My poem Fruition at the LA Public Library🫶

It’s not the crowd before the work; it’s the one.

😍😍

So great to meet @lawrenceschimel.bsky.social today! Poetic projects are brewing…

Pace, my new micro poetic film, debuts tomorrow!

two usbs in my hand. one is headed to macba in Barcelona and the other…? let you know mañana.

I’ve always viewed my coverage for Forbes as being in service to the digital art community. To this effect happy to share my latest article, which I hope will be a helpful resource for artists, curators, collectors: www.forbes.com/sites/digita...

Happy to report 🩶

🤯 observer.com/2025/08/poet...

Happy to see my Being Borges series featured in artnet. Thanks Lumen Prize!

Kind of are in Ireland... www.theguardian.com/books/articl...

guys 😭 my first novel will be published by one of my favorite university presses. am still in shock and infinitely grateful to Texas Review Press and judge Fatimah Asghar 🌹

it’s a happy sunday when I finally get to hold my book “Entre domingo y domingo,” translated into Italian 🤍

Special to see my translated work in iconic French literary revue La Page Blanche for the third time--and alongside the work of Emily Dickinson and Julio Cortázar no less! "Memoire" is from my forthcoming book "Material," publishing @triohousepress.org in 2026.

Thrilled to receive my 5th Lumen Prize finalist nomination and the 2nd for my Being Borges series 💫💫 Congratulations to all the finalists!

Close-up 🩶

In Ropa sucia, my artist book, I transform my poetry into movement and movement into asemic art. The process is the product of a bespoke algorithm commissioned for this project. Link to my project site below 🩶

PAUL ÉLUARD (1895-1952) Translated by William Carlos Williams

A joy to see these wild & wonderful artworks from the 2023 mowna Biennial find new collectors! 🎉 Dead Hollywood People by @anamariacaballero.bsky.social O sol sobre nós (The sun shining on us) by @henriquecartaxo.bsky.social objkt.com/collections/...

Happy to have a new published poem in the world, this time in Fräulein Magazin. From my forthcoming book, Material. Publishing July 26 via @triohousepress.org

Can you crack the code of my word soup poem? Hint: think of the world’s first soup. Available as an open edition on OBJKT for four days to celebrate Christian Bök’s new book. Link below…

Can you crack the code of my word soup poem? Hint: think of the world’s first soup. Available as an open edition on OBJKT for four days to celebrate Christian Bök’s new book. Link below…

Pleased to have work in "Language is a Virus" an online art exhibition to commemorate The Xenotext. With @anamariacaballero.bsky.social and @sashastiles.bsky.social objkt.com/collections/...

💜💜💜

My first Publishers Marketplace announcement! Always wanted one of these 🥹

@triohousepress.org is thrilled to announce the acquisition of Material by @anamariacaballero.bsky.social, 2025 Editors Selection in Poetry. 💛💜💛💜

A total dream to publish my new book, Material, with such a devoted, hard-thinking and hard-working press. Coming in 2026!!

just learned that digital poetry topped the Monopol Magazine weekly newsletter sent out today to their entire database 🤯🤯 happy they got it right with digital poetry, btw. (not NFT poetry)

New York pls join me! www.as-coa.org/events/poetr...

Ecstatic to announce the acquisition of my artist book, Ropa sucia (The Wash), by Spalter Digital, one of the world’s leading collections of digital art. Check out my fellow “C” artists! 💛🖤

18 Nisan 2025 Okan Universitesinde Ana Maria Caballero'nun çalışmalarını konuşacağız. Web3 sanatına ilgi duyan herkesi bekliyoruz... @anamariacaballero.bsky.social

There’ll only be eight unique editions of my Book Sculptures, which invert the value-to-scarcity ratio of the book to exalt (and exult) its inherent vaue. Eight because it’s a number of abundance. Six exist so far.

Berlin, pls join me for the opening of my solo show @officeimpart.bsky.social!

Excited to share a video that beautifully summarizes my recent presentation at Madrid’s Rosewood, hosted by Christie’s. Can’t believe my poetry has taken me here! ❤️‍🔥❤️‍🔥

SAVE THE DATE! Ana María Caballero Echo Graph 20.02. - 04.04. 2025 We are very pleased to present the first solo exhibition of @anamariacaballero.bsky.social in our gallery. 📍 Opening 20.02.2025 6-9 pm We look forward to welcoming you!

T’ao T’ieh print ready to head home.

Honored to be part of the Bright Moments Buenos Aires Collection. Performed poetry will be materialized via the digital…more soon. Thank you to the entire BM team for their incredible vision + support. Learn more about the artists: www.brightmoments.io/buenosaires

Exciting to see the presentation of my book ENTRE DOMINGO Y DOMINGO at Casas Riegner highlighted in Colombia’s national newspaper El Espectador.

Presenting my work + advocating on behalf of digital verse at the legendary Casas Riegner gallery in Bogotá surrounded by the works of Colombian maestro Antonio Caro, childhood best friends, family + artists curious about web3 was a dream.

so excited to share that theVERSEverse is bringing Allen Ginsberg’s poetry to the blockchain. more info soon! 🖤

“Colby, Kansas" from my ‘Postcards from the edge' series on @objktcom imagined moments from a lonesome road trip across the U.S. https://objkt.com/asset/KT1WqTc1Twkx9B37AA8DrZzKAPoqNJWj66vQ/9

LA friends, join us. Link to RSVP below 🦋

Today 7/31 at 8 pm EDT, I’ll present my new book A PETIT MAL via Rattle Magazine’s podcast. Rattle is one of the foremost poetry journals in the US, edited by the wonderful Timothy Green. The last nonfiction book they presented was two-time US Poet Laureate Robert Pinsky’s! Link below.

When my son started having seizures, we created a code word to discuss them in public + make him more comfortable—“seizure” is an aggressive word, loaded with stigmas. My son’s lifelong idol is Messi, who just signed to play for Miami’s new soccer team. Circles + cycles abound.

My A Petit Mal book tour continues, with a live reading from the beautiful Norton Museum of Art.

top auction today on OBJKT 🙏 two hours left ✨✨

poems of affection are harder to write than poems of aggression