Comparative Cinema is now part of the Diamond Discovery Hub! ddh.edch.eu/en/journals/... Open access, no fees, and Creative Commons! We strive for an open academia that encourages the advancement of learning, and that breaks down the barriers to knowledge!

Tell your brujas, the latest @comparativecinema.bsky.social ‬ examines the Spanish Monstrous-Feminine. Get an illuminating interview w/Barbara Creed and articles in English on [REC], CREATURA, exorcism exploitation, WITCHING & BITCHING. #openaccess @fersanchezlop.bsky.social raco.cat/index.php/Co...

‼️ NEW ISSUE ‼️ Our latest issue is out now! "The Body Without Limits. The Monstrous Feminine in Spanish Cinema", with an exclusive interview with Barbara Creed! More here: raco.cat/index.php/Co...

The deadline for our latest CFP ends on January 30! If you have a contribution in mind, don't hesitate to write to us at [email protected] More info here: raco.cat/index.php/Co...

Contentísimo de cerrar el año con mi aportación al dossier sobre el monstruoso-femenino en el cine español que acaba de publicar Comparative Cinema @comparativecinema.bsky.social. Aplicación y limitaciones del concepto al hablar de Creatura (Martín, 2023): raco.cat/index.php/Co...

If you're a scholar interested in haptic cinema, don't forget to send us your article proposal at [email protected] Deadline for full articles is January 30. MORE HERE: raco.cat/index.php/Co...

📢 NEW CFP 📢 The next issue of Comparative Cinema invites contributors to reflect on hapticity (or "haptic visuality") in film and television from different perspectives (the affective turn, cinematography, queer studies, and more). Deadline: January 30, 2026 More here: raco.cat/index.php/Co...

➡️ FROM OUR LATEST ISSUE ⬅️ "The Wanderlust of Wim Wenders: The Tracking Shot in the Road Trilogy", by Emre Caglayan, explores how the trilogy "visually articulates the experiential act of wandering by specifically focusing on the aesthetics of camera placement and movement" raco.cat/index.php/Co...

"It began as a prank...and ended in murder." Lovers of the FEAR STREET trilogy know it plays slasher tropes like a violin. Marina S. Jorge & Ana Karolina da Silva's new essay breaks down the '70s, '90s, and historical genre mashup. #openaccess @comparativecinema.bsky.social doi.org/10.31009/cc....

Un honor contar con estos escritos de Christa Blümlinger en nuestro más reciente número de Comparative Cinema. Textos seleccionados por Blümlinger e Ignacio Albornoz, y traducidos por Albornoz.

Chantal Akerman, Agnès Varda, Eli Lotar, Mark Lewis y más son analizadxs en una selección de textos de Christa Blümlinger, ahora traducidos al castellano. Más información, en nuestro último número: raco.cat/index.php/Co...

‼️ NEW ISSUE ‼️ "Echoes and Reverberations: Reflections on Film Trilogies", w/articles on: Ermanno Olmi, Wim Wenders, the Fear Street Trilogy, Eric Pauwels, Terence Davies & Lucrecia Martel. The issue includes a dossier w/Spanish translations of texts by Christa Blümlinger raco.cat/index.php/Co...

➡️ DE NUESTRO NÚMERO MÁS RECIENTE ⬅️ "Imágenes que migran. El modo doméstico como dispositivo fronterizo en las familias transnacionales y sus migraciones y mutaciones en la contemporaneidad", de Pau Tronch i Valls. Más en: raco.cat/index.php/Co...

FROM OUR LATEST ISSUE "Women and Super-8 Cameras: Public and Private Dimensions in Norma Bengell’s Footage", by Thais Blank and Patricia Machado. raco.cat/index.php/Co...

📢 ¡Es este jueves! 📢 Itxaso del Castillo y Alejandro Melero conversarán sobre el monstruoso femenino en @upf.edu Más información: eventum.upf.edu/135153/detai...

