"I really wanted to push this whole thing to the extreme, nearly to the philosophical" - Dimitri Planchon and Jean-Paul Guigue discuss Blaise www.eyeforfilm.co.uk/feature/2026... #Cannes #filmsky 🎬

Directors Dimitri Planchon and Jean-Paul Guigue take us behind the scenes of their highly stylized cringe comedy, 'Blaise.' #Blaise #CannesFilmFestival #AnnecyFestival #DimitriPlanchon #JeanPaulGuigue

Julián (Irlanda-Canadá-Dinamarca-Luxemburgo-RU, 2026), de Louise Bagnall, Guillaume Lorin y Mark Mullery. Sobre el libro ilustrado de Jessica Love, he aquí la historia de autodescubrimiento de un chamaquito obsesionado con las sirenas. Luminoso filme animado. #Annecy2026

« Strikingly original and extremely funny » BLAISE review in SCREEN #blaise #animation #annecy2026 www.screendaily.com/reviews/blai...

So yeah, Julián is the film I couldn't wait to rave about. Up there with Wolfwalkers among Cartoon Saloon's best work, and might be their most important. Wrote some thoughts on Letterboxd, and will have an interview with director Louise Bagnall up on Reactor soon. letterboxd.com/rubi/film/ju...

Exclusive BTS: Colored pencils, magic markers, and a Brooklyn summer. Ahead of Julián's Annecy premiere, Louise Bagnall explains how Cartoon Saloon transformed Jessica Love's picture book into a feature with its own visual identity. www.cartoonbrew.com/feature-film...

"I think we all can also relate to that feeling of looking for a place where you can be yourself. That’s very much what Julián’s journey is all about." - we chat to Louise Bagnall about animation Julián, which will premiere at Annecy Festival www.eyeforfilm.co.uk/feature/2026... #FilmSky🎬 #Annecy

Director Louise Bagnall discusses her new Cartoon Saloon movie Julian, ahead of its premiere at Annecy next week. #julian #annecyfestival #cartoonsaloon #louisebagnall #julianisamermaid

First clip for JULIÁN ✨https://deadline.com/2026/06/cartoon-saloon-annecy-julian-acquisition-france-clip-1236953632/ #julian #annecy2026 #cartoonsaloon @cartoonsaloon.bsky.social

We had the opportunity to speak with 🇦🇷 Federico Luis - For the Opponents - the Palme d'Or short winner at this year's Cannes! https://bit.ly/4uIQdk8

Festival de Cannes 2026: El argentino Federico Luis ganó la Palma de Oro al Mejor Cortometraje por “Para los contrincantes” www.otroscines.com/post/festiva...

In his final Cannes dispatch, Ben Kenigsberg writes about the final Competition film, THE DREAMED ADVENTURE, as well as TOO MANY BEASTS, WOMEN ON TRIAL, & CHE GUEVARA: THE LAST COMPANIONS:

👁️‍🗨️ #Cannes2026 "It's impressive how coherent the story is despite having extremely limited archival footage and photos; the film is truly carried on the backs of the ex-guerrillas' accounts." - Read the review of Christophe Dimitri Réveille's doc Che Guevara: The Last Companions: cineuropa.org/491784

8. Lila Pinnell's Shana revolves around a stunning, unselfconscious central turn by actor Eva Huault who plays the spoiled moll of a small-time drug dealer. Review by @daveyjenkins.bsky.social. lwlies.com/cannes-film-...

“These films might be bolder than any picture that played in competition, and more indelible than many films that’ll play at other festivals this year,” writes @812filmreviews.com about EVERYTIME, BEM’IMANA, & TITANIC OCEAN in his final Cannes dispatch:

Cannes 2026 Interview: TITANIC OCEAN Director Konstantina Kotzamani on How Personal Experience Inspired Her Dreamlike Debut

Marc van de Klashorst finds an oasis in the midst of war in Sara Ishaq's THE STATION, engaging and feminist portrait of sisterhood in restrictive societies that shows that Ishaq has a bright future in narrative film #Cannes2026 buff.ly/qhhKGw1

‘The Station’ Review - Sara Ishaq Skillfully Blends The Familial & The Political In Powerful Narrative Debut geekvibesnation.com/the-station-...

