In THE CURRENTS, director Milagros Mumenthaler creates a psychological drama that resists simple explanations. She discusses the emotional ambiguity at the heart of the film — a story about identity, memory, exile. @KinoLorber youtube.com/shorts/K2s5x...

In this clip from INSIDE THE ARTHOUSE, director Milagros Mumenthaler discusses THE CURRENTS, a haunting psychological drama about a woman whose life begins to unravel after a mysterious plunge into icy water @KinoLorber youtu.be/QP9TJozNvjg

youtu.be/VCsPzyny3BA In THE CURRENTS, acclaimed filmmaker Milagros Mumenthaler explores the mystery of a woman whose life begins to unravel after a sudden act in Switzerland. What follows is a haunting psychological drama about identity, memory & motherhood @KinoLorber

youtu.be/MuDq2OSv200 Oscar-nominated filmmaker Atom Egoyan reflects on the creative process behind his film — including the idea that every filmmaker needs a muse. @TheFullEgoyan #OscarStories @Inside_Arthouse

MR. NOBODY AGAINST PUTIN short clip explores how humor becomes more than entertainment under authoritarian systems — it becomes a form of resistance, sanity, and survival. We look at how ordinary people use jokes, irony, and absurdity to expose power. #oscarWinner youtube.com/shorts/WDOOt...

Oscar-nominated filmmaker Kaouther Ben Hania, director of The Voice of Hind Rajab, reflects on how she chooses the stories she brings to the screen. In this clip, Ben Hania discusses t the moment when a story becomes impossible to ignore. #OscarStories youtube.com/shorts/uiA-4...

Oscar-nominated filmmaker Kaouther Ben Hania, director of The Voice of Hind Rajab, joins INSIDE THE ARTHOUSE for our 100th episode, Oscar Stories, to discuss the making of her urgent and deeply moving film. @Inside_Arthouse youtu.be/ySParBSAwmY

Oscar-winning filmmaker David Borenstein, co-director of Mr. Nobody Against Putin, breaks down how nations use propaganda to shape what people see, believe, and remember. The secret weapon in China's propaganda machine #shorts #history #china youtu.be/qYN7NSNy2Ys?...

Oscar-nominated filmmaker Atom Egoyan joins INSIDE THE ARTHOUSE for our 100th episode, Oscar Stories, to discuss his film Seven Veils and the layered relationship between memory, performance, trauma, and artistic interpretation. #atomEgoyan #sevenVeils youtu.be/CJkgtMEPSDo

Academy Award-winning filmmaker Mstyslav Chernov, director of 2000 Meters to Andrivka joins INSIDE THE ARTHOUSE for our 100th episode, Oscar Stories, to reflect on the power and responsibility of bearing witness through documentary film. @Inside_Arthouse youtu.be/PJ5sf4V5s-M

Academy Award-winning filmmaker Mstyslav Chernov, director of 20 Days in Mariupol, joins INSIDE THE ARTHOUSE for our 100th episode, Oscar Stories, to reflect on the power and responsibility of bearing witness through documentary film. @Inside_Arthouse youtu.be/PJ5sf4V5s-M

For our 100th episode of INSIDE THE ARTHOUSE, we begin where the show began: with the belief that movies matter most when they are shared. This special milestone episode celebrates Oscar-winning and Oscar-nominated filmmakers. youtu.be/Y21M-fMTcaQ

Director Sara Dosa reflects on her film Time and Water She speaks to the film’s fluid sense of temporality, where past present & future move less like a straight line & more like a current inviting us to experience cinema as something immersive @natgeodocs.bsky.social youtube.com/shorts/Xo9hM...

In this clip from our conversation with BERNSTEIN’S WALL director Douglas Tirola, we talk about Bernstein’s restless, brilliant, and often complicated relationship with music, fame, conscience, and public life. @bernsteinfilm youtube.com/shorts/B5xCv...

How do you cast Vladimir Putin? The film explores the hidden machinery of modern power--finding the right actor to embody one of the most recognizable & controversial political figures in the world became central to the film’s success. #theWizardOfTheKremlin youtube.com/shorts/Q0MoI...

Director Olivier Assayas breaks down the ideas behind The Wizard of the Kremlin—a film about how power is really built. Not through spectacle… but through strategy, narrative, and control. The film explores how an authoritarian regime takes shape— youtube.com/shorts/EVM9I...

