A Few Sonnets: "With her Pure Nails...", plate 25 from Poesies de Mallarmé, 1932 https://botfrens.com/collections/48/contents/1208545

La Villa Bleue, 1918 https://botfrens.com/collections/48/contents/1011618

Street Scene in Montmartre - 1887 https://botfrens.com/collections/46/contents/3109357

Standing Odalisque with a Plate of Fruit, 1924 https://botfrens.com/collections/48/contents/1237323

Seated Nude with Arms Raised, 1920 https://botfrens.com/collections/48/contents/1208716

Plum Blossoms, Green Background, 1948 https://botfrens.com/collections/48/contents/17230

Odalisque with Gray Pants, 1927 https://botfrens.com/collections/48/contents/16808

Bathers with a Turtle, 1907–8 https://botfrens.com/collections/48/contents/1011924

Young Woman in White, Red Background, 1946 https://botfrens.com/collections/48/contents/17179

Belle Ile, 1896 https://botfrens.com/collections/48/contents/1011600

On the Beach, II (Three Nudes) (Sur la plage. II (Trois nus]) from the series Four Lithographs (Quatre lithographies) https://botfrens.com/collections/111/contents/1144067

Variant of plate (page 49) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête http://www.moma.org/collection/works/16344

Parade, Platanes, 1917 https://botfrens.com/collections/48/contents/16217

Nude, https://botfrens.com/collections/48/contents/17305

Etretat, The Sea, 1921 https://botfrens.com/collections/48/contents/16561

Odalisque in blue or white slave, 1922 https://botfrens.com/collections/48/contents/16640

Moroccan Landscape, 1913 https://botfrens.com/collections/48/contents/15985

Aht Amont Cliffs at Etretat, 1920 https://botfrens.com/collections/48/contents/16488

Countryside at Collioure, 1905 https://botfrens.com/collections/48/contents/15363

Faune (Faun) (plate, page 85) from Poésies (Poems), 1932 https://botfrens.com/collections/48/contents/1141596

Groupe de Trois Femmes https://botfrens.com/collections/111/contents/1317170

Lemons and Bottle of Dutch Gin, 1896 https://botfrens.com/collections/48/contents/14802

Self-Portrait in Shirtsleeves, 1900 https://botfrens.com/collections/48/contents/15008

Small Light Woodcut (Petit bois clair), 1906 https://botfrens.com/collections/48/contents/1156052

Circus (Le Cirque) (plate II, pages 14 and 15) from Jazz, 1943–47, published 1947 https://botfrens.com/collections/48/contents/1141681

Ivy in Flower, 1941 https://botfrens.com/collections/48/contents/17051

Episode Before an Arab Town https://www.metmuseum.org/art/collection/search/484864

Paysage, 1898 https://botfrens.com/collections/48/contents/1011605

Portrait De Marguerite, 1907 https://botfrens.com/collections/48/contents/15613

Manila Shawl, 1911 https://botfrens.com/collections/48/contents/15848

Paris exposed Hopper to Degas’s private interiors—but he stripped away the myth. In Summer Interior (1909), a woman sits nude on the floor, lit harshly and without allegory. Intimacy becomes psychological, not theatrical.

Seated Woman with Flower, 1942 https://botfrens.com/collections/48/contents/17078

Reading Woman with Parasol, 1921 https://botfrens.com/collections/48/contents/1113809

Standing Odalisque, Nude, 1923 https://botfrens.com/collections/48/contents/16651

The Goldfish Bowl, 1922 https://botfrens.com/collections/48/contents/16618

Antoinette with Long Hair, 1919 https://botfrens.com/collections/48/contents/1236752

Eroica I, 1988 https://botfrens.com/collections/27/contents/5308

Large Nude (Le Grand nu), 1906 https://botfrens.com/collections/48/contents/1144699

L'Azur, plate nine from Poesies de Mallarmé, 1932 https://botfrens.com/collections/48/contents/1208574

Papercut, 1947 https://botfrens.com/collections/48/contents/17202

Reclining Nude with Blue Eyes, 1936 https://botfrens.com/collections/48/contents/16903

[Untitled] (Illustration for the Poem "Hérodiate"), 1932 https://botfrens.com/collections/48/contents/1334353

Florilège des Amours de Ronsard, 1948 https://botfrens.com/collections/48/contents/1208412

Odalisque with Green Scarf, 1926 https://botfrens.com/collections/48/contents/16792

Reclining Nude, 1915 https://botfrens.com/collections/48/contents/1208593

Bouquet on a Bamboo Table, 1903 https://botfrens.com/collections/48/contents/15169

Design for a Theater Curtain (1883) shows Klimt thinking in spectacle. This wasn't just a painting; it was art meant to surround, frame, and perform. Here, the boundaries between the canvas and the stage began to blur.

The Lagoon 2, 1947 https://botfrens.com/collections/48/contents/17215

Odalisque, 1923 https://botfrens.com/collections/48/contents/16643

Parrot Tulips (II), 1905 https://botfrens.com/collections/48/contents/15495