➡️ EVENTO ⬅️ Con motivo de nuestro próximo número sobre el monstruoso femenino en el cine español, el 22 de mayo a las 12 horas celebraremos un diálogo entre Itxaso del Castillo y Alejandro Melero en @upf.edu Más información e inscripciones: eventum.upf.edu/135153/detai...

➡️ EVENTO ⬅️ Con motivo de nuestro próximo número sobre el monstruoso femenino en el cine español, el 22 de mayo a las 12 horas celebraremos un diálogo entre Itxaso del Castillo y Alejandro Melero en @upf.edu Más información e inscripciones: eventum.upf.edu/135153/detai...

‼️ #CALLFORPAPERS ‼️ El Nº 25 de Comparative Cinema invita a abordar el concepto del "monstruoso-femenino" de #BarbaraCreed desde el cine español. La fecha límite de envío es el 30 de mayo. Contáctanos con tu propuesta [email protected] Más información: raco.cat/index.php/Co...

'Audiovisual Thinking and the Essay Film' explores how essay films use intermedial forms and audiovisual techniques, tracing this from cinematic modernity to the present through the works of #Godard, #Akerman & #Varda Available #OpenAccess 👉 www.aup.nl/en/book/9789... #cinematichistory #filmsky

"Home, Fragmented: Proposing a Speculative, Affective Inhabiting of the Home Movie Through a Video Essay Practice", by Ines Pedrosa e Melo raco.cat/index.php/Co...

"Los fondos de películas familiares en Filmoteca Española", una entrevista de Álex Mendíbil con Marta Martínez Barrera y José Manuel Martín del Centro de Conservación y Restauración (CCR) de @filmotecaes.bsky.social raco.cat/index.php/Co... (Imagen cortesía de Filmoteca Española)

ℹ️ Have you read our latest issue yet? ℹ️ "How to Inhabit a Ruined Map? Critical Methodologies to Approach Image Production in the Domestic Realm" explores home movies, their archives and their potentiality to offer unconventional gazes. More here: raco.cat/index.php/Co...

‼️ NUEVO #CALLFORPAPERS ‼️ El Nº 25 de Comparative Cinema invita a abordar el concepto del "monstruoso-femenino" de #BarbaraCreed al devenir histórico del cine español. Más información: raco.cat/index.php/Co...

Our #CFP "Echoes and reverberations: reflections on film trilogies" is still open for submissions! We accept texts in English, Spanish and Catalan! More info here: raco.cat/.../Comparat... #filmstudies #openaccess

Our #CFP "Echoes and reverberations: reflections on film trilogies" is still open for submissions! We accept texts in English, Spanish and Catalan! More info here: raco.cat/.../Comparat... #filmstudies #openaccess

"Variations in Minor Mode: The Question of Accent in Chantal Akerman’s Cinema", by Mathias Lavin: "identifying and questioning the expression of a particular accent is a reminder of the extent to which it testifies to an irreducible bodily presence in the voice". MORE HERE: raco.cat/index.php/Co...

➡️ FROM OUR LATEST ISSUE ⬅️ "Can different modes of existence for a film be distinguished? Can a conversation produce a film?", asks Érik Bullot, as he studies "the performative forms of cinema through the format of conference and conversation" MORE HERE: raco.cat/index.php/Co...

📣 FROM OUR LATEST ISSUE 📣 With "Voicing the Border: On Some Spectral Essay Films", @larascaroli.bsky.social proposes "an acoustemology of spectral border essay films" Read more here: raco.cat/index.php/Co...

Our #CFP "Echoes and reverberations: reflections on film trilogies" is open! We invite contributors to explore the multifaceted nature of trilogies: trilogies & authorship, specific study cases & the implications of the trilogical structure itself raco.cat/index.php/Co... #FilmStudies #OpenAccess

Debuting our brand new Bluesky account! 🦋 We are an #openaccess academic journal focused on film studies. See our past issues and our current #callforpapers here: raco.cat/index.php/Co...