Entretien avec / Interview with Sara Ishaq Réalisatrice / Director ✨✨  Al Mahattah / The Station  Film en compétition / Competition film Entretien complet sur Youtube ➤ Semaine de la Critique

Cannes 2026: 'Flesh and Fuel' - This Gay Trucker Romance is a Delight

Pierre Le Gall Réalisateur / Director Du Fioul dans les artères (Flesh and Fuel)  Séance Spéciale / Special screening 📸 Aurélie Lamachère

Covered some premieres out of Cannes this weekend, including SHANA, THE STATION, FLESH AND FUEL, and BLAISE. Reviews here: bit.ly/3POMyC3

This year marks my first time reviewing feature length #films at Cannes (!) and my favourite was the gay one. Read about FLESH AND FUEL and more at @intheseats.bsky.social. intheseats.ca/cannes-2026-...

‘Flesh And Fuel’ Review – A Poignant Love Story Arising From A Life On The Open Road [Cannes 2026] geekvibesnation.com/flesh-and-fu...

And back over @eyeforfilm.bsky.social I spoke to talented French star Alexis Manenti about the two, very different, films he had in #Cannes this year - Flesh And Fuel and Too Many Beasts www.eyeforfilm.co.uk/feature/2026... pic below is from Too Many Beasts

Review: Orange Flavoured Wedding #Cannes2026 Première Christophe Honoré immerses himself in the unrestrained and tumultuous atmosphere of a working-class wedding, where emotions intertwine and clash in a sombre family portrait. cineuropa.org/en/newsdetai...

Marie Madeleine (Haití-Francia-Bélgica-Canadá-Luxemburgo, 2026), de Gessica Généus. La misma directora es la María Magdalena del título, una prostituta haitiana que es salvada por un joven creyente evangélico llamado Joseph, con quien crea un fuerte vínculo emocional. #cannes2026

Walter Neto takes a look at Gessica Généus' MARIE MADELEINE, a film about the power of friendship and the possibility of finding meaning through human connection in an increasingly fractured world #Cannes2026 buff.ly/mEqePxC

La metamorfosis. Trailer para 𝘛𝘪𝘵𝘢𝘯𝘪𝘤 𝘖𝘤𝘦𝘢𝘯 de 𝗞𝗼𝗻𝘀𝘁𝗮𝗻𝘁𝗶𝗻𝗮 𝗞𝗼𝘁𝘇𝗮𝗺𝗮𝗻𝗶, que pasó por Un certain regard de #Cannes2026 www.cinemaldito.com/la-metamorfo...

Cannes 2026: Everytime, Ben’Imana, Titanic Ocean - by Robert Daniels www.rogerebert.com/festivals/ca...

OK, some more #Cannes bits an pieces. I chatted to the director of Titanic Ocean about the remarkable world of professional mermaids that she uses as the backdrop for her coming-of-age film www.eyeforfilm.co.uk/feature/2026... #FilmSky #Cannes2026

This is a brave, no-holds-barred, elegant piece of filmmaking fits its subject matter perfectly! 🤩🧜‍♀️ Read Will Stottor's review of TITANIC OCEAN from #Cannes! ⭐️⭐️⭐️⭐️ #Cannes2026 #TitanicOcean #mermaid loudandclearreviews.com/titanic-ocea...

Festival de Cannes 2026: Crítica de “Titanic Ocean”, película de Konstantina Kotzamani (Un Certain Regard) www.otroscines.com/post/festiva...

