through which Richard began releasing music in 2005. To celebrate the occasion, he has recorded a new album for his original 'broken consort' of acoustic instruments: aeolian.bandcamp.com/album/the-second-chamber

"Those documentary voices grant fragmentary glimpses of gritty truths and harsh realities, suspended — it seems — within the haze of a collective hallucination." (The Wire) foldedtime.bandcamp.com/album/americ...

New Imperial Valley: “Like Terrence Malick’s ‘Days of Heaven’ soundtracked by Dylan Carlson or ‘Dead Man’-era Neil Young. Each sound is given time to evolve before it withers, and taken as a whole, ‘American Memory’ is a poignant, sobering listening experience.” boomkat.com/products/ame...

Richard Skelton's latest Imperial Valley volume proposes an alternate reading of US musical history, soundtracking memory holes and totalitarian creep with blown-out bluesy post-rock, sandy drones, field recordings and public domain excerpts. 50 copies only->> bit.ly/4gYjqQh

We're still without power after Storm Éowyn. Thankfully, there are a few hardy refuges to find a hot drink & an internet connection. In other news, in advance of new music, we've collected all our previous *AR recordings under a single banner: open.spotify.com/album/1EyloB...

The second @thequietus.com list is here! Our 100 favourite reissues, compilations etc of 2024, featuring a thoughtful intro on our modern listening habits by @paddyclarke.bsky.social, w words by me on Charli XCX, Diamanda Galás, Laibach, Imperial Valley etc etc: thequietus.com/tq-charts/re...

Stations of the Dark Richard Skelton A sequence of twelve painting accompanied by an essay and two longform compositions for the long winter dark... Many thanks to those kind folks who supported this edition.

Just a few of these left: a repress of The Old Thrawing Crux/The Preliminaries by Richard Skelton... www.corbelstonepress.com/product-page...

Last few days of our fundraiser over at Folded Time. The entire catalogue is pay-what-you-can. All proceeds go towards studio repairs: foldedtime.bandcamp.com The most recent album was released on the day of the US elections, and is built around a 1940s broadcast about the dangers of despotism...

Hi folks. Corbel Stone Press is the small press of Autumn Richardson & Richard Skelton. We publish writing, art and music about landscape & the other-than-human world. corbelstonepress.com