We caught up with Oscar & two-time Grammy-winning producer and engineer Robert L. Smith about his on-location traditional Irish session at Cold Comfort Farm. When detailed edits sidelined the room mic recordings, LiquidSonics reverbs helped achieve a cohesive, authentic sounding live venue space.

Grammy-nominated producer Dimitri Tikovoï (Ghost, Charli XCX, The Libertines): "Seventh Heaven delivers an incredibly lush, natural-sounding reverb that sits beautifully in the mix. It's intuitive, musical, and has become a go-to in my workflow." Learn more here: at.liquidsonics.com/TKtll7

Our latest interview deep-dive with Hans-Martin showcases his unique approach to reverb and room recording for his Grammy-nominated Tearjerkers album and Peter Gabriel’s Grammy-winning i/o (In-Side Mix) with audio demos and actionable tips. #Tearjerkers #HansMartinBuff #LiquidSonics #GRAMMYS

LiquidSonics returned to IMSTA FESTA Seoul in partnership with our South Korean distributor Gearlounge, connecting once again with the local audio community at one of the region’s most engaging music-technology events. #ImstaFestaSeoul #LiquidSonics #Gearlounge

Why pro mixers keep using the same reverb. It is not about sounding bigger. It is about emotion, depth & intention. Our good friend & mentor Matt Weiss breaks down @LiquidSonics Cinematic Rooms www.youtube.com/watch?v=uaRF... #Mixing #Reverb #MusicProduction

AR Rahman (A.K.A. ARR) uses Cinematic Rooms Professional on the Fourier Audio transform platform for his 2025 Wonderment Tour in this brand new article on Mix Magazine. #arr #fourieraudio #ARRahman #cinematicrooms

Swedish mix engineer Stefan Boman has mixed metal productions for bands like Opeth, Ghost, and Graveyard. LiquidSonics’ Seventh Heaven Professional is one of his go-to choices for reverb for Dolby Atmos Visit the link in part two to learn more! #SeventhHeaven #MixingMetal #Opeth #LiquidSonics

How do you create spatial depth without adding reverb? Mark Gittins (Judas Priest, Dream Theater Atmos mixes) uses Liquidsonics’ Seventh Heaven Professional as a spatialiser, favouring early reflections over late tail. 🔗 Full interview: at.liquidsonics.com/lz0mT7

IMSTA FESTA Seoul 2025, organised by @gearlounge, will take place on November 16th at Record Factory, bringing together world-renowned music software brands. Join IMSTA FESTA Seoul 2025 and don’t miss this opportunity to network, connect, and learn from industry experts and fellow music creators.

Mixer/engineer Thomas Warren (Sabrina Carpenter, Sam Smith): “Seventh Heaven Professional really captures the dimensional depth of the classic Bricasti spaces. The modulation, early reflections, and tail density all feel organic, it just falls into a mix effortlessly without creating muddiness.”

Grammy-winning engineer Steve Genewick (Elton John, Diana Krall, Quincy Jones) on his go-to reverbs: "Seventh Heaven Professional is on every mix I do. 99% of the time it's my main vocal reverb. By far one of the best reverbs available." #LiquidSonics #SeventhHeaven #ReverbPlugin

We had a great weekend at #Beatcon Berlin supporting Germany's thriving hip-hop and rap community. Timo Krämer and Julian David demonstrated reverb mixing techniques in a masterclass, while Eric Horstmann and Leo Elsner shared immersive workflows in the #DolbyAtmos room.  #deutschrap #liquidsonics

Grammy winner Jesse Ray Ernster (Doja Cat, Burna Boy): "Seventh Heaven Professional & Cinematic Rooms Professional are absolute staples in my template! The resolution is unparalleled." See why top engineers choose LiquidSonics for industry-leading reverb: at.liquidsonics.com/wAGuCG

As one of the industry's leading immersive audio engineers and educators, Justin Gray has mixed thousands of songs in spatial formats. But his "Immersed" project is the ultimate "Atmos-first" production, where spatial positioning isn't an afterthought but the genesis of the creative process itself.

Justin Gray composed "Immersed" from the ground up for #DolbyAtmos, placing listeners inside a 360° orchestra. Here, he reveals how Seventh Heaven Professional added a grand sense of ambiance to intimate studio recordings.

Sound designer & FOH engineer @stephenmhughes.bsky.social used Seventh Heaven Professional for this year’s BBC Last Night show: "I love how effortless it is to get natural-sounding reverbs. I tend to spend a lot of time tuning other reverbs, but these presets seem to nearly always be just right."

Chris Baseford (Nickelback, Shinedown, Rob Zombie): "Cinematic Rooms Professional might be the most natural-sounding reverb plugin I've ever used! Because it blends perfectly within a mix, it's easy to set the proper level and never second-guess it." #MetalProduction #MusicMixing #LiquidSonics

FOH engineer James Dunkley (Blind Guardian, Cradle of Filth) on using Seventh Heaven Professional live: "It’s understated, realistic, and just adds a sense of a real space rather than being an exaggerated effect." Learn more at at.liquidsonics.com/iL4ctN #livesound #metalmusic #metalmixing

In this short video Tom Fountainhead explains his discovery of LiquidSonics’ Tai Chi reverb plugin and what it meant for the #DolbyAtmos mixing process of his Changeling extreme metal project with Eric Horstmann of @immersivelab.bsky.social

💡"Wall of Sound" → "Room of Sound" @immersivelab.bsky.social and Tom Fountainhead reimagined extreme metal in Dolby Atmos for Changeling using LiquidSonics reverbs. "I was looking for something that would let me feel that openness" -Tom Fountainhead Read the interview via the link in the comments.