"Sirens are supposed to be mythical creatures that have this amazing voice...So I thought it was nice to speak about how you find your voice as a girl" - Konstantina Kotzamani on Titanic Ocean www.eyeforfilm.co.uk/feature/2026... #Cannes #filmsky 🎬🧜‍♀️

Review: 9 Temples to Heaven #Cannes2026 Directors’ Fortnight Following in the wake of a family on a mystical odyssey riddled with complications, Sompot Chidgasornpongse offers up a highly sophisticated feature film about the ritualised ties of life. cineuropa.org/en/newsdetai...

Sompot Chidgasornpongse’s quietly funny, meditative, sometimes faltering fiction debut, 9 TEMPLES TO HEAVEN, comes over like his mentor Apichatpong Weerasethakul meets Little Miss Sunshine – and if that sounds like your idea of bliss, you’ll be in heaven. My review, from Cannes:

Festival de Cannes 2026: Critica de “9 Temples to Heaven”, película del tailandés Sompot Chidgasornpongse producida por Apichatpong Weerasethakul. Estreno mundial en la Quincena de Cineastas. ✍️ @dmbatlle, desde Cannes www.otroscines.com/post/festiva... #Cannes #Cannes2026 #Cannes79

"It is a fascinating exercise in filmmaking that constantly makes the viewer aware that they’re watching a whole world in action, and not just a group of people." Read Will Stottor's review of 9 TEMPLES TO HEAVEN, now at Cannes's Quinzaine des Cinéastes! #Cannes2026 #Quinzaine

Cannes Special: Che Guevara – The Last Companions by Christophe Dimitri Réveille businessdoceurope.com/cannes-speci...

I've seen the future, and it's this absolutely enchanting movie about a mermaid school for girls: TITANIC OCEAN (Cannes premiere May 22, 16:30 in Salle Debussy.) www.hollywoodreporter.com/movies/movie...

Abby Laing sees the arrival of an original voice in French cinema in Lila Pinell's SHANA, a film that mixes social issues, religion, and humor, and is driven by Eva Huault’s vibrant, gregarious performance #Cannes2026 buff.ly/fjbTgEU

Cannes 2026 – Quinzaine des cinéastes : Shana de Lila Pinell – Entre Belleville et l’Exode j-mag.ch/cannes-2026-...

Festival de Cannes 2026: Crítica de “Shana”, película de la francesa Lila Pinell con Eva Huault (Quincena de Cineastas) www.otroscines.com/post/festiva...

Shana (Francia, 2026), de Lila Pinell. Shana es una joven francesa judía de origen marroquí que tiene un novio traficante y abusivo que está a punto de salir del tambo. Estamos ante el vibrante retrato de una plantosa mujer que está empezando a construir su vida. #Cannes2026

“This is a confident work rich in sultry textures, sly humour and a playful sense of tone.” Shana plays in Directors’ Fortnight at Cannes Film Festival journeyintocinema.com/shana-review/

Cédric Succivalli is captivated by Valentina Maurel's FOREVER YOUR MATERNAL ANIMAL, a film that is proof that there is nothing more effective than a simple story told well #Cannes2026 buff.ly/859C94B

Our Nicholas Bell reviews Soy tu animal maternal "What’s most striking about Forever Your Maternal Animal is how Maurel is unafraid to wallow in a sense of bleakness. There’s a constant sense of dread, particularly regarding Amalia, who seems to be dancing perilously close to https://bit.ly/4uWtyR6

“Yet Maternal Animal does what any good movie about mental illness should do: reflect it back upon the so-called “sane” people, to ask what makes anyone existing in the modern world truly psychologically stable.” Valentina Maurel’s film is a UCR highlight. journeyintocinema.com/forever-your...

“Primal” is a good word to describe the characters from two directorial debuts at this year's Cannes: SHANA and FLESH AND FUEL. Read Lauren Wissot on the films. #Cannes2026

Big Rigs. Even Bigger Feelings. journeyintocinema.com/flesh-and-fu...