Ruth Z. Yuste-Alonso (@ruthyuste.bsky.social) reviews Heather Jerónimo’s Performing Parenthood. Non-Normative Fathers and Mothers in Spanish Narrative and Film (2024) in the RQ 73.1. 🔗 Link below

Marina Barba Dávalos and Ana Isabel Ballesteros Dorado connect theatre and music with “Entre lo popular vasco y el bel canto: variaciones semánticas de la música incidental compuesta por Carnicer para La batelera de Pasajes, de Manuel Bretón de los Herreros.” 🔗 Link below

A disembodied notion of the humanities faces the physical bodies from which they emerge in Katie Vater’s article “Embodying the Humanities in Antonio Orejudo’s Un momento de descanso (2011)”. 🔗 Link below 📷 Detail of the cover of Un momento de descanso published by Tusquets.

Eric Salazar reads the generative power of instability in Cristobal Colon’s letters in “Ninguno puede dar razón cierta: incertidumbre, ruina y adversidad en las cartas de Cristobal Colón”. 🔗 Link below 📷 Carta a Luis de Santángel (1493)

Jaime Hanneken opens issue 73.1 of the Romance Quarterly with “The roto Unearthed: Chilean Mestizaje and the Technic of Revelation”. 🔗 Link below. 📷 Monument to the Chilean roto, Plaza Yungay, Santiago

Romance Quarterly 73.1 is now available. Visit the link below to read its exciting and varied articles and book reviews.

Mary T. Hartson closes issue 72.4. of the Romance Quarterly reviewing Iker González-Allende’s Masculinidades gays y maricas en la cultura española contemporánea. 🔗 Link below.

Jeffrey K. Coleman reviews Martin Repinecz’s Volatile Whiteness: Race, Cinema, and Europeanization in Spain in the RQ 72.4. 🔗 Link below.

Mary T. Hartson closes issue 72.4. of the Romance Quarterly reviewing Iker González-Allende’s Masculinidades gays y maricas en la cultura española contemporánea. 🔗 Link below.

Jeffrey K. Coleman reviews Martin Repinecz’s Volatile Whiteness: Race, Cinema, and Europeanization in Spain in the RQ 72.4. 🔗 Link below.

CFP: Estudos galegos en @romancequarterly.bsky.social ❕Rogamos máxima difusión Dende hai unha década os estudos galegos teñen máis presenza na academia norteamérica. Este número pretende difundir a investigación que xurde dos distintos encontros e redes de galicianistas nestes lares #estudosgalegos

Roberto Mendoza-Farías (@rmf.bsky.social) maps spectral spaces in two works of Fernanda Melchor in “Una mirada al abismo: Espacio espectral y la producción social de violencia de género en la obra de Fernanda Melchor.” Link below. 🎨 Detail from Hurricane Season published by New Directions

Alejandra Rengifo visits the spectrality of La Pampa in Luciana Sousa’s Cuando nadie nos nombre (2022). Link below. 🎨 Detail of the cover of Cuando nadie nos nombre published by Tusquets

Marita Lopera guides us through what she has named “spectral spaces” (“espacios espectrales”) in Magda Moreno’s Las hijas de Gracia (1951) in her latest article in the Romance Quarterly. Link below. 📷 Detail of the cover of Las hijas de Gracia published by Editorial Bedout

Alicia V. Ramírez Olivares (dis)orientates the readers of the RQ towards a lesbian occupation of space in two contemporary anthologies in “Espacio de costumbre, desorientación y vulnerabilidad en la espectralidad de la literatura lésbica en México.” Link below.

Alicia V. Ramírez Olivares (dis)orientates the readers of the RQ towards a lesbian occupation of space in two contemporary anthologies in “Espacio de costumbre, desorientación y vulnerabilidad en la espectralidad de la literatura lésbica en México.” Link below.

Marita Lopera guides us through what she has named “spectral spaces” (“espacios espectrales”) in Magda Moreno’s Las hijas de Gracia (1951) in her latest article in the Romance Quarterly. Link below. 📷 Detail of the cover of Las hijas de Gracia published by Editorial Bedout

Alejandra Rengifo visits the spectrality of La Pampa in Luciana Sousa’s Cuando nadie nos nombre (2022). Link below. 🎨 Detail of the cover of Cuando nadie nos nombre published by Tusquets

Alejandro Palma Castro proposes a moving necropoetic reading in “Hacia una necropoetica en la poesía hispanoamericana contemporánea: Sujetos de duelo en La mata de Eliana Hernández y La muerte golpea en lunes de Maricarmen Velasco” Link below 🎨 Detail of cover of La mata published by Laguna Libros

Roberto Mendoza-Farías (@rmf.bsky.social) and Alejandro Palma Castro introduce us to the Special Issue: Espacios espectrales en escritoras hispanoamericanas. See below for Open Access 📷 Mendieta, Ana. Sin título (Nicho de Culiacán), 1973.

Romance Quarterly: Vol 72, No 4 www.tandfonline.com/toc/vroq20/7...

We are so grateful and happy to read the authors in the new Special Issue of the Romance Quarterly: Espacios espectrales en escritoras hispanoamericanas Have you visited their articles yet? Visit the link below!

Pavel Andrade closes issue 72.3 of the RQ with his review of Mexico, Interrupted: Labor, Idleness, and the Economic Imaginary of Independence.