We sat down with Grammy winner Justin Moshkevich to discuss the recording and mixing process of the music score to the new #Superman movie, one of the most anticipated blockbuster releases of 2025. Get the full story here: at.liquidsonics.com/s4DcC7 #LiquidSonics #ScoreMixing #SupermanOST

Grammy-winning mix engineer Cian Riordan (St. Vincent, Lana Del Rey, Paul McCartney) on Seventh Heaven Professional: "An indispensable part of my sonic toolkit… it consistently delivers polished, expensive sounding results that clients expect." #ReverbPlugin #SeventhHeaven #VocalReverb

Rock & Metal Recording/Mixing Engineer @thecrowsnestmusic.bsky.social (Skull Fist, Blood Ceremony): "I love everything about Lustrous Plates - the flexibility and how each plate has unique characteristics. Works on drums to vocals, and blends in so naturally." #LustrousPlates #MixingMetal

Lessons from 1100+ #DolbyAtmos Mixes: In the first episode of a two-part interview with the immersive music mixing pioneer Eric Horstmann, discover the technical foundations behind his award-winning workflow and how he uses reverb to create compelling spatial experiences. at.liquidsonics.com/dz0VSe

The wonderful Fred Teixeira reviewed Seventh Heaven for all our Portuguese-speaking followers on his YouTube channel: youtu.be/aXXtrqulyzQ?... #SeventhHeaven #reverb #MusicProduction

Swedish mix engineer Stefan Boman (Opeth) on metal mixing: "With metal music, you have to be careful not to overdo it with reverb. But LiquidSonics' Seventh Heaven is really suitable for it, because it feels very transparent. Ninety percent of the time, I use the Sunset Chamber preset."

Why do some reverbs sound fuller and more realistic? Oftentimes, the secret is hiding in the low-end. Discover how LiquidSonics' VLF reverb technology gives your productions the weight, dimension, and realism of authentic spaces without muddying your mix. Julian breaks it down with real examples.

This Saturday, we’re heading to Studios 301 Germany in Frankfurt for the inaugural MetalCon.music – and we’d love for you to join us. MetalCon is the first-ever event dedicated to recording, producing, and mixing metal music.

"This plugin makes me so happy. I can't explain the feeling that it adds to guitars. The clarity that this plug-in has is just unbelievable!" Ed Stokes finds out why Cinematic Rooms is perfect for acoustic and electric guitars! Top tip - check out Alan Branch's ace acoustic guitar artist presets! 🎸

@mikkoraita.bsky.social is a Finnish audio engineer known for his immersive sound mixing on film scores and music projects. In this interview we talk about his mix of the score for multi-award winning independent animated film Flow which recently won the Oscar for Best Animated Feature Film.

Low frequency acoustics are essential for conveying realism in room simulations and play an important role when applying reverb in a mix. Today we discuss one of the most important topics in modern reverb design, and a distinctive aspect of many LiquidSonics plug-ins - Very Low Frequency reverb.

A big shout-out to Austin from Make Pop Music for featuring Seventh Heaven in his latest pro techniques video and sharing some great advice on how to sit your reverbs and delays in the mix using sidechain compression, EQ, and recommends some presets that are ideal for giving vocals a sense of space.

Gearlounge and LiquidSonics recently joined forces at the IMSTA FESTA show in Seoul 2024, showcasing LiquidSonics’ impressive portfolio of reverbs to the Korean audio community. Thanks to the team at Gearlounge for their support as our exclusive distributor in South Korea.

Not many effects can impact how you feel about music more than the reverb treatment. Sean Divine explores how effective use of a reverb is about creating more than just space in the mix - it's about enhancing the emotion of the track itself.

“My search for the all-powerful Atmos reverb has ended with Cinematic Rooms. I’m using this on all my mixes as my daily go-to reverb. Simply incredible.” Bassy Bob 30x Grammy Winning Mixer / Producer Christina Aguilera, Bob Dylan, Usher

Dubbing Brothers is a renowned post-production company specialising in dubbing, localisation, and audio post services for the film and television industry. We talk to Dubbing Brothers’ CTO Jérôme Malaize about his work and why LiquidSonics plug-ins have become integral to the company’s workflow.

“I’ve been using Cinematic Rooms Pro since its initial release and it has remained my go-to reverb for every film mix I’ve worked on since! It creates such richness and depth while blending so perfectly with the music. I love it!” Clint Bennett Music Editor Dune (Parts One & Two), Blade Runner 2049

John W. Cook II is a renowned Re-Recording Mixer with a distinguished career spanning over three decades with numerous accolades including his 25th Emmy nomination this year on Hacks. We were lucky to spend some time speaking with John about his projects, mixing for some of the biggest shows on TV.