Join us on Thursday for a free 50-minute online talk exploring the design and development of Terrassa, a typeface inspired by architectural lettering. 📅 19 June, 2025, 8pm Amsterdam time. Exclusively for Typotheque Club members* Become a member for free here. www.typotheque.com/club

This printed type specimen, designed by Manera Estudi, presents the background and design thinking behind the Terrassa typeface. It features an in-depth essay by Manuel Sesma, as well as a prologue text by Nikola Djurek. www.typotheque.com/books/terras...

Terrassa Display and Gradient both contain five variable axes. We considered providing traditional static fonts, but that would produce over 10,000 variations, which would overwhelm your font menu. Instead, we deliver Terrassa Display and Gradient as variable fonts. typotheque.com/fonts/terrassa

After five years of development, we are pleased to present our East Asian type collection for Chinese, Japanese and Korean text. www.typotheque.com/blog/collect...

I'm looking so forward to speaking about a design process that we follow at @typotheque.com for supporting Indigenous languages in North America through type design for @wordsoftype.com ! Get your tickets if you haven't yet!

Join us tonight at 8pm (Amsterdam time) for our new Typotheque Club talk on research into Thai script. We will also discuss a new collection of Thai fonts and upcoming Thai/Latin fonts. The webinar is free, you will get the online link after registering at Typotheque Club. www.typotheque.com/club

🚨 NEXT WEEK 🚨 Kevin King @kevinkingfontmaker.bsky.social lecture about Indigenous Language Support: A Design Process MARCH 21, 2025 2:30 to 4pm CET (Paris time) Online, in English 20€ More info and tickets at wordsoftype.com #lecture #indigenous #typography #indigenousscript #northamerica

Don't forget to book your ticket! If you can't make it to the live presentation, you'll still receive a private link to (re)watch it anytime! Lecture about: Indigenous Language Support, a design process, with @kevinkingfontmaker.bsky.social Tickets & Info at wordsoftype.com

Hello! Our first post on here is an account on why we decided to stop publishing and promoting typefaces for a while. tptq-arabic.com/blog/after_t...

Say hello to La Grotesque, a typeface with a vibrant Mediterranean flavour celebrating the interconnectedness of the French, Tunisian and Italian triangle's cultural heritage. La Grotesque is designed by Naïma Ben Ayed (Arabic) & Francesca Bolognini (Latin) tptq-arabic.com/blog/la_grot...

🚀 New release: While images provide a universal visual language, the perception of icon style is highly personal and needs to be tailored to specific contexts. Zed Icons offers a unique level of adaptability with three adjustable variable axes. www.typotheque.com/blog/zed-ico...

Reminders for WoT Events!! - Greek typography, w/ Irene Vlachou - Indigenous language support, w/ @kevinkingfontmaker.bsky.social - Font production & engineering, w/ Rosalie Wagner - Arabic typography, w/ Azza Alameddine Tickets & more info here: bit.ly/44AaU5r

My colleague the wonderful Héctor Mangas Afonso will be speaking tomorrow about Type Design for low vision readers at the AIGA Los Angeles. All ticket proceeds will go to the LA Fire efforts.

Bridget Chase kicking off #FaceInterface with Indigenous North American Typography. Researching and documenting the encoding, keyboard, and typographic preferences of each community for their language & resolving issues. Communities now reclaiming ownership/decision-making of orthographies.

Bridget Chase: updated 5 existing typefaces to not only incorporate the new characters, but take into consideration the typographic preferences that communities have for their languages. Diacritic positioning is important and can be challenging. #FaceInterface

Bridget Chase: feedback from an elder on a prototype keyboard that "there is no f in my language, but there is in Facebook". Switching keyboards back and forth was a huge hassle. But other people also had strong feelings about not having any characters outside their orthography. #FaceInterface

Bridget Chase: 50% of all profits from Typotheque go to working on indigenous languages. All work done for free for those communities, but need support in external funding to scale the work out. #FaceInterface

So grateful that the wonderful @bchasemadethis.bsky.social was at Face/Interface to kick off the conference with a talk about the work we are doing together with our teammates on our @typotheque.com Indigenous North American Type project!

Day 1 of Face/Interface2025 kicked off with a GREAT talk by @typotheque.com Bridget Chase: Typotheque Indigenous North American Type Research. Like you needed more reasons to buy their fonts. 👏👏👏

In December, we co-published a video together with Heiltsuk Revitalization to describe the work that we did together to add two new capital letters to the Unicode Standard for their language. To describe this effort in more detail, please read our blog post: www.typotheque.com/blog/new-uni...