Filmmaker Olivier Assayas introduces The Wizard of the Kremlin—a film exploring the forces behind political influence, image-making, and the construction of modern power. With Jude Law transforming into Vladimir Putin. #theWizardOfTheKremlin boxd.it/NhhA

Director Paul Bunnell discusses the importance of creating work that surprises audiences and resists formula. From genre expectations to cinematic storytelling, the conversation explores why originality still matters #ABlindBargain Ahttps://youtu.be/s_mfPbJ43fE?si=AikX7VE860OEIPXW

In this clip from INSIDE THE ARTHOUSE, we dive into the legacy of A Blind Bargain — the long-lost Lon Chaney film — and explore its surprising connection to the singular artistry of Crispin Glover. #AblindBargainMovie youtube.com/shorts/7f3xv...

Director Paul Bunnell breaks down one of the most unsettling ideas at the heart of A Blind Bargain, a choice that sets everything in motion. Reimagining a long-lost Lon Chaney film, the story explores the cost of making a deal you can’t take back. youtu.be/GLV8W3crm8o

Director Taratoa Stappard reflects on the deeper meaning of Māori identity—exploring how whakapapa (ancestry and lineage) shapes connection, culture, and belonging. Through the lens of MĀRAMA, Stappard discusses the importance of genealogy. youtu.be/x3Ua1D31wn4

This isn’t horror… it’s something deeper. In this INSIDE THE ARTHOUSE clip, director Taratoa Stappard explains how MĀRAMA moves beyond traditional horror—into something more emotional, personal, and ultimately more affecting @watermelonpictures.bsky.social youtube.com/shorts/u2anM...

Director Taratoa Stappard breaks down the emotional and historical forces behind one of the film’s most powerful themes — a story rooted in identity, colonial trauma, and the cost of uncovering the truth @watermelonpictures.bsky.social youtu.be/8C4PcjS_pew

Amy Goodman from Democracy Now! on the future of independent journalism and the stories that don’t always get told. @democracynow.org @stealthisstory.bsky.social @insidethearthouse.com youtube.com/shorts/om4Ds...

In a world where media power is increasingly concentrated, telling the truth can come at a cost. For over three decades, Amy Goodman has refused to back down—challenging authority, amplifying unheard voices. @democracynow @Together_Films @amygoodman_dn youtu.be/rR1JyROLOSo

Palestine ‘36 director Annemarie Jacir shares the extraordinary story of bringing a film to audiences under some of the most challenging conditions imaginable. She reflects on the logistics, the risks, and the deeper meaning. @watermelon_pics youtu.be/_hTTTSpsJJs

What did Camus leave out of The Stranger? Director François Ozon explains why adapting the iconic novel today meant confronting the absence of its Arab characters, and rethinking the story for a modern audience. @musicboxfilms #theStranger www.youtube.com/shorts/3a0Pz...

Fantasy Life director Matthew Shear opens up about his experience with panic attacks & the surprising realization that helped make them disappear. Shear describes a shift in perspective that changed everything @Greenwich_Films youtu.be/E9nD4CZpSRo

Director François Ozon—speaking through an interpreter—explains the challenge of adapting Camus’ iconic novel for today’s audience. Reflecting on how the original story sidelines its Arab characters & why it was essential to confront that absence. youtu.be/5scS5j45ON4

Director Annemarie Jacir discusses the extraordinary challenges of filming Palestine ’36, including the realities of working in Gaza. She reflects on the logistical, political, and human obstacles involved in bringing this story to life. @watermelon_pics #palestine36 youtu.be/JeYQqCMOLak

Director Annemarie Jacir discusses the extraordinary challenges of filming Palestine ’36, including the realities of working in Gaza. She reflects on the logistical, political, and human obstacles involved in bringing this story to life @watermelon_pics #palestine36

Fantasy Life director Matthew Shear shares how classic 1970s and ’80s films—especially romantic comedies from filmmakers like Woody Allen and Mike Nichols—influenced his creative voice. @Greenwich_Films #fantasyLifeMovie @Inside_Arthouse youtu.be/qtQPciSx99A

Director Christian Petzold explains his unique approach to working with actors on Miroirs No. 3. Rather than relying on exposition, Petzold creates detailed biographies for his characters—giving actors a deeper internal world so they can exist naturally within the story. youtu.be/FYb9ySsCgFQ

Filmmaker Matthew Shear shares how Amanda Peet came to join his movie Fantasy Life- a key moment in bringing the project to life. He discusses casting process & how her performance shaped the emotional core of this indie about anxiety & modern relationships @Greenwich_Films youtu.be/TCRDeWSr5_E

Matthew Shear, writer, director, and star of Fantasy Life, joins us to discuss his deeply personal debut film — and how he brought anxiety and depression to the screen with honesty and humor #FANTASYLIFE @Greenwich_Films @42WestNY @insidethearthouse.com youtu.be/diubczu3owg

What happens when a film opens the door to personal history? PALESTINE '36 Oscar Shortlisted Director Annemarie Jacir shares how audiences of Palestine 36 have responded—many moved to finally speak about their own experiences. #PALESTINE36 youtube.com/shorts/viQaC...

