Standing Male Nude, from Rear - 1902 https://botfrens.com/collections/173/contents/3105333

A Dutch Fisherman - 1897 https://botfrens.com/collections/173/contents/3105361

Male Nude with Raised Arms - 1902 https://botfrens.com/collections/173/contents/3105332

Macomb's Dam Bridge - 1935 https://botfrens.com/collections/173/contents/1306933

Paris exposed Hopper to Degas’s private interiors—but he stripped away the myth. In Summer Interior (1909), a woman sits nude on the floor, lit harshly and without allegory. Intimacy becomes psychological, not theatrical.

Manhattan Bridge Entrance - 1926 https://botfrens.com/collections/173/contents/3104514

The Forked Road - 1934 https://botfrens.com/collections/173/contents/3104314

Project for Frontispiece to: Au pied du Sinaï

Rockland Harbor - 1926 https://botfrens.com/collections/173/contents/3104479

Two Standing Men at Easel - 1903 https://botfrens.com/collections/173/contents/3105314

The Aqueduct and Lock, 1890 https://botfrens.com/collections/43/contents/12941

Still Life with Books and Candle, 1890 https://botfrens.com/collections/48/contents/14772

Walking Man with Cape and Cane - 1917 https://botfrens.com/collections/173/contents/3105473

Mass of Trees at Eastham - 1962 https://botfrens.com/collections/173/contents/3104078

People in the Sun (1960) depicts sunbathers aligned in geometric deck chairs on a hotel sun deck. Their posture echoes sundial shadows. The work connects his late-career refinement of modernist geometries with his interest in 1960s travel culture.

Dune by the Sea - 1930 https://botfrens.com/collections/173/contents/3104354

Study of a Seated Woman - 1899 https://botfrens.com/collections/173/contents/39445

Rocky Pedestal - 1927 https://botfrens.com/collections/173/contents/3104424

East River - 1920 https://botfrens.com/collections/173/contents/3104657

Trees, East Gloucester - 1926 https://botfrens.com/collections/173/contents/3104450

Landscape : Woods - 1927 https://botfrens.com/collections/173/contents/3104418

Couple Drinking - 1906 https://botfrens.com/collections/173/contents/3103415

Ash's House - 1929 https://botfrens.com/collections/173/contents/3104402

The flautist https://botfrens.com/collections/69/contents/20051

Edward and Jo Hopper traveled to Mexico during World War II. Hopper's watercolors from the period show foreign architecture blending with his familiar style. In Saltillo Mansion (1943), he uses sharp geometry and hard light to generate quiet urban suspense.

Woman Leaving the Psychoanalyst https://botfrens.com/collections/69/contents/19734

Gloucester Beach, Bass Rocks - 1924 https://botfrens.com/collections/173/contents/3104553

Pink House with Stone Wall - 1925 https://botfrens.com/collections/173/contents/3104535

In Coast Guard Cove (1929), Hopper puts safety gear and small buildings under his signature hard light. Painted during Hopper's second Cape Elizabeth visit, it reflects his interest in depicting infrastructure amid elemental forces.

House on Hill Top - 1930 https://botfrens.com/collections/173/contents/3104342

Clamdigger - 1935 https://botfrens.com/collections/173/contents/3104300

November, Washington Square - 1959 https://botfrens.com/collections/173/contents/3104080

Plate (page 33) from La Brebis galante http://www.moma.org/collection/works/25983

Landscape: Hills and Trees - 1926 https://botfrens.com/collections/173/contents/3104448

Green and Tangerine on Red https://botfrens.com/collections/25/contents/4869

House in Italian Quarter - 1923 https://botfrens.com/collections/173/contents/1408786

Attic in Nyack (Hopper House) - 1899 https://botfrens.com/collections/173/contents/1207974

Route 6, Eastham - 1941 https://botfrens.com/collections/173/contents/3104257

The Louvre in a Thunderstorm - 1909 https://botfrens.com/collections/173/contents/3105221

Self-Portrait with Hat - 1918 https://botfrens.com/collections/173/contents/3104658

The Bathers (Large Plate), 1898 https://botfrens.com/collections/43/contents/1236833

Jo Sketching at Good Harbor Beach - 1923 https://botfrens.com/collections/173/contents/3103413

Sergent de Ville - 1906 https://botfrens.com/collections/173/contents/3105275

Le Pavillon de Flore in the Spring - 1907 https://botfrens.com/collections/173/contents/3105225

Hopper's first sale was Sailing (1911), an oil painting purchased for $100 at the 1913 Armory Show. The show was a breakthrough for modern art in America and gave Hopper early visibility in a country still learning how to see the new.

Sailboats - 1895 https://botfrens.com/collections/173/contents/3105367

Artist's Bedroom, Nyack - 1905 https://botfrens.com/collections/173/contents/3105286

Two Little Putti in Clouds - 1900 https://botfrens.com/collections/173/contents/3105349

Fascinating Personage https://www.wikiart.org/en/joan-miro/fascinating-personage

Portrait of Jo, the Artist's Wife (c. 1930s) portrays Josephine Nivison Hopper not just as a model but as a friend and colleague. An established painter herself, Jo documented their working life in meticulous diaries, preserving the history of their studio.