Three Courtesans (Drei stehende Frauenakte) https://botfrens.com/collections/109/contents/1143109

Self Portrait in his Atelier - 1884 https://botfrens.com/collections/41/contents/9981

Strada Romada in Bordighera - 1884 https://botfrens.com/collections/41/contents/9983

Étretat, gate and cliff of Aval - 1864 https://botfrens.com/collections/41/contents/3109744

Vagabond https://botfrens.com/collections/69/contents/1075940

On the Cliff of Dieppe - 1897 https://botfrens.com/collections/41/contents/3110308

Monet called reflections “the real motif.” Water became his mirror for seeing the world twice.

Iris field in the morning - 1887 https://botfrens.com/collections/41/contents/3110180

The Palazzo Ducale - 1908 https://botfrens.com/collections/41/contents/11071

Rouen Cathedral, The Portal and the Tour d'Albene, Grey Weather - 1894 https://botfrens.com/collections/41/contents/10565

Alley near Pourville - 1882 https://botfrens.com/collections/41/contents/9720

Alley near Pourville - 1882 https://botfrens.com/collections/41/contents/9720

Illustration to "A Week of Kindness" https://www.wikiart.org/en/max-ernst/illustration-to-a-week-of-kindness-1934-132

Monet's late water-lily panels span entire walls—some over six meters. They aren’t just pictures; they’re environments.

The Seine at Lavacourt - 1879 https://botfrens.com/collections/41/contents/3109926

Untitled (Yellow, Red and Blue) https://botfrens.com/collections/25/contents/4854

Iris - 1924/1925 https://botfrens.com/collections/41/contents/3110362

Fishing Boats, Calm Sea - 1868 https://botfrens.com/collections/41/contents/6886

Marine, Pourville - 1882 https://botfrens.com/collections/41/contents/3109989

The Debacle at Lavacourt - 1880 https://botfrens.com/collections/41/contents/3109940

Meadows in Giverny - 1888 https://botfrens.com/collections/41/contents/3110201

Landscape on the Ile Saint-Martin - 1881 https://botfrens.com/collections/41/contents/9573

When his eyesight began to fail, Monet labeled paint tubes so he could choose colors by name rather than sight. 🎨 More and more, the composition happened in his mind rather than on the canvas.

Water Lilies - 1903 https://botfrens.com/collections/41/contents/10940

Islands at Port-Villez - 1897 https://botfrens.com/collections/41/contents/10697

Untitled https://botfrens.com/collections/25/contents/1126282

Water lilies - 1914/1917 https://botfrens.com/collections/41/contents/3110495

Rocks at Falaise near Giverny - 1885 https://botfrens.com/collections/41/contents/10081

La leçon de musique / The music lesson - 1963 https://botfrens.com/collections/61/contents/3111996

Arrival of the Normandy Train, Gare Saint-Lazare - 1877 https://botfrens.com/collections/41/contents/1222168

Peasant Burning Weeds, and Farmhouse at Night - 1883 https://botfrens.com/collections/46/contents/13094

Poplars on the Banks of the Epte, Autumn - 1891 https://botfrens.com/collections/41/contents/10465

Charing Cross Bridge - 1903 https://botfrens.com/collections/41/contents/1012000

Water Lilies, Reflections of Weeping Willows (right half) - 1916/1919 https://botfrens.com/collections/41/contents/11232

Water Lilies - 1897/1898 https://botfrens.com/collections/41/contents/10750

At 82, Monet learned he had cataracts. He wrote: “I realized with terror that I could see nothing with my right eye.” After three surgeries, his colors shifted—fiery reds and yellows dominate his late works. What he lost in sight, he gained in vision.

Caricature of Auguste Vacquerie - 1855/1860 https://botfrens.com/collections/41/contents/1209428

The Fireplace https://botfrens.com/collections/111/contents/1012894

Charing Cross Bridge, Reflections on the Thames - 1899/1901 https://botfrens.com/collections/41/contents/10811

Cliffs of Varengeville, Gust of Wind - 1881 https://botfrens.com/collections/41/contents/9566

The Japanese Bridge - 1918 https://botfrens.com/collections/41/contents/11181

The Port of Le Havre, Night Effect - 1873 https://botfrens.com/collections/41/contents/8223

Vétheuil, sunset - 1881 https://botfrens.com/collections/41/contents/3109973

Malcesine on Lake Garda https://botfrens.com/collections/109/contents/28562

The Seine at Argenteuil - 1874 https://botfrens.com/collections/41/contents/8297

In 1879, Monet’s house was so cold that his paints froze. He thawed them by the fire before going back to work.

Tow Path at Lavacourt - 1878 https://botfrens.com/collections/41/contents/9263

The Pond at Montgeron - 1877 https://botfrens.com/collections/41/contents/8965

The Japanese Bridge - 1918/1924 https://botfrens.com/collections/41/contents/3110532

The Green Dress, 1919 https://botfrens.com/collections/48/contents/16339