So excited that the wonderful @bchasemadethis.bsky.social will be at Face/Interface today to present on our ongoing work together on our Indigenous North American Type project @typotheque.com. If you can't attend in person, you can join the free live stream – don't miss Bridget's talk at 9am PST!

New lecture: Indigenous Language Support, a Design Process. With @kevinkingfontmaker.bsky.social from @typotheque.com More info and tickets here: www.wordsoftype.com

Great tip from @mati.woke.cat: Settings > Appearance > Font and choosing "System" makes diacritics render properly on both Windows & Mac OS. Funny that @bsky.app says 'For the best experience, we recommend using the theme font' —the best experience for who? Not Indigenous language speakers! #langsky

You can hear audio files for pronunciation of the Haíɫzaqvḷa orthography here: www.firstvoices.com/hailzaqvla/a...

I'm so excited to share this wonderful article that @markturin.bsky.social, N̓a̓ṇ̓gáinúx̌v, @bchasemadethis.bsky.social and I co-authored together for @theconversationca.bsky.social, speaking about our work together to solve digital language support issues for Haíɫzaqvḷa (Heiltsuk language).

Speaking of #language justice, #fonts & #encoding: @bsky.app/@support.bsky.team, your font isn't inclusive! The diacritics in my co-author's name are broken. As we say in the article "The unique characters integral to many Indigenous languages are often mangled as they travel across the ether."

An #article I co-authored w/ @markturin.bsky.social, N̓a̓ṇ̓gáinúx̌v & @kevinkingfontmaker.bsky.social is live on @theconversation.com! "Ensuring accurate character #encoding that is predictable on all operating systems is a cornerstone of #language justice" theconversation.com/why-is-it-so... #langsky

Why is it so hard to type in Indigenous languages?

New speakers #fontstandcon2025: Slovakia has recently introduced redesigned car number plates, and designer Simona Császárová explains the process of creating the typeface for the new plates, as well as the technical and legal considerations that the design must meet. fontstandcon2025.eventbrite.com

Excited to share that I'll be speaking at "Face/Interface 2025", the Global Type Design and Human-Computer Interaction conference organized by SILICON (silicon.stanford.edu) at Stanford University, January 17-18 💻 💬 Tickets available here: www.eventbrite.com/e/faceinterf...

Indigenous people in British Columbia speaking Haíɫzaqv language were missing characters to correctly render the language in writing. #HeiltsukRevitalization and @typotheque.com have created a video to present the story of the publication of new Latin script characters: ow.ly/IPWK50UkLcJ #Typotheque

We are thrilled to reveal more speakers for #fontstandcon2025! Hansje van Halem’s talk offers insight into her unique approach to graphic design, showcasing her bold and inventive type designs, intricate patterns, and the artistry she brings to typography. fontstandcon2025.eventbrite.com

The @typotheque.com Indigenous North American Type project is committed to supporting communities in their #language #revitalization efforts, with needs related to text encoding, keyboard sources, technical issues & typographic preferences. Learn more: www.typotheque.com/research/nor...

So proud to be working with @typotheque.com and Heiltsuk Revitalization on this important and groundbreaking project! Check out the full video and timeline of this work at: heiltsukrevitalization.com/unicode/ #language #revitalization #typography #Unicode #technology

Watch full video and learn more at heiltsukrevitalization.com/unicode/

What a big win for the Haíɫzaqv community towards their language reclamation and revitalization efforts! It is an honour to collaborate with Heiltsuk Revitalization in partnership towards efforts like this that benefit the community. heiltsukrevitalization.com/unicode/

As part of an ongoing partnership between Haíɫzaqv (Heiltsuk) Nation and Typotheque, governed by a Memorandum of Understanding, we are proud to announce that two new capital letters for Haíɫzaqvḷa (Heiltsuk language) have been formally published in version 16.0 of the Unicode Standard.

Ten years after starting this project, the first stations of Grand Paris Express were opened to public, with the new typefaces that we designed. www.typotheque.com/blog/new-fon...

We made a new tote bag. Can you guess what alphabet can you shape with these strokes? www.typotheque.com/totes/strokes

It was great to recently share about our work @typotheque.bsky.social in digital language support for Indigenous language communities in North America with PRINT Magazine for their Type Tuesdays feature today: www.printmag.com/type-tuesday...