Caglar Erteber reviews The Slum and the City: Culture and Dissidence in the Villas Miseria of Buenos Aires in the RQ 72.3.

In “Tridentine Passions: The Cult of Iberian Saints in Counter-Reformation Spain and Martyrdom Motifs in La noche oscura by San Juan de la Cruz,” Ksenia Bonch Reeves situates La noche oscura in its Counter-Reformation context. 🎨 El martirio de Santa Eulalia (1753-1759) by Roberto Michel

Julián Chaves González connects literature and philosophy in the RQ 72.3 with his article “Los mares de los galeones. Intenciones, contextos y filosofías de la hipotaxis de Rafael Sánchez Ferlosio”.

50 eprints of my article! Here ➡️ urldefense.com/v3/__https:/...

François-Nicolas Vozel’s “Be Realistic, Demand the Impossible! May-ssianic Realism in Duras’s Détruire dit-elle and Nathalie Granger” brings the hope you may be craving this Tuesday. Available now in the RQ 72.3. 📸 Portrait of Marguerite Duras smoking a cigarette, taken on Nov. 15, 1972. (AP Photo)

Víctor Sierra Matute (@sierramatute.bsky.social) opens issue 72.3 of the Romance Quarterly with “A Prince Through the Mirror: Garcilaso de la Vega and the Lyricization of Early Modern Poetry”. 🎨 Copy of Garcilaso de la Vega y Guzmán by Ojeda y Siles, Manuel (1835-1904) circa 1887

Issue 72.3 of the Romance Quarterly is out now! Dive into these fresh stimulating articles and book reviews this August. 🔗 Link below

Almost in summer mode, but first… my article on the posthumous canonization of Garcilaso (aka the bittersweet story of how two friends sparked a poetic revolution and only one walked away with the crown) just came out online in @romancequarterly.bsky.social! 👉🏼 www.tandfonline.com/doi/full/10....

Romance Quarterly 72.2 is here already, have you checked it out yet? www.tandfonline.com/toc/vroq20/c...

Justin Berner opens Romance Quarterly 72.2 with “Transforming Barnacles and Profaning the Human: Agustín Fernández Mallo’s Nocilla Experience (2008)” in Open Access. Link below.

Romance Quarterly 72.2 is an exciting number, and it is so in part because it includes Jack Martínez Arias’ “El otro indigenismo: voces desde los centros mineros de Perú (1920-1940)”. 📸 Mineros carrilanos en la mina de Morococha. Repositorio de la PUCP

Alexander Gannuscio is in the Romance Quarterly 72.2 with “Neorromanticismo fenomenológico and the Crisis: Ernesto Sabato and Edmund Husserl”. 📸 Detalle de la portada de Abbadón el Exterminador publicada en 1979 por Seix Barral.

Romance Quarterly 72.2 is an exciting number, and it is so in part because it includes Jack Martínez Arias’ “El otro indigenismo: voces desde los centros mineros de Perú (1920-1940)”. 📸 Mineros carrilanos en la mina de Morococha. Repositorio de la PUCP

Justin Berner opens Romance Quarterly 72.2 with “Transforming Barnacles and Profaning the Human: Agustín Fernández Mallo’s Nocilla Experience (2008)” in Open Access. Link below.

Romance Quarterly 72.2 is here already, have you checked it out yet? www.tandfonline.com/toc/vroq20/c...

From the archive: revisit Andrew Rajca’s free access article ‘The (Re)turn to Aesthetics in Brazilian Cultural Studies’” vol. 67.1 (2020), an introduction to a special topics issue with articles by Maite Conde, Leila Lehnen, and Alfredo Suppia. 📸 O Vôo, mural done by the artist Comum in 2018

From the archive: revisit Andrew Rajca’s free access article ‘The (Re)turn to Aesthetics in Brazilian Cultural Studies’” vol. 67.1 (2020), an introduction to a special topics issue with articles by Maite Conde, Leila Lehnen, and Alfredo Suppia. 📸 O Vôo, mural done by the artist Comum in 2018

Simona Storchi’s “Modernity, Latinità and the Nation in Italian Modernist Magazines (1914-1922)” Open Access with the Romance Quarterly. 🎨 Piazza d’Italia (1913) by Giorgio de Chirico

Marco de Cristofaro’s “The Latinity of the Sister Nations at the Dawn of Modern Publishing: Editorial Initiatives and Intellectual Exchange Between Italy and Argentina” available now in the RQ.

From the archives: Pablo Validivia’s 2017 Open Access article ‘Literature, crisis, and Spanish rural space in the context of the 2008 financial recession.’ 📸 Picture taken by EFE in last year’s protests

Think about submitting your work to the Romance Quarterly! www.tandfonline.com/toc/vroq20/c...   We are ready to review submissions for open issues and are now receiving proposals for guest-edited special topics issues at [email protected].

Marco de Cristofaro’s “The Latinity of the Sister Nations at the Dawn of Modern Publishing: Editorial Initiatives and Intellectual Exchange Between Italy and Argentina” available now in the RQ.

Simona Storchi’s “Modernity, Latinità and the Nation in Italian Modernist Magazines (1914-1922)” Open Access with the Romance Quarterly. 🎨 Piazza d’Italia (1913) by Giorgio de Chirico

Santiago Pérez Isasi’s “Iberism and the Latin World: Political and Cultural Potentialities and Resistances in Portugal and Spain (1870-1930)” available in the Romance Quarterly now.