In this clip from INSIDE THE ARTHOUSE, director Christian Petzold discusses his latest film Miroirs No. 3 and what continues to drive his work as one of the most important voices in contemporary cinema. #janusFilms #asideshowfilm #MIROIRSNO3 youtu.be/lmwdM229-fI

Acclaimed filmmaker Annemarie Jacir discusses her new film PALESTINE 36 to discuss her powerful historical drama that revisits the years leading up to the creation of the State of Israel and offers a perspective rarely explored #PALESTINE36 #watermellonPictures youtu.be/fgWAV3498os

Geeta Gandbhir, director of the Oscar-nominated documentary The Perfect Neighbor discusses the powerful story behind the film and the deeper questions it raises about justice, accountability, community & the human consequences of violence. @netflix.com #THEPERFECTNEIGHBOR youtu.be/palJlp2ZP6g

Geeta Gandbhir, director of the Oscar-nominated documentary The Perfect Neighbor discusses the powerful story behind the film and the deeper questions it raises about justice, accountability, community & the human consequences of violence. @netflix.com #THEPERFECTNEIGHBOR youtu.be/palJlp2ZP6g

The director of COME SEE ME IN THE GOOD LIGHT, the Academy Award–nominated documentary for Best Documentary Feature, reflects on what it feels like to be a first-time Oscar nominee @AppleTVPlus @AppleTV youtu.be/vzcaqyhgFZM

Oscar-nominated director of THE PERFECT NEIGHBOR discusses the devastating moment when fear, suspicion, and easy access to a gun collide. The film examines a real-life confrontation between neighbors that spirals into tragedy @netflix.com #theperfectNeighbor youtu.be/4RUltGCrIPE

Director Libby Ewing talks candidly about the realities of being a woman behind the camera and what it took to bring her award-winning film CharlieBird to life. @freestyleDigitalMedia @LibbyEwing youtu.be/zZ1QFA24bIg

Oscar nominated director of THE PERFECT NEIGHBOR highlights how a film, once hoped to become irrelevant, is now even more pertinent, especially concerning the requirement for police bodycam footage. Nominated for the Best Documentary Feature. @netflix.com youtu.be/8iRZ-PKiT6k

The filmmakers behind the Oscar-nominated documentary MR. NOBODY AGAINST PUTIN reveal a powerful insight from the making of the film. They discuss the question at the heart of the story— the answer that changed everything. #MrNobodyAgainstPutin #OscarNominee youtu.be/9F5zlHYMsww

In this clip from INSIDE THE ARTHOUSE, Florence Almozini, Vice President of Programming at Film at Lincoln Center & director of Rendez-Vous with French Cinema, explains why festivals are such a powerful launchpad for filmmakers/ independent films. @filmlinc.bsky.social youtube.com/shorts/ieve5...

CHARLIEBIRD, winner of the Best U.S. Narrative Feature at the 2025 Tribeca Film Festival! We sit down with director Libby Ewing to talk about her feature debut & the journey of bringing this intimate independent drama from script to screen @LibbyEwing youtu.be/1tqjElIjOA4

We sit down with Florence Almozini, Vice President of Programming at Film at Lincoln Center and discuss the realities of the festival ecosystem & what it truly takes for emerging filmmakers to get noticed @filmlinc.bsky.social @insidethearthouse.com youtu.be/6YtS6v47_t0

RENDEZ-VOUS WITH FRENCH CINEMA gathers a new constellation of films, stories shaped by the tensions, desires, politics, moving through France right now. For decades, it has offered American audiences an early glimpse of that evolving landscape. @filmlinc.bsky.social youtu.be/qW9blduhdpY

Director of Oscar-nominated documentary COME SEE ME IN THE GOOD LIGHT discusses standout scene featuring a candid conversation about lesbian kissing and sexual health. Captured through cinéma vérité techniques, the moment becomes an act of vulnerability youtube.com/shorts/